{"id":98,"date":"2025-01-31T01:17:41","date_gmt":"2025-01-31T01:17:41","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2025-1-30-on-eusexua-fka-twigs-searches-for-the-high\/"},"modified":"2025-01-31T01:17:41","modified_gmt":"2025-01-31T01:17:41","slug":"2025-1-30-on-eusexua-fka-twigs-searches-for-the-high","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2025-1-30-on-eusexua-fka-twigs-searches-for-the-high\/","title":{"rendered":"On EUSEXUA FKA twigs Searches For The High"},"content":{"rendered":"
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Graphic by Sofia Giarrusso<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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by bennett Himmel<\/h1>\n<\/div>\n
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FKA twigs has gone on record to say that she likes to hone a new skill any time that she\u2019s working on a new album. For her groundbreaking debut, 2014\u2019s LP1, <\/em>she learned to vogue. For her generational follow up, MAGDALENE, <\/em>she learned both pole dancing and wushu. On her newest offering, EUSEXUA, <\/em>the skill is a bit more heady. She says that she\u2019s developed a new theoretical framework for how to live one\u2019s life in a state of eusexua. <\/em>Eusexua, she says, is the moment when we stop thinking: the moments just after we wake, the moment before orgasm, the moment before the beat drops. She\u2019s developed eleven pillars of eusexua, each reflected in all eleven tracks on this new album. Twigs has been teasing this album as a rave album, inspired by a period of time spent healing in Prague. On every track, over minimalist trance production and constantly evolving arrangements, it\u2019s like FKA twigs is asking the listener: when was the last time you <\/em>felt eusexua?<\/p>\n

On the opener and title track, Twigs lays out what eusexua really is. <\/em>\u201cWords can not describe, baby \/ This feeling deep inside,\u201d she coos over twinkly production. Produced by English musician Koreless along with Twigs herself, \u201cEusexua\u201d allows itself to transform and sprawl in a big-budget pop way she\u2019s never been afforded before. The song starts off with a microscopic beep, slowly giving way to a chugging tidal wave of sub bass in the song\u2019s climax. It\u2019s one of the album\u2019s finest moments. EUSEXUA <\/em>is all about these instances where a track suddenly explodes and becomes something completely new. On the Bj\u00f6rk-indebted \u201cRoom Of Fools,\u201d she growls the song title before hard, four-on-the-floor production flows in.<\/p>\n

There\u2019s been lots of talk online about EUSEXUA <\/em>being, let me try and explain this, \u201creheating Madonna\u2019s Ray of Light <\/em>nachos.\u201d For the non-chronically online, this essentially means that Twigs is clearly taking inspiration from Madonna\u2019s trancey, downtempo 1998 album of the same name. On one level, I think that\u2019s, to quote Madge herself, reductive<\/span><\/a>. Lyrically, EUSEXUA <\/em>is less about finding peace and looking inward than sweating in a giant warehouse with all the non-binary blue-haired baristas of the world. However, on the track \u201cGirl Feels Good,\u201d the nachos have been perfectly <\/em>reheated. This is to say that it\u2019s a near-perfect recreation of that sound. Over trip-hop production, Twigs waxes poetic about feeling validated, beautiful, and sexually liberated. It\u2019s one of Twigs\u2019 sexiest songs, and if you know anything about her discography, that\u2019s saying something.<\/p>\n

Speaking of sexy songs, \u201cStriptease\u201d may be the album\u2019s strongest moment. The song has a booming, bizarre, trap-inspired beat, over which Twigs gives a vocal performance we\u2019ve never really heard from her before. \u201cI\u2019m BORderline, it\u2019s GETting late, I FEEL alive, I WAnna show you aHaHaHaHaH,\u201d she groans, punctuating every other syllable with an alien yowl. The track is somewhat reminiscent of Eartheater\u2019s 2019 mixtape Trinity <\/em>until the song switches into a drum and bass breakdown in its final leg, Twigs doing her best Dolores O\u2019Riordan impression. It\u2019s transcendent, and perhaps the first moment on the album where I truly felt eusexua.<\/em><\/p>\n

All of these giant, poppy, ravey moments make the album\u2019s soft, tender songs all the more powerful. \u201cSticky,\u201d which may as well interpolate Aphex Twin\u2019s iconic \u201cAvril 14th,\u201d is a masterpiece. \u201cI tried to fuck you with the lights on \/ In the hope you\u2019d think I\u2019m open \/ And have a conversation,\u201d she confesses over stuttering piano. Her vocal performance is, as always, incredibly strong, and the production fits her like a glove<\/span><\/a>. \u201c24hr Dog\u201d is, on its surface, about sexual submission, but it\u2019s more about how good and relieving it can feel to relinquish power in our most vulnerable moments. \u201cPlease don\u2019t call my name \/ When I submit to you this way \/ I\u2019m a dog forrrrr youuuuuuu<\/em>,\u201d she swoons, before letting out an animalistic howl. It\u2019s beautiful.<\/p>\n

All this praise is not to say that EUSEXUA <\/em>does not have its confounding, unfortunate moments. \u201cChildlike Things,\u201d while admittedly fun, makes pretty much zero sense on the album. The production reminds me of French house, while the chorus is so childlike it can border on grating. And that\u2019s not even mentioning the North West (yes, that <\/em>North West) feature in which the eleven-year old praises Jesus in Japanese. The closer, \u201cWanderlust,\u201d feels like Twigs is invoking Blond<\/em>-era Frank Ocean, but with more autotune and a staggering lack of lyrical depth. The song feels limp and makes no sense as a closer to such a brilliant, shimmering, emotionally intelligent body of work.<\/p>\n

FKA twigs\u2019 previous albums were landmarks in their respective genres. LP1 <\/em>is a core album in the alternative R&B canon, while MAGDALENE<\/em> is on endless \u201cTop 10 best albums of the 2010\u2019s\u201d lists. EUSEXUA, <\/em>with all its brilliance,doesn\u2019t feel like a landmark, but it does feel like a crucial evolution for Twigs. While her previous albums were emotionally heavy and at turns straight-up crushing, EUSEXUA<\/em> paints a portrait of someone constantly searching for emotional highs, craving a constant state of bliss. When she sings, \u201cYou\u2019re not alone \/ And if they ask you, say you feel it \/ But don\u2019t call it love \/ Eusexua,\u201d she\u2019s not just singing to the listener. She\u2019s singing to herself.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

When was the last time you <\/em>felt eusexua?<\/p>\n","protected":false},"author":1,"featured_media":99,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21],"class_list":["post-98","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review"],"yoast_head":"\nOn EUSEXUA FKA twigs Searches For The High - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, 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