{"id":968,"date":"2021-11-13T23:55:46","date_gmt":"2021-11-13T23:55:46","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2021-11-13-seeing-red-taylors-version\/"},"modified":"2021-11-13T23:55:46","modified_gmt":"2021-11-13T23:55:46","slug":"2021-11-13-seeing-red-taylors-version","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2021-11-13-seeing-red-taylors-version\/","title":{"rendered":"Seeing Red (Taylor\u2019s Version)"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2100px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:52.38095474243164%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/7_Untitleddesign-9.png\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/7_Untitleddesign-9.png\" data-image-dimensions=\"2100x1100\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"2100\" height=\"1100\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\"><strong>By Sarah Fournell<\/strong><\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">I have been a die hard Taylor Swift fan \u2014 or Swiftie \u2014 since I was about six years old, with her debut album, <em>Taylor Swift<\/em>. Since then, I have been part of one of the most prolific and loyal (some might say insane) fan bases out there. <em>Red (Taylor\u2019s Version<\/em>) has been highly anticipated by fans and music critics alike, as it is known to be one of the crown jewels of Swift\u2019s discography.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Swift is in the process of re-recording her albums in an effort to own her music, after her masters were sold by her ex-record label executives, Scott Borchetta and Scooter Braun. But in true Swift fashion, this project is so much more than a re-recording of old tracks. Knowledge about Taylor\u2019s Version albums is revealed through easter eggs and decrypted messages, leaving the most dedicated Swifties to go full-on conspiracy theorist mode to predict releases. I spent hours decoding scrambled letters to spell out song titles and the names of collaborators for both <em>Fearless (Taylor\u2019s Version) <\/em>and <em>Red (Taylor\u2019s Version)<\/em>. Swift also heavily employs numerology as well as visual cues, such as nail polish color, to hint at release dates.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Although the goal of the project is to make the re-recordings sound indistinguishable from the originals, rendering&nbsp; the masters obsolete, there are noticeable differences on <em>Red (Taylor\u2019s Version)<\/em>. The most evident distinction is the maturity of her voice. Now older, wiser, and stronger, Swift breathes a new life into her familiar tracks. The youthful exuberance of tracks \u201cWe are Never Getting Back Together (TV)\u201d and \u201c22 (TV)\u201d take a backseat to allow room for a more mature tone. The vocal inflections and new cadences sprinkled throughout familiar songs serve as reminders that Swift has come so far since <em>Red<\/em>\u2019s initial release in 2012.&nbsp; \u201cEverything Has Changed (TV) ft. Ed Sheeran\u201d and \u201cThe Last Time (TV) ft. Gary Lightbody\u201d metamorphosed from sweet lighthearted duets to powerful displays of each collaborator\u2019s musical growth.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Songs that served as bonus tracks on the original album were given more room to grow, since they don\u2019t undergo the same scrutiny as radio singles such as \u201cI Knew You Were Trouble (TV)\u201d in terms of mainstream popularity. One of Swift\u2019s least popular songs, acoustic pop track \u201cGirl at Home,\u201d was completely reinvented sonically this time around. After bringing on <em>Evermore<\/em> and <em>Fearless (TV)<\/em> collaborator ELVIRA, \u201cGirl at Home (TV)\u201d now takes on an electronic-pop beat. Whether or not fans enjoy this change is highly debatable, and many took to Twitter to voice their brutally honest, yet hilarious opinions. One user likened their first listening experience to a \u201cjump scare\u201d and another claimed that she threw it \u201cinto a blender without a lid.\u201d&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The most anticipated and cherished segment of the Taylor\u2019s Version project are the songs \u201cFrom the Vault.\u201d Swift is adding another thrilling layer to the ambitious feat of taking back her music by including songs that didn&#8217;t make the initial cut of the album. Many of these new tracks feature exciting collaborations from Swift\u2019s favorite musicians, such as Phoebe Bridgers and Chris Stapleton. <em>Red (Taylor\u2019s Version) <\/em>includes ten vault songs, two of which were written by Swift but previously released by female country artists Sugarland and Little Big Town. \u201cBabe (TV)\u201d and \u201cBetter Man (TV)\u201d are contemporary renditions of these originally country tracks. Also featured on <em>Red (TV)<\/em> is perhaps one of Swift\u2019s most heartbreaking tracks, \u201cRonan (TV).\u201d Written in memoriam of Ronan Thomspon, for the Stand Up to Cancer telethon, \u201cRonan (TV)\u201d tells the story of a \u201cbeautiful boy who died\u201d from the perspective of his mother Michelle Thompson.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Previously unheard vault tracks \u201cMessage In a Bottle (TV)\u201d and \u201cThe Very First Night (TV)\u201d are displays of Swift\u2019s first delve into the pop genre. The aforementioned youthful exuberance of her initial pop venture is prevalent in these upbeat danceable collaborations with producers Max Martin and Shellback. \u201cNothing New (TV) ft. Phoebe Bridgers\u201d is a poignant tribute to the introspective aspects of aging, asking \u201cHow can a person know everything at 18 but nothing at 22?\u201d The track takes the perspective of aging female artists, who are consistently resisting being pushed from the spotlight to make room for the next young starlet. \u201cI Bet You Think About Me (TV) ft. Chris Stapleton\u201d is a twangy breakup song in which Swift rips apart her ex\u2019s ridiculous lifestyle full of \u201corganic shoes and [a] million dollar couch.\u201d Although distinct audibly, each song is tied together by thematically in terms of heartbreak and carefree youthfulness.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">All-time fan favorite \u201cAll Too Well\u201d was given due justice on <em>Red (Taylor\u2019s Version)<\/em>, with a release of the original ten-minute version of the track, as well as a short film written and directed by Swift. \u201cAll Too Well (Ten Minute Version) (Taylor\u2019s Version) (From the Vault)\u201d is a mouthful of a title for this masterpiece. It consists of all of the original verses from the five minute version of \u201cAll Too Well\u201d with the addition of new prose. I\u2019m convinced that I could write an entire book on the intricacies of this ten minute version, each line a poetic elegy of a love turned cold. (Look out for a follow up article just on her insane lyricism).&nbsp; <em>All Too Well: The Short Film<\/em> chronicles a relationship full of sweet, intimate moments followed by fighting and heartbreak. The \u201ccasually cruel\u201d relationship illustrated beautifully by Sadie Sink and Dylan O\u2019Brien. Shot on 35 mm by Rina Yang, the 13 minute (no coincidence) film is a display of Swift\u2019s pure genius beyond the realm of musicianship.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The most wonderful aspect of <em>Red (Taylor\u2019s Version) <\/em>is the buzz that came with it. Fans across the globe organized listening parties and premieres of the short film, and even caused Spotify to crash for a few minutes. Starbucks paid tribute to Swift by playing her music in their stores for release week, as well as marking her favorite drink (a caramel nonfat latte) with \u201cTaylor\u2019s Version\u201d stickers. In addition, the camaraderie among Swifties is at an all-time high. A quick walk down the street in my TS Cardigan attracted a wave of smiles and \u201cI\u2019m so excited\u2019s\u201d from other fans. My Twitter feed is completely full of professions of love for the album and digs at Swift\u2019s ex, Jake Gyllenhaal.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">A quintessential coming-of-age album, <em>Red (Taylor\u2019s Version) <\/em>practically holds your hand and guides you through every emotion in the book. Swift has an insane capability for writing songs that verbalize exactly how her fans feel. The album is a perfect blend of \u2018dance so hard you forget your emotions\u2019 and \u2018feel so hard that you physically cannot breathe\u2019 songs. It\u2019s an album about feeling everything, and completely owning those feelings. <em>Red (Taylor\u2019s Version)<\/em> is the perfect accompaniment to an autumn afternoon stroll down the Esplanade. Grab your scarves and a Taylor\u2019s Version latte and just <em>feel<\/em>.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\"><em>Red (Taylor\u2019s Version)<\/em> is the perfect accompaniment to an autumn afternoon stroll down the Esplanade. Grab your scarves and a Taylor\u2019s Version latte and just <em>feel<\/em>.<\/p>\n","protected":false},"author":1,"featured_media":969,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21],"class_list":["post-968","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Seeing Red (Taylor\u2019s Version) - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Seeing Red (Taylor\u2019s Version) - wecb\" \/>\n<meta property=\"og:description\" content=\"Red (Taylor\u2019s Version) is the perfect accompaniment to an autumn afternoon stroll down the Esplanade. 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