{"id":902,"date":"2022-02-18T14:54:30","date_gmt":"2022-02-18T14:54:30","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-2-18-with-her-second-ep-julianna-joys-garden-only-grows\/"},"modified":"2022-02-18T14:54:30","modified_gmt":"2022-02-18T14:54:30","slug":"2022-2-18-with-her-second-ep-julianna-joys-garden-only-grows","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-2-18-with-her-second-ep-julianna-joys-garden-only-grows\/","title":{"rendered":"With Her Second EP, Julianna Joy\u2019s Garden Only Grows"},"content":{"rendered":"
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By Maura Cowan<\/strong><\/p>\n

When she greeted me over Zoom, Julianna Joy (she\/her) was just days from releasing her sophomore EP, Garden of Eden<\/em>, but you would never have guessed it from her demeanor. Wrapped in a blanket with the lights dimmed in her family home in Los Angeles, she had an aura of preternatural chill\u2013the kind one can only have, perhaps, when they are 20 years old and completely sure of their dreams. <\/p>\n

Garden of Eden<\/em>, released on February 11th, arrived almost exactly two years after her 2020 debut EP, Cherries<\/em>. The timing there was not entirely intentional but definitely conspicuous, Joy said. After all, it is near impossible for her not to look at her career through the timeline of the COVID-19 pandemic.<\/p>\n

\u201cBasically, I dropped [Cherries<\/em>], and I had a bunch of plans for its release\u2013shows, promotional stuff, I\u2019d just come out to Los Angeles,\u201d she said. \u201cAnd then almost immediately, COVID happened.\u201d<\/p>\n

What followed was two years of development, production, and marketing, largely from Joy\u2019s own home. She has been far from silent in between these larger releases though, keeping a consistent output even through the isolation with a collection of singles. If anything, the pandemic has helped her grow her career (albeit remotely); recently, Cherries<\/em> reached 3 million streams on Spotify.<\/p>\n

\u201cIt\u2019s just insane. I\u2019m still processing how many people have connected to these songs that I wrote when I was sixteen with nothing figured out,\u201d she said. \u201cThat\u2019s part of the reason I love talking to people online. It means a lot to know that something I made helped them or hit them in a certain way.\u201d<\/p>\n

Being active on social media, she said, was an essential part of her career even before the pandemic. She is, after all, part of a generation of artists that was raised on the Internet, so marketing herself from the comfort of her bedroom has felt entirely natural.<\/p>\n

\u201cI very much grew up terminally online, but the great thing is that we all did,\u201d she said with a grin. \u201cI\u2019m seeing that in a lot of these other pop artists around my age\u2026 we just get how social media works and how to engage with people on the internet.\u201d<\/p>\n

Offline, on the other hand, Joy said that \u201cplaying the game\u201d doesn\u2019t come as easily.<\/p>\n

\u201cA lot of the \u2018pop star\u2019 routine feels very against my nature,\u201d she said. \u201cI hate networking. I hate feeling like I\u2019m being fake or trying to get in with people all the time. I just want everyone to be my friend!\u201d<\/p>\n

Despite this discomfort, Joy\u2019s career is blossoming with each release. Much of this, she said, has been propelled by the support of her family, who moved out to Los Angeles from the Chicago area to help her establish herself in the industry.<\/p>\n

\u201cMy parents have been insanely supportive, which I really appreciate, of course,\u201d she said. \u201cIt\u2019s also been very helpful because I don\u2019t have management right now, so my mom has been really acting as a manager as well as a parent. She\u2019s the reason that a lot of this is even possible.\u201d<\/p>\n

Even without a label, however, Joy has been far from alone in her production process; behind the scenes, she already boasts an impressive repertoire of creative collaborators. Her 2020 single \u201cOrange\u201d was created with rising star producer Juan Ariza, and Garden of Eden <\/em>was co-written and produced by industry veteran Teddy Geiger. But in particular, she said, forming friendships with other artists has been essential to her process.<\/p>\n

\u201cMost of my friends out here are songwriters, and we\u2019ve formed this really nice support network where we all bounce ideas off each other,\u201d she said. \u201cI don\u2019t want to sound pretentious, but sometimes I do feel like the only people who get writers are other writers.\u201d<\/p>\n

This network is what has helped Garden of Eden<\/em>, a seven song, synth-driven concept piece, to truly bloom. Thematically, <\/em>the EP covers a swath of ground from isolation to miscommunication to intense frustration with \u201cTeenage Boys\u201d (as described in the EP\u2019s third track). At its core, however, it is the story of a relationship and the growth Joy experienced from it.<\/p>\n

\u201cYeah, there\u2019s definitely been a lot on my mind for the last couple of years,\u201d she said wryly. \u201cBut [the album] really centers around the different aspects of a relationship I was in near the end of high school\u2013the way it made me feel, the way it ended, and also the way I think about it now.\u201d<\/p>\n

Awash with confessional lyrical detail and floating instrumentals, listening to the album feels like entering a new world, one that belongs entirely to Joy and her memories.<\/p>\n

\u201cThat\u2019s where the EP\u2019s title comes from,\u201d she noted. \u201cI kind of wanted to create a space for all of my songs to live, where it felt like my listeners could see everything happening. And the album itself has a lot of Biblical imagery. I\u2019m not personally religious, but I\u2019m very into weaving those references into my work.\u201d<\/p>\n

Joy said that she is grateful to be launching this EP after venues have (for the most part) reopened. After two years in her room, she is all too ready to take to the stage and transport her garden beyond her own street. But more than anything, she hopes that the experiences that she has written about in Garden of Eden<\/em> resonate with her audience in the same way that Cherries<\/em> did.<\/p>\n

\u201cIf you take away anything from this release\u2026 don\u2019t let a guy tell you not to take your medications,\u201d she said with a short laugh, leaning back into her chair. \u201cHonestly? Don\u2019t let a guy tell you anything.\u201d<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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