{"id":888,"date":"2022-02-21T23:35:04","date_gmt":"2022-02-21T23:35:04","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-2-21-neal-francis-warms-up-a-frigid-boston-with-bmh-show\/"},"modified":"2022-02-21T23:35:04","modified_gmt":"2022-02-21T23:35:04","slug":"2022-2-21-neal-francis-warms-up-a-frigid-boston-with-bmh-show","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-2-21-neal-francis-warms-up-a-frigid-boston-with-bmh-show\/","title":{"rendered":"Neal Francis warms up a frigid Boston with BMH show"},"content":{"rendered":"
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By Harry Bates<\/strong><\/p>\n

Soon-to-be music legend Neal Francis (he\/him) played a spectrum of colors with his band on Thursday night at Brighton Music Hall in Allston. With the aroma of Pilsners wafting throughout the beloved music venue, the House was packed with an audience of varying ages. I knew I was in for a show when I scored these tickets back in December, but I had no clue how impactful this February night would be.<\/p>\n

Emily Wolfe (she\/her) opened the evening with an eclectic guitar set consisting of her music from Outlier<\/em> (2021). She serenaded the audience with notes from a double-necked guitar, dazing listeners by the end of her performance with a natural talent for shredding chords.<\/p>\n

A crowded room cheered and whistled upon Francis and Band\u2019s arrival on stage, just as colored lights gave inkling as to what the mood for the evening would be. All of a sudden \u2013 before I was mentally prepared to witness what would become the best concert of my life \u2013 the opening funk of \u201cHow Have I Lived\u201d begins, and I start wondering how am I living right now?<\/em><\/p>\n

I discovered Francis\u2019 music from his set during Bonnaroo Music & Arts Festival\u2019s \u201cVirtual ROO-ALITY\u201d live stream in September 2020, and I\u2019ve been hooked to the vibration ever since. The Artist arranges a bouquet of sound in his music, utilizing holy chords and psychedelic groove to create pieces that speak directly with the heart. Accompanied by the eye-watering talents of Kellen Boersma on guitar, Mike Starr on bass, and Collin O\u2019Brien on drums, Francis assembled a team fit for shaking the stone foundation of Brighton Music Hall.<\/p>\n

His set was mainly dominated by songs off of his new, sophomore album In Plain Sight <\/em>(2021), but the Band was also sure to add a few crowd favorites from Changes <\/em>(2019) as well as Plastic Ono Band and Eddie Hazel song covers. To be frank: My mind was blown with the opening of every song. It was honestly insane to hear this music that I\u2019ve jammed so much with in private to be performed right in front of me \u2013 it\u2019s a night that I\u2019ll never forget. <\/p>\n<\/div>\n

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Photo by Harry Bates<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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Francis and Band\u2019s covering of \u201cPrometheus,\u201d an original song dedicated to the story of the tortured Greek mythic, sounded just as fabled musically as the story itself. The song erupts with this guitar pull by Boersm that makes the knees weak, while Francis connects with the keys in front of him to create this light, mystical breeze of piano sound. O\u2019Brien\u2019s drum and Starr\u2019s bass playing, meanwhile, leads the ensemble into a musical high. This sound keeps rising and rising until an abrupt pause in which Francis takes back control and reverts his piano playing to the opening tune. It\u2019s one of the most transitory sounds I\u2019ve ever experienced in my life.<\/p>\n

One thing made apparent from this show is that these people just love to jam out, and it made the experience as a listener feel so genuine. With each stretched chord, organ rift, and punched drum; the stage was full of grinning performers who were truly having a good time playing their work. A love for music was present on Thursday night by both audience and players, giving this show a vibrant authenticity most often found in basement jam sessions. It\u2019s this palpable love for music and emotion that is drawing crowds towards the Chicago artist\u2019s music.<\/p>\n

\u201cAlameda Apartments\u201d stole the show for me. It\u2019s a song that carries this idea of feeling lost in one\u2019s own skin and identity. It\u2019s like viewing yourself from the third-person perspective, unable to grab the controls of your own life and watching as others dictate your future. This haunted story is reflected through the talents of the entire band, with Francis\u2019 keys and O\u2019Brien\u2019s drums setting the stage for the song. Francis leads with a piano solo that is completely out of this world, accompanied by his beautiful lyrics that connect with the soul of a listener.<\/p>\n

After a set of immaculate vibes, Francis closed the show with the upbeat and warm-hearted \u201cShe\u2019s A Winner,\u201d which brought great energy for audience dancing. It was the natural bookend to a night of first-rate artistry and infectious grooves.<\/p>\n

By the time I left the Allston music venue, my mind was so blown that I had to go get a McDonald\u2019s Shamrock Shake to cool down before hopping on the Green Line back to campus.<\/p>\n

You can watch Francis\u2019s national television debut from CBS Morning\u2019s Saturday Sessions series here<\/span><\/a>, which aired live two days after their Allston performance.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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