{"id":88,"date":"2025-02-07T15:32:09","date_gmt":"2025-02-07T15:32:09","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2025-2-5-staff-pix-27-remix-crate\/"},"modified":"2025-02-07T15:32:09","modified_gmt":"2025-02-07T15:32:09","slug":"2025-2-5-staff-pix-27-remix-crate","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2025-2-5-staff-pix-27-remix-crate\/","title":{"rendered":"Staff Pix 2\/7: Remix Crate"},"content":{"rendered":"
\n

Let\u2019s work it out on the re-re-re-re-remi-mi-xxxxxx! Tune into Staff Pix live<\/em> Fridays from 5-6pm on wecb.live!<\/p>\n

\u201cI like it (bass rmx)\u201d by Bassvictim<\/h2>\n

Bitten until the fierce track bleeds black in euphoric disbelief, Bassvictim\u2019s remix of their own song \u201cI Like It\u201d is a bass-filled anthem that smacks and screams at its listeners, shaking us into a rhythm that is addictive and unforgettable. The original track is sensitive in its birth, producing a muffled hum that grows into a full blown headbanger, layered with synthesized tones that rev with excitement. The \u2018bass rmx\u2019 shortens its intro and leads us right into a marginally faster beat. This seemingly natural exchange for a quicker tempo only doubles the adrenaline rush that the original song exudes. Along with their intense production, the London-based electronic duo tends to distance themselves from their listeners lyrically, creating an exclusive yet catchy chorus that sides with the duo\u2019s best interests: <\/p>\n

\u201cWest side, best side\/<\/p>\n

You know how we drive.<\/p>\n

‘Cause in London Town\/<\/p>\n

The left side’s the right side.\u201d<\/p>\n

By the remix\u2019s final moments, I can\u2019t help but repeat the song for its exclusionary lyrics, yet exhilarating drive. \u2014Mateo Krygowski<\/strong><\/p>\n<\/div>\n

\n

\u201cFaceshopping (Euphoric Reduce Me To Nothingness Remix)\u201d by SOPHIE<\/h2>\n

I\u2019m of the opinion that any good remix should either do something drastically different with the original song, or accentuate a particular element of that song in a unique way. Fortunately, SOPHIE does both with her remix of her own iconic song \u201cFaceshopping,\u201d turning the 2:17-3:05 minute interlude of the original song into a whirlwind of pure bliss. She trades all the bomb-heavy bass and industrial din\u2014whirring, clanking, crushing\u2014of the original for the iridescent sparks left in the aftermath. \u201cOoh,\u200a reduce me to nothingness,\u201d she moans and coos over a galaxy of bouncing synths. By the time the club beat kicks in and you are nothing more than a vessel for the sound, I promise you this: it will feel so<\/em> good. \u2014Christian Jones<\/strong><\/p>\n<\/div>\n

\n

\u201cSince I Left You – Stereolab Remix\u201d by The Avalanches<\/h2>\n

Listen up, kids. This is music. Disgustingly funky, bombastic, legendaric. It goes without elaboration that The Avalanches and Stereolab are beacons of the electronic, post-rock craft. They don\u2019t exist quite in the same micro-niche, rather skimming each other\u2019s curves of their respective venn diagram bubbles. The Avalanches\u2019 seminal 2000 debut Since I Left You<\/em> caught a second wind twenty years later with the release of a deluxe edition, featuring Stereolab on the titular track. Broken up into three acts, this remix is for the ages. The orchestra flows in unique tandem with the synths, as the broken vocals parade in circles. A mid-song breakdown is worthy of not just a head-nodding, but instead a full-body integration, ska style. Whisked away by the angelic conclusion, you may feel depleted knowing the track has reached completion. But, this is the digital age, and you have freewill, so rewind and enjoy it all over, and over, and over again. \u2014Sofia Giarrusso<\/strong><\/p>\n<\/div>\n

\n

\u201cDawn\u201d by Oklou & Casey MQ<\/h2>\n

Cut the upbeat pop and cue the\u2026eerie Oklou ambiance? \u201cI\u2019ll be your sinner in secret\u201d just got a whole new definition in this (unofficial) remix of Carly Rae Jepsen\u2019s \u201cRun Away With Me.\u201d In honor of Oklou\u2019s new album coming out today, I had to shout this out. Oklou turns Jepsen\u2019s song into\u2026not quite your innocent pop fling anymore. \u201cYou make me feel like \/ I could be driving you all night \/ And I\u2019ll find your lips in the streetlight\u201d\u2026Why am I driving you all night? Am I fleeing the cops or trying to find an empty parking lot? If I\u2019m your sinner in secret, what kind of sin are we talking about? Are we about to hookup or hide a body? Make-out or manslaughter? With the synths and reverberations\u2026 it\u2019s your call. \u2014Monika Krueger<\/strong><\/p>\n<\/div>\n

\n

\u201cHuman After All – \u2018Guy-Man After All\u2019 Justice Remix\u201d by Daft Punk & Justice<\/h2>\n

The Justice and Daft Punk crossover on \u201cHuman After All – \u2018Guy-Man After All\u2019\u201d is an absolutely legendary collaboration that wows me every time. It\u2019s an over-stimulating yet coordinated mess of synths that livens the track\u2019s soul past that of Daft Punk\u2019s original. It brings forth a whole new format of instrumentation that simultaneously shortens the track and ups its danceability. With the implementation of even more synth and an even catchier bass lane, Justice\u2019s version is a technical\u2013dare I say\u2013perfection. From the raw intensity to the constant flow of weaving grooves, Justice\u2019s remix is a bold take on one of Daft Punk\u2019s timeless records. \u2014Sophie Parrish<\/strong><\/p>\n<\/div>\n

\n

\u201cOcean Drive – Tiga\u2019s White Linen Vox\u201d by Tiga & FPU<\/h2>\n

Miami Vice<\/em> is something very dear to me. The smell of neon pink latex and aquamarine pleather in the backseat of a Ferrari Testarossa was home for my hot summer nights. Taking the soft feeling of the classic \u201cCrocketts Theme,\u201d originally by the iconic Jan Hammer, FPU adds an influx of the 80s with wobble synth and ticker tape symbols running laps around Tiga\u2019s vocals. The remix tells the story of a classic Tubbs and Crockett case with the lyrics like, \u201cWhite linen on your back\/ Black secrets on your mind\/ A past you’d tried to hide And a life you’d left behind.\u201d The listener is persuaded to tighten their grip on the steering wheel. \u2014Salem Ross<\/strong><\/p>\n<\/div>\n

\n

\u201cLife is Sweet \u2013 Daft Punk Remix\u201d by The Chemical Brothers & Daft Punk<\/h2>\n<\/div>\n
\n

I first heard this song when I watched Gregg Araki\u2019s Nowhere.<\/em> Not only did I fall in love with this film, but I became obsessed with this remix. The Chemical Brothers and Daft Punk are both icons in the electronic music world, and this collaboration is nothing short of legendary in my book. The rhythm is hypnotizing and the developing sounds of both Daft Punk and The Chemical Brothers is clear. This was released in 1995; the electronic music scene was exploding. \u201cLife is Sweet\u201d is an explosion in itself, the bass is deep, and each jab of sound makes moving your body easy. While most dance songs have a build and a drop, \u201cLife is Sweet\u201d is a constant beat for almost 9 minutes, and honestly, I can\u2019t get enough. I let the beat carry me away and I melt into the choir of drum machines and synths. \u2014Izzie Claudio<\/strong><\/p>\n<\/div>\n

\n

\u201cMean girls featuring julian casablancas\u201d by Charli xcx & Julian Casablancas<\/h2>\n

Charli xcx and Julian Casablancas\u2019s remix, \u201cMean girls featuring julian casablancas,\u201d takes the original song to the next level. Casablancas\u2019s smooth, conversational, and almost resigned vocals on this track contrast with xcx\u2019s distorted and upbeat style to produce a dynamic that is utterly addicting. The lyrics delve right into toxic relationships: \u201cI followed the rules \/ I took the abuse\u201d and \u201cHere’s one for the ones who left (Here’s one for the ones who left) \/ One for the abandonment (One for the abandoned girls).\u201d The superpower of \u201cMean girls\u201d is its multi-layered exploration of relationship through two opposite singing styles, reflecting disconnect through and through. \u2014Heather Thorn<\/strong><\/p>\n<\/div>\n

\n

\u201cBrimful of Asha – Norman Cook remix\u201d by Cornershop & Fatboy Slim<\/h2>\n

It\u2019s always a refreshing outlier when a song with the refrain \u201ceverybody needs a bosom for a pillow\u201d hits number one in the UK. Okay, outlier might be too strong of a word. For those uninitiated into the joyful cult of Cornershop, \u201cBrimful of Asha,\u201d lead singer Tjinder Singh\u2019s tribute to legendarily prolific playback singer Asha Bhosle, works just as well as a breezy Brit-rock monument to life\u2019s simple pleasures. In his excellent remix, Norman Cook, better known as Fatboy Slim, takes this laziness and pumps it full of quadruple shots of espresso, sticking it in a taxi and gunning it down the highway at 200 miles per hour. The result isn\u2019t terribly different in structure but miraculous in energy, a pitched-up reimagining of Cornershop\u2019s classic that translates its quirky celebration into a certifiably insane dance party. We\u2019re all invited\u2014 just be prepared to flail around like a cartoon character. \u2014Charlie Desjardins<\/strong><\/p>\n<\/div>\n

\n

\u201cIt\u2019s Not Right But It\u2019s Okay – Thunderpuss Mix\u201d by Whitney Houston, Chris Cox, & Barry Harris<\/h2>\n

At sixteen, I started my job in an ice cream truck. Thus began a summer of forty hour work weeks cooped up in a tin can scooping cream until I sprained my pinkie. Despite it being labor, the job gave me quite a few friends, including an older lesbian who I thought was positively magical. On rainy days she would tell me about the memoirs she read and the adventures she and her partner would embark on. When we worked together we would close quickly so she could go out dancing. Whatever club she went to would end the night with this remix, so as I washed dishes and she counted the register she played it for me to get a taste of the magical nightlife of Providence, Rhode Island. She was the perfect person for a shy sixteen-year-old me to meet, and this song brings me right back to the excitement of knowing there are people out there dancing; I just can\u2019t join them quite yet. \u2014Nathan Hilyard<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Let\u2019s work it out on the re-re-re-re-remi-mi-xxxxxx! Tune into Staff Pix live Fridays from 5-6pm on wecb.live! \u201cI like it (bass rmx)\u201d by Bassvictim Bitten until the fierce track bleeds black in euphoric disbelief, Bassvictim\u2019s remix of their own song \u201cI Like It\u201d is a bass-filled anthem that smacks and screams at its listeners, shaking…<\/p>\n","protected":false},"author":1,"featured_media":89,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-88","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 2\/7: Remix Crate - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 2\/7: Remix Crate - wecb\" \/>\n<meta property=\"og:description\" content=\"Let\u2019s work it out on the re-re-re-re-remi-mi-xxxxxx! 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