{"id":878,"date":"2022-02-25T15:57:17","date_gmt":"2022-02-25T15:57:17","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-2-25-staff-pix-225\/"},"modified":"2022-02-25T15:57:17","modified_gmt":"2022-02-25T15:57:17","slug":"2022-2-25-staff-pix-225","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-2-25-staff-pix-225\/","title":{"rendered":"Staff Pix 2\/25: Each Other’s Playlists"},"content":{"rendered":"
\n

At the beginning of the semester, members of the Milk Crate team were paired up to each make a playlist for our other. In this week\u2019s Staff Pix, we have selected our favorite song from the playlist we received in turn, whether we knew the song and was honored in the association, or got a great new tune out of it. This week\u2019s Staff Pix is cancelled due to weather, but make sure to tune in to our radio show on WECB on (other) Fridays at 2pm EST!<\/p>\n<\/div>\n

\n

Nat Szczepanski<\/h1>\n

Velcro (feat. Gus Dapperton) by spill tab<\/em><\/h2>\n

Everyone always associates me with the alternative emo scene but let this show that I do, in fact, listen to other genres. Spill tab occupies that niche between indie, bedroom pop, and alternative in a way that reminds me a bit of Beach Bunny but with a lot less guitar. Claire Chicha\u2019s vocals in the beginning of this song take on a sort of \u2018airy\u2019 quality \u2014 conjuring an image of wisps of steam, for me at least. \u201cVelcro\u201d doesn\u2019t sit in this space for long however, as the chorus grounds listeners back in reality when both vocalists drop all this emotional weight hit you at once. It\u2019s like I\u2019m transported back to summer 2020, sitting in the passenger seat as one friend drives and the other chills in the backseat: the windows are down, the setting sun warms our skin and we\u2019re all existing in this transitional space as people with only the stereo and each other for company. Thank you Adri for putting this song on the playlist.<\/p>\n<\/div>\n

\n

Everly Orfanedes <\/h1>\n

Dylan Thomas by Better Oblivion Community Center<\/em> <\/strong><\/h2>\n

Two extremely talented songwriters join forces on this hidden gem of a song \u201cDylan Thomas\u201d. Singer-songwriter Phoebe Bridgers and Conor Oberst from the 2000s folk band Bright Eyes mashed their talents together in 2019, writing and recording a series of catchy indie-folk tracks on their self-titled album. Dylan Thomas combines clever lyrics with melodic acoustic guitar to create the perfect track, it makes sense this was the most popular song to come from the album. <\/p>\n<\/div>\n

\n

Karenna Umscheid <\/h1>\n

august by Taylor Swift<\/em><\/h2>\n

An instant favorite off of Taylor\u2019s Grammy-winning album Folklore<\/em>, \u201caugust\u201d never seems to get old to me. It takes on different meanings in different stages of my life, just specific enough for me to feel like Taylor read my diary for inspiration, but vague enough for me to be able to reapply that logic every few months. It leaves me with a slightly nihilistic feeling of everything slipping away all of the time, heartbreaks and goodbyes over and over. Taylor\u2019s lyrical prowess is the only constant in my life, and with tracks like \u201caugust\u201d, I really can\u2019t complain.<\/p>\n<\/div>\n

\n

Andrew Johnson<\/h1>\n

You\u2019ve Got a Women by Natalie Bergman, Beck<\/em><\/h2>\n

A song I had never heard before but wish I had. It’s slow and poppy in all the right ways. While I am well familiar with Beck\u2019s music I had never heard of Natalie Bergman before, and now after listening to the song for the 20th time in a row I am upset that I am just finding her now. Beck has great songs like \u201cMixed Bizness\u201d and \u201cLoser\u201d, but I think this is one of the best songs he has worked on. Natalie Bergman does the lead vocals which is good because her voice is honestly the best. The song has a smooth groove to it that puts me in a trance. I love this song.<\/p>\n<\/div>\n

\n

Nora Onanian<\/h1>\n

New York, I Love You but You\u2019re Bringing Me Down by LCD Soundsystem<\/em><\/h2>\n

I love talk-singing when it\u2019s done right. Nothing radiates cool like Jonathan Richman\u2019s deadpan vocal delivery in Modern Lovers hits like \u201cI\u2019m Straight,\u201d or Rhian Teasdale\u2019s level-toned recitation of tongue-in-cheek lyrics for Wet Leg\u2019s breakout single \u201cChaise Longue.\u201d Thus, when Andrew introduced me to LCD Soundsystem\u2019s \u201cNew York, I Love You but You\u2019re Bringing Me Down,\u201d I was hooked from the first melancholic verse. It\u2019s an ode to knowing a place is deeply flawed, but loving it in all its imperfections. \u201cYou\u2019re still the one place I\u2019d happily drown,\u201d they admit. The track\u2019s instrumental buildup is one of the most satisfying I\u2019ve ever heard, with what starts as simple piano eventually giving way to cathartic chaos.<\/p>\n<\/div>\n

\n

Sara O\u2019Connell<\/h1>\n

Picture Me Better by Weyes Blood<\/em><\/h2>\n

Out of all of the tracks Sophie added to this playlist, this one has got the strongest grip on me. It\u2019s dreamy production and ethereal sound makes me feel like I\u2019m floating every time I listen. Weyes Blood has an eerily beautiful voice with a rich tamber, that mixes with the soft and supple strings make for a transcendent listening experience. Weyes Blood is singing to a friend who is no longer in their life and all the things they would\u2019ve said to this friend if they had the chance. Songs about words never spoken always hit me hard. I feel like I\u2019m reaching out to something that isn\u2019t quite as tangible as I think it is. Weyes captures that experience beautifully and wraps it up in a nice bow.<\/p>\n<\/div>\n

\n

Sophie Severs<\/h1>\n

Gutter Girl by Hot Flash Heat Wave<\/em><\/h2>\n

I am a sucker for a killer guitar riff, and Hot Flash Heat Wave nails it right from the start with \u201cGutter Girl.\u201d As a love song (of sorts), the vocalist energetically professes undying love for his \u201cGutter Girl,\u201d even though he has no money and loving her won\u2019t make his \u201cmomma proud.\u201d I must confess that I can\u2019t tell if being called \u201cGutter Girl\u201d is endearing or demeaning\u2026 it\u2019s up to interpretation, I suppose. Thanks to Sara for this rec!  <\/p>\n<\/div>\n

\n

Lauren Larking <\/h1>\n

Sun Tan by Wallows<\/em><\/h2>\n

\u201cSun Tan\u201d is a prime track from Wallows\u2019 golden era. It\u2019s the second song in the band\u2019s discography and belongs to a collection of singles that put Wallows on the map as a new indie band to be reckoned with. It\u2019s the perfect track to strut down Boylston to when it\u2019s concerningly warm on a February day. Thank you Izzy for making me revisit my love for old Wallows music, as their most recent album and releases have been\u2026 underwhelming.<\/p>\n<\/div>\n

\n

Izzy Desmarais <\/h1>\n

There She Goes by The La\u2019s <\/em><\/h2>\n

I\u2019m not sure if it\u2019s because this is the first song featured in Gilmore Girls, but this song feels distinctly New England to me and I very much pride myself in being an east coast gal from Massachusetts. It could also just be because it provides the same comfort I feel when I go back home for a weekend, thus causing me to attribute it to New England. This song evokes a very distinct and nostalgic feeling in me. The same feeling I get when I\u2019m sitting in the passenger\u2019s seat of my dad\u2019s car, driving to pick up takeout (specifically from Riccardi\u2019s in Dartmouth), and it\u2019s starting to snow so you have to be extra careful on the ride back. It\u2019s cozy and comforting, just like driving down the same highway you\u2019ve been on a million times before, the first bite of a warm Italian grinder from Riccardi\u2019s, and finally sleeping in your own bed again. Thank you, Lauren, for including a song that feels like home in my playlist. <\/p>\n<\/div>\n

\n

Harry Bates<\/h1>\n

Cowpoke by Colter Wall<\/em><\/h2>\n

Awe there\u2019s just something about a western song that gets my heart beating steady. Soulful magic happens when that silver harmonica, acoustic guitar, and deep voice come together to create sounds of joy, sorrow, and wonder. \u201cCowpoke\u201d comes from Colter Wall\u2019s Western Swing & Waltzes and Other Punchy Songs<\/em> (2020). I\u2019ve added the entire album to my playlist. Thanks Maxwell for revitalizing my dream of becoming a western farmhand \ud83d\ude42 I\u2019ll be out in the prairie tending the cows if you need me.<\/p>\n<\/div>\n

\n

Maxwell Reid<\/h1>\n

Sleep Comes Down by The Psychedelic Furs<\/em><\/p>\n

Harry somehow knew that all you had to do to get me to like a song was some reverb guitar, mopey lyrics, and a bouncy beat. The Psychedelic Furs have always been a blind spot in my giant love for 80s English rock, and right now I feel like an idiot for spending more of my time with Meat Is Murder <\/em>than this band. This song has everything I love out of this period in British music with a 60s kick that almost serves as a precursor to Britpop. A great track from a band that\u2019s honestly not played enough when throwing an 80s night.<\/p>\n<\/div>\n

\n

Nia Tucker <\/strong><\/h1>\n

AMBER by Unusual Dermont <\/em><\/h2>\n

I\u2019ve been looking for more Black indie artists and Kenny delivered by putting this song on my playlist. AMBER is a lo-fi, Steve Lacy-groove-esque that plays with various vocal tones and pop melodies over a beachy back beat. The song is a break-up tune that has Unusual Dermont crooning about not giving in to a girl that loves him more than he loves her saying \u201cYou need to thank me \/ Or hate me\/ He\u2019ll do so much better.\u201d The contrast of the lyrics and the danceability of the song make this a great listen. <\/p>\n<\/div>\n

\n

Kenny Wood<\/h1>\n

Stop Calling The Police on Me by Dreamer Isioma<\/em><\/h2>\n

Looking at my playlist this definitely was my favorite song Nia put on the list. Dreamer Insioma is a black indie artist that has had a few popular releases such as Sensitive on Tiktok. Their ode to police violence against people of color may have strong lyrics but a very fun loving beat.<\/p>\n<\/div>\n

\n

Julia Norkus<\/h1>\n

SPORTS MEN (2018 Yoshinori Sunahara Remastering) by Haruomi Hosono<\/em><\/h2>\n

Haruomi Hosono\u2019s song \u201cSPORTS MEN\u201d sounds the way being in an \u201880s movie probably feels. Similar to the style of Talking Heads, the song itself is a goofy take on unrequited love, with one person who isn\u2019t in shape being totally infatuated with someone else whose whole family puts pressure on being physically fit. It acknowledges love, personal insecurities, and it\u2019s all pulled together with the bounce of a synthesizer. Big thanks to Lily for sharing this silly little tune with me!<\/p>\n<\/div>\n

\n

Lily Hartenstein <\/h1>\n

Shirim by Melody\u2019s Echo Chamber<\/em><\/h2>\n

I love Melody\u2019s Echo Chamber dearly; their psychedelic dream pop is simultaneously inspiring and disturbing, which is what I consider to be the sweet spot for all things weird. For Julia to associate them with me, even if I did ask for songs featuring women in psychedelia, is the truest compliment I could receive via playlist. \u201cShirim\u201d layers a funky bass line, a dancey guitar riff, and Melody\u2019s ethereal voice: the outro to what I consider to be their best album, Bon Voyage<\/em> (2018), this song feels like the happy ending to a Seuss-esque thriller. <\/p>\n<\/div>\n

\n

Lydia Aga<\/strong><\/h1>\n

Nothing Even Matters by Ms. Lauryn Hill & D\u2019Angelo<\/em><\/h2>\n

Lauryn Hill and D\u2019Angelo craft a soul anthem for the bedroom with \u201cNothing Even Matters.\u201d D\u2019Angelo\u2019s voice melts slowly behind a simple bass rhythm and organ-type synths alongside Hill\u2019s angelic vocals and love-smitten lyrics. The Miseducation of Lauryn Hill <\/em>is undoubtedly an album about growth. Though most of the album tells the story of Lauryn\u2019s personal growth following the end of the Fugees and the start of her journey towards motherhood, this track highlights what it means to grow with someone else as they fall deep into love. The track is imbued with sweet nothings and dreamy melodies and is a window into the world of intimacy the two unearth.<\/p>\n<\/div>\n

\n

Maura Cowan<\/h1>\n

Never Seen Such Good Things by Devendra Banhart<\/em><\/h2>\n

I\u2019ve long been dancing on the edge of Devendra Banhart\u2019s discography, but this is one that I cannot stop returning to. With its simple slow-dance beat, perfectly interspersed guitar riffs, and rhythmic, contemplative lyrical delivery, it is song that is not easy to forget. I have found myself twirling around the common room kitchen to it more than once over the past few weeks, and if there is any piece that may convince me to further explore their work, this is it.<\/p>\n<\/div>\n

\n

Will Ingman<\/h1>\n

Make Love to Me by Rick James<\/em><\/h2>\n

With sizzling saxophone-guitar harmonies, a rubbery bass line, and unmistakable, dynamic vocals, \u201cMake Love to Me\u201d is a positively anthemic soul jam, and a quintessentially Rick James one at that. The pocket on this one is deep, but practically overflowing with lip-bitingly powerful groove. Thank you to Diogo for suggesting this one.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

At the beginning of the semester, members of the Milk Crate team were paired up to each make a playlist for our other. 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