{"id":832,"date":"2022-03-23T16:10:04","date_gmt":"2022-03-23T16:10:04","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-3-23-uncovering-where-the-light-used-to-lay-yumi-zouma-amp-the-present-tensenbsp\/"},"modified":"2022-03-23T16:10:04","modified_gmt":"2022-03-23T16:10:04","slug":"2022-3-23-uncovering-where-the-light-used-to-lay-yumi-zouma-amp-the-present-tensenbsp","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-3-23-uncovering-where-the-light-used-to-lay-yumi-zouma-amp-the-present-tensenbsp\/","title":{"rendered":"Uncovering Where The Light Used to Lay: Yumi Zouma & The Present Tense "},"content":{"rendered":"
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By Lydia Aga<\/strong><\/p>\n

For Yumi Zouma, home transcends physical space, and through memories and melodies, the Christchurch collective never leaves home.<\/p>\n

 \u201cThe Brae,\u201d a musical homage to the street they once lived on from their earlier self-titled EP, repackages the roofs they once lived under into a sleek bassline and delicate vocals. Through nostalgic vignettes that transcend the present, Yumi Zouma intimately embraces what once was amidst distance and displacement following the 2011 Christchurch Earthquake that devastated their hometown.<\/p>\n

 Present Tense<\/em>, the New Zealand band\u2019s fourth album, <\/em>graduates from the airy vocals and wistful, dreamy synths that once defined the Yumi Zouma sound as the group renavigated a world we\u2019re all still trying to make sense of. <\/p>\n

\u201cAfter three albums and three EPs with songs that were more oriented towards dream-pop, we wanted to be more direct because we\u2019re living in a time that didn\u2019t feel so dreamy anymore,\u201d Josh Burgess (he\/him) explained.<\/p>\n

For Yumi Zouma, life has been their biggest influence when crafting Present Tense<\/em>. Christie Simpson (she\/her) and Josh Burgess (he\/him) recount their own recent breakups as a source of inspiration when constructing what Josh would describe as a \u201ccool listening experience.\u201d<\/p>\n

\u201cAll the songs on the album sort of gained new relevance as we were going through different situations. It\u2019s like I\u2019m singing the words now and then I realize when I\u2019m singing it\u2019s almost a premonition. That, for me, provides a sense of comfort and I hope that cathartic feeling of being understood is what listeners take away from the album,\u201d Christie expressed.<\/p>\n

Distance never seemed to pose a threat to Yumi Zouma\u2019s creative process. Endless email chains glued the group together when the members relocated across different pockets of the world. Making music remotely was purely routine for Yumi Zouma, resulting in the neverending \u201ctangential collages\u201d that inevitably became Yoncalla<\/em>, Willowbank<\/em>, Truth or Consequences<\/em>, and several other projects. <\/p>\n

\u201cYumi Zouma\u2019s process [of making music] is less of a puzzle and more of a collage really. With a puzzle, the pieces are already there for you, but our process aims to inspire each other by taking bits and pieces of what\u2019s been passed around in order to take songs to places you wouldn\u2019t imagine,\u201d Josh elaborated.<\/p>\n

Between impending Covid-19 lockdowns and the cancellation of their North American tour following the release of Truth or Consequences<\/em>, the group was able to experiment musically without the constraint of time. <\/p>\n

\u201cIt was the first time we had nothing on the horizon. With all that extra time, we were able to experiment and definitely get bolder. We had Olivia play drums the whole time whilst Christie was more upfront with the vocals. The pacing of this album is much faster as well,\u201d Josh stated.<\/p>\n

\u201cIn The Eyes Of Our Love,\u201d the infectiously upbeat single from Present Tense<\/em>, is surely a testament to Yumi Zouma\u2019s musical maturation. The heart of the single lies in the hands of drummer Olivia Campion (she\/her) – who pulses life into the song despite Simpson\u2019s lyrics that capture the fear of loss against a backdrop of torture and insurrection. <\/p>\n<\/div>\n

\n

Directed by Alex Ross Perry, the music video\u2019s dystopian aesthetic and complex love story set during the Nixon administration is ambitious, yet nonetheless has allowed Yumi Zouma to experiment with visuals in their storytelling process.<\/p>\n

\u201cA visual element alongside the music is a nice way to marry the two mediums together,\u201d Josh replied, \u201cWe\u2019re interested in worldbuilding whether that be the actual construction of the album or artwork as well. It allows for us to really immerse ourselves in our art.\u201d<\/p>\n

Present Tense <\/em>plays to the group\u2019s synth-pop strengths whilst incorporating guitar textures, layered vocals, live drumming, and saxophone accents in addition to Simpson\u2019s accentuated melodies. The Kiwi quartet was able to channel the \u201cless perfect\u201d in order to create a sound that resonates on a more intimate level.<\/p>\n

\u201cI\u2019d say the songs off this album are boisterous and definitely the album as a whole is fiery if I had to describe it,\u201d, Charlie Ryder (he\/him) answered.<\/p>\n

Present Tense<\/em> is out now on Polyvinyl and streaming currently on Spotify.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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