{"id":828,"date":"2022-03-25T18:03:05","date_gmt":"2022-03-25T18:03:05","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-3-25-staff-pix-325-colors\/"},"modified":"2022-03-25T18:03:05","modified_gmt":"2022-03-25T18:03:05","slug":"2022-3-25-staff-pix-325-colors","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-3-25-staff-pix-325-colors\/","title":{"rendered":"Staff Pix 3\/25: Colors"},"content":{"rendered":"
\n

The Milk Crate staff select their favorite hue-inspired songs for this week\u2019s technicolor Staff Pix. Our director, Lily, doesn\u2019t think black is a color but they let a bit of gray slide: the cloud in our rainbow. There\u2019s even a pot of gold at the end. <\/p>\n<\/div>\n

\n

Lauren Larking <\/h1>\n

Pink Moon by Nick Drake<\/h2>\n

Soothing and slow guitar strums make this 70\u2019s track perfect for a beach day in the winter fog. The album by the same title is equally mellow, but only gained mass attention after Nick Drake\u2019s passing. Fans loosely connected the short four verse song to the symbol of a pink moon as rebirth and cleansing, as a pink moon only occurs in April. With the repeated lyric \u201cPink, pink, pink, pink \/ Pink Moon,\u201d it\u2019s clear Drake deeply wanted us all to know the moon was pink. An acoustic lullaby fitting for dark and cloudy skies, \u201cPink Moon\u201d forever has a spot on all my playlists for rainy days. <\/p>\n<\/div>\n

\n

Everly Orfanedes <\/h1>\n

Pinkish by Gerard Way <\/h2>\n

My Chemical Romance\u2019s frontman Gerard Way sparked a brief solo career for himself in 2015, shortly after the breakup of the band in 2013. \u201cPinkish\u201d is what I might call one of his most \u201cunderground\u201d tracks from his solo career era. The song was released shortly after the release of his debut album Hesitant Alien <\/em>as a single coupled by the song \u201cDon\u2019t Try\u201d. Gerard Way fans are well aware of the psychedelic pop\/rock songs that defined Gerard Way as a solo musician. \u201cPinkish\u201d features heavy distorted electric guitar, as well as distorted vocals that make lyrics blend in with the instrumentals, and as he does on many of his solo songs, we hear a heavy feature from the fuzz pedal and a multitude of effects on the guitar. I absolutely love how hectic and stressful \u201cPinkish\u201d is, completely on brand for Way. All My Chemical Romance and Gerard Way fans need to put this banger on their mental breakdown playlists. <\/p>\n<\/div>\n

\n

Maura Cowan<\/h1>\n

Pink in the Night by Mitski<\/h2>\n

To say that I have not yet written about Mitski\u2019s work for Milk Crate seems insane, but it\u2019s true\u2013despite being my top Spotify artist four years in a row, I have not yet found the right things to say about her on paper (or, perhaps more literally, on screen). Today, I write not about my favorite song of hers, or even a particular critical darling, but one that is simply very close to my heart. \u201cPink in the Night\u201d is something special. Every note seems to float and hang in the air, pulsing with the same warm rosy aura that Mitski herself describes. Lyrically, it is so simple and straightforward, but captures such a raw and intense feeling of longing. It is the perfect representation of the hours after the first kiss or first move in a relationship\u2013the reflection, the calm elation, the desire that creeps into every thought. It is a pink song if I have ever heard one, and I don\u2019t think there will ever be a day when I don\u2019t hear her refrain of \u201cAnd I know I kissed you before but\/ I didn\u2019t do it right\/ Can I try again, try again, try again\u2026\u201d when I don\u2019t feel that glow cast over me too.<\/p>\n<\/div>\n

\n

Sara O\u2019Connell<\/h1>\n

Red Right Hand by Nick Cave & The Bad Seeds<\/h2>\n

Inspired by John Milton\u2019s \u201cParadise Lost\u201d this is a spooky tune that touches on the theme of death. This song is one of my favorite from this group due to it\u2019s haunting melody and tubular bell used. For me, this song brings back memories of long walks with friends mimicking Nick Cave\u2019s voice. <\/p>\n<\/div>\n

\n

Nia Tucker<\/h1>\n

Red Eye by Kid Cudi ft. HAIM<\/h2>\n

This oft-forgotten collab on Cudi\u2019s 2013 album Indicud<\/em>, is an expert mashup of both acts\u2019 proclivity for interesting melodies and layered harmonies. It\u2019s synth heavy but the drum track and whispering electronic sounds work well with Cudi\u2019s sing-rap style, which surprisingly, appears less than HAIM\u2019s own vocals. Danielle Haim commands most of the track, singing verses like \u201cthe visions in my head, I just can\u2019t make sense of it.\u201d She repeats this verse, and then they all join together for the chorus which also repeats multiple times. The track loops, becoming representative of the song\u2019s theme of trying to grasp one\u2019s sanity in an overnight state of confusion and loss of self. <\/p>\n<\/div>\n

\n

Sophie Severs<\/h1>\n

Cherry-Coloured Funk by The Cocteau Twins<\/h2>\n

\u201cBeetles and eggs and blues and pour a little everything else\u2026\u201d Not your average recipe, right? The Cocteau twins whipped something special up for listeners with their \u201cCherry-Coloured Funk.\u201d Serving as the first track on their 1990 album, Heaven or Las Vegas, <\/em>this dreamy, poppy melody is a true earworm. Though beware, singing along is almost sure to fail, as Liz Fraser\u2019s arbitrary lyrics weave complexities that cannot be easily understood after your first listen. While many get caught up trying to find a deep meaning within the words, one should consider that maybe, they are meant to be felt<\/em> instead of analyzed.<\/p>\n<\/div>\n

\n

Lily Hartenstein<\/h1>\n

Orange Color Queen by Ty Segall <\/h2>\n

Orange is an underrated color: both energetic and calming, Segall captures the gentle joy of the hue in this psych-pop love song. It\u2019s a much softer track than most of those put out by the garage-rock whiz, layering mellow acoustics with tender lyrics, but it maintains classically Segall grit with some fuzzy electric guitar and hazy falsetto. It sounds like a long lost radio hit from the early \u201870s, maybe an omitted track from the White Album. Dedicated to his girlfriend at the time, who helped quell his fear of flying, the track oozes with the comfort brought by the presence of someone you love. <\/p>\n<\/div>\n

\n

Sarah Fournell <\/h1>\n

Lemon Glow by Beach House<\/h2>\n

\u201cLemon Glow\u201d puts me into an absolute trance every time I listen to it. The \u201clemon-colored honey glow\u201d that the lyrics describe shroud me in a hazy warmth. However, this warmth is countered by the feverish and urgent synth beat that guides the track, and paired with the organ, creates a haunting atmosphere. The tension created by the pulsing beat creates a perpetual spiral of \u201ccandy-colored misery.\u201d \u201cLemon Glow\u201d is a raw reflection of intimacy, describing a pair of lovers who make each other \u201ccome alive\u201d while simultaneously being stuck in a sometimes miserable stupor.<\/p>\n<\/div>\n

\n

Izzy Desmarais <\/h1>\n

Green Light by Lorde <\/h2>\n

I will never forget the first time I listened to \u201cGreen Light.\u201d It was 6:00 AM on Friday, March 3rd. I should have been getting ready for school but instead I was laying in bed, scrolling through Instagram. That\u2019s when I see Taylor Swift\u2019s post gushing over Lorde\u2019s new single. I started freaking out because nobody had heard anything from Lorde for the past four years, so I immediately got off Instagram and opened Spotify to listen. I must have played it at least ten times that day. It was so overwhelmingly good, I just couldn\u2019t get enough of it. Three months later Melodrama <\/em>came out and still to this day it is one of my favorite albums of all time. While it is a song about heartbreak, \u201cGreen Light\u201d is such an empowering track. It sets the tone perfectly for the rest of the album and uses, what I think, is one of the smartest metaphors for struggling to move on from an ex\u2014\u201cOh, I wish I could get my things and just let go \/ I\u2019m waiting for it, that green light, I want it.\u201d It will forever and always give me chills every time it comes up on shuffle.<\/p>\n<\/div>\n

\n

Nora Onanian<\/h1>\n

Greens and Blues by Pixies<\/h2>\n

There are a variety of analyses that have been made on what the Pixies mean when they are \u201cslipping into the greens and blues\u201d of a relationship in this rock ballad. Some say that the color represents love, so the greens and blues must simply mean moving away from love. Some think it sticks to the Pixies\u2019 long standing theme of singing about aquatic life (citing \u201cWave of Mutilation\u201d and \u201cManta Ray\u201d just to name a couple) and is about algae, the beginning lifeform that developed. Others think it\u2019s about green and blue colored drug capsules. And that is the beauty of the Pixies\u2019 music. Regardless of what is drawn from the lyrics, the instrumental progression and feelings come across in a way that allows listeners to find content in its ambiguity.<\/p>\n<\/div>\n

\n

Will Ingman<\/h1>\n

Blue Monday by HEALTH <\/h2>\n

Electronica and post-punk have always been two shades on the same gradient, and no group blends them together quite like New Order. Further along that spectrum, however, shades of industrial music and noise rock begin to appear, and that\u2019s where L.A. noise gurus HEALTH come into the picture. With their colors pressed onto New Order\u2019s canvas, the melodrama that tinges post-punk is recast into a neon-tinted nightmare. Mixing a palette of live and sampled drum sounds with low, sweeping synthesizer buzzes, HEALTH\u2019s take on \u201cBlue Monday\u201d is a club banger for the end of the world.<\/p>\n<\/div>\n

\n

Julia Norkus<\/h1>\n

Lavender Boombox by Miniature Tigers<\/h2>\n

\u201cLavender Boombox,\u201d while seemingly harmless, is a soul crusher. Miniature Tigers designed an 80\u2019s inspired track with strong elements of alto saxophone and synthesizer to sugar coat their heartbreaking lyrics, not to mention the beautifully misleading title. With lines like, \u201cBaby I\u2019m in so much pain\/You said \u2018I\u2019d never make it without you\u2019\/And goddamn, you were playing,\u201d the listener is taken on a journey of attempting to release heartbreak with some dancing and jamming, as you bop and move with the infectious beat. \u201cLavender Boombox\u201d gives you the sensation of driving to the beach at twilight, with the radio blasting, and tears streaming down your face as you scream to whatever might be on the radio. It\u2019s a reminder that as the sun sets and rises again, you\u2019re capable of doing so, too, even if you have to dance to get to the next sunrise.<\/p>\n<\/div>\n

\n

Kyle Woolery<\/h1>\n

Digital Versicolor by Glass Candy<\/h2>\n

Retrowave legends and Italians Do It Better veterans Glass Candy, the duo comprised of vocalist Ida No and producer Johnny Jewel, are perhaps best known for their song \u201cDigital Versicolor,\u201d a minimalist electronic number driven by a hypnotic synth bassline and accentuated by mesmerizing Italo-disco riffs and uncanny vocal reverberation. The lyrics (\u201cthis is red,\u201d \u201cthis is orange,\u201d \u201cthis is yellow,\u201d and so forth) are cryptic, and Ida No\u2019s delivery is eerie\u2014like a haunted marionette performing in a twisted cabaret show or a technopagan cult leader reciting a ritualistic chant on the dance floor, summoning the spirits of glitter, debauchery, and disco. However, according to Johnny Jewel, the song is actually about aligning your chakras from the ground up, beginning with muladhara\u2014the root chakra, symbolized by the color red\u2014and ending with sahasrara\u2014the crown chakra, \u201cthe brilliance of white light.\u201d The juxtaposition of such enlightened<\/em> lyrics with such haunting<\/em> sounds only boosts the enigmatic allure and intrigue of \u201cDigital Versicolor\u201d and makes it all the more entrancing.<\/p>\n<\/div>\n

\n

Harry Bates<\/h1>\n

Touch of Grey by Grateful Dead <\/strong><\/p>\n

The title may lead some to assume that this certified, good energy bop is rather something of a lukewarm, day-old soup kind of sound. Once hitting play, however, a rainbow of stellar vibrations emits from any speaker, propping open a steel gate into a world of bright, infectious optimism. Its uplifting beat paired with that signature Jerry Garcia charm makes this a song capable of transcending its listeners into greener pastures. \u201cTouch of Grey\u201d teaches us that a wider perspective \u2013 beyond the stresses and worries of the present \u2013 will inevitably bring us the comfort we so desperately need. WE WILL GET BY! \u262e\ufe0f\u2665\ufe0f <\/p>\n<\/div>\n

\n

Adri Pray<\/h1>\n

We Were Raised Under Grey Skies by JP Cooper<\/h2>\n

As the title track off of JP Cooper\u2019s 2017 album We Were Raised Under Grey Skies<\/em>, this song acts as an acoustic commentary on the hardships of growing up without a parent. The track builds over time, and features a choir echoing Cooper\u2019s main message: \u201cwhen you left us, you didn\u2019t really go.\u201d The tone of Cooper\u2019s voice suggests an almost unbothered attitude surrounding the issues, but the lyrics speak on the reliance he has on this absence in his life in order to grow as a person. \u201cWhen you left us you didn\u2019t really go \/ I know you\u2019re watching me from my head to my toes \/ And I will not go without, I will not walk without you.\u201d<\/p>\n<\/div>\n

\n

Karenna Umscheid <\/h1>\n

Gold Dust Woman – Fleetwood Mac<\/h2>\n

Fleetwood Mac single-handedly got me through the worst of quarantine. Their sweet, timeless 70\u2019s sound promised me a better future of endless summers, sunshine, and joy. They have a way of validating every emotion I\u2019ve felt, and in every song I feel their empathy and understanding. \u201cGold Dust Woman,\u201d in particular, is about drug addiction in the literal sense, chronicling the life of a person whose heart has been broken by a wealthy girl with an affinity for cocaine. But the lyrics and the sentiment can speak to any sort of pain or disappointment, with Stevie Nicks splicing in bits of advice and sneaky anecdotes of her own love life. In the song, she says \u201cRulers make bad lovers,\u201d a piece of advice she knows firsthand. She later advises that the person \u201cpick up the pieces and go home.\u201d Stevie is reassuring that wherever you\u2019ve been, she\u2019s been too, and she knows exactly what to sing to make you feel better. My worries are often temporary, but I know Fleetwood Mac as my comfort forever. <\/p>\n<\/div>\n

\n

Maxwell Reid<\/strong><\/h1>\n

Velvet Goldmine by David Bowie<\/h2>\n

This is glam era Bowie at the height of his powers. A forgotten Ziggy B-side that served as inspiration for the fictional glam biopic of the same name, this song is the epitome of glitter and guitar. Starting out in a typical rock verse before transitioning into a baroque chorus that sounds like it belongs in a Vaudeville show more than a 70s rock album, that melody has been stuck in my head for actual years. Years! I think about it every damn day! That choral, almost gang puffing outright triumphantly carries us out of the track. What I\u2019d do to see Ziggy perform this live. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Milk Crate staff select their favorite hue-inspired songs for this week\u2019s technicolor Staff Pix.<\/p>\n","protected":false},"author":1,"featured_media":829,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-828","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 3\/25: Colors - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, 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