{"id":826,"date":"2022-03-25T23:01:32","date_gmt":"2022-03-25T23:01:32","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-3-25-head-in-the-clouds-a-look-at-nfs-fifth-studio-album-one-year-later\/"},"modified":"2022-03-25T23:01:32","modified_gmt":"2022-03-25T23:01:32","slug":"2022-3-25-head-in-the-clouds-a-look-at-nfs-fifth-studio-album-one-year-later","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-3-25-head-in-the-clouds-a-look-at-nfs-fifth-studio-album-one-year-later\/","title":{"rendered":"Head in the CLOUDS: A Look at NF\u2019s Fifth Studio Album One Year Later"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:1240px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:40.32258224487305%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/cloudsheader.jpg\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/cloudsheader.jpg\" data-image-dimensions=\"1240x500\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"1240\" height=\"500\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div><figcaption class=\"image-caption-wrapper\">\n<div class=\"image-caption\">\n<p class=\"\" style=\"white-space:pre-wrap\">Graphic by Chloe Williams<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\"><strong>By Adri Pray<\/strong><\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">After a three year hiatus in the music industry, Michigan rapper Nathan Feuerstein, known by his stage name, NF, released <em>CLOUDS (THE MIXTAPE)<\/em> early in 2021, a long anticipated album tackling self-doubt and loss.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">NF\u2019s fifth studio album promotes a different sound without losing authenticity\u2014a feat few can pull off\u2014while still remaining relevant to his fans. Listening a year later, fans are reminded of what makes NF a timeless rapper and how far he\u2019s come with his sound since the start of his career.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Lead single \u201cPAID MY DUES\u201d dropped nearly two years prior to the rest of the project, and promised a alternate direction than the one of NF\u2019s fourth studio album <em>The Search<\/em>. <em>The Search<\/em> consisted of themes surrounding his battle with imposter syndrome, but \u201cPAID MY DUES\u201d follows NF\u2019s journey with confidence in the music industry and is seated as the last track on the album to leave the impression that this confidence is just beginning.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Title track, \u201cCLOUDS,\u201d was delivered to fans a less than a month before the album was released. The song further develops NF\u2019s newfound confidence while rejecting the idea that he \u201cwon\u2019t go Hollywood\u201d\u2014reassuring fans his success hasn\u2019t inflated his ego. As the glue that holds the album together, it only made sense for NF to add a choir as he raps, a metaphor insinuating his fans hold his music, and therefore his career, together. This choir sound is featured on each track on the mixtape and thus proves an importance to NF because of the \u201caudience participation.\u201d \u201cSee my initial thought was to wait \/ But what can I say? I had to come visit \/ Check on you guys, you doin\u2019 alright? \/ Your year really sucked? Yeah, that\u2019s what I figured.\u201d Crafty verses like these read as an apology for being away, but an award for the audience for waiting.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Hopsin joins NF on \u201cLOST,\u201d the final single before the album dropped, but the first with a feature. Reminiscent on NF\u2019s signature sound, \u201cLOST\u201d resurrects the NF fans know; the issue of self-doubt mixed with tricky lyricism follows the trope of the artist while staying true to this new sound. As per his discography, NF and Hopsin echo the idea of soul searching in a very public industry, a theme that rings true even one year later, without a single explitive. \u201cBut I manifested this \/ Failing\u2019s how you grow and learn your lessons, kids \/ Take the worst and try to make the best of it \/ \u2018Cause when you fail, just know that it\u2019s a test\u2026\u201d Hopsin mirrors this sentiment, but draws from his years of experience as someone that\u2019s been in the industry for several years more. \u201cYeah, manifested this \/ Do not treat me like some adolescent kid \/ I am praying to the Lord with the Book of James \/ Hopin\u2019 he gon\u2019 add my testament.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The fourth track, \u201cSTORY,\u201d focuses on telling the story of a man that witnesses a robbery and subsequently a murder while stopping at a gas station. The music video is what makes this song terrific, as NF includes four key characters: the narrator, the narrator\u2019s roommate, the roommate\u2019s boyfriend, and the boyfriend\u2019s friend. NF doesn\u2019t play the narrator of the story, but the boyfriend\u2019s friend, and ultimately the accomplice to robbery and accessory to murder.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The track follows multiple conversations and legitimizes NF\u2019s lyricism and genius wordplay. Light synth articulates the beginning of the song which transition into a dark drum line as the rhythm of the raps change in each verse and the subject of conversation switches between the narrator, the store cashier, the robber, the accomplice, and the 911 operator.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cTRUST,\u201d the truest testament to NF\u2019s hard work and success payoff thus far, appears just before the conclusion of the album. The song&nbsp; includes the only other feature on the album, rapper Tech N9ne. Featuring easily the fastest rapping track in NF\u2019s career, \u201cTRUST\u201d takes a moment to but also acts as a reminder of the industry just as \u201cPAID MY DUES\u201d did. Unique to this song, NF raps almost as soon as the music starts, only stopping at the chorus to share his reasoning for the song. \u201cLook what I, look what I done \/ Helpin\u2019 \u2018em people I love \/ My life is not what it was \/ I do whatever I must \/ Count on one hand who I trust.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The ten-track mixtape presented NF\u2019s fanbase with an opportunity to really scrutinize and value his work as a rapper and as an artist overall. Listening to him tackle issues of personal insecurity on <em>CLOUDS (THE MIXTAPE)<\/em> a year later after much global social distancing centers NF\u2019s message and allows his audience a chance to grow with him.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">NF\u2019s fifth studio album promotes a different sound without losing authenticity\u2014a feat few can pull off\u2014while still remaining relevant to his fans. Listening a year later, fans are reminded of what makes NF a timeless rapper and how far he\u2019s come with his sound since the start of his career.<\/p>\n","protected":false},"author":1,"featured_media":827,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21],"class_list":["post-826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Head in the CLOUDS: A Look at NF\u2019s Fifth Studio Album One Year Later - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Head in the CLOUDS: A Look at NF\u2019s Fifth Studio Album One Year Later - wecb\" \/>\n<meta property=\"og:description\" content=\"NF\u2019s fifth studio album promotes a different sound without losing authenticity\u2014a feat few can pull off\u2014while still remaining relevant to his fans. 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