{"id":822,"date":"2022-03-28T23:56:26","date_gmt":"2022-03-28T23:56:26","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-3-28-wallows-makes-an-electrifying-return-with-tell-me-that-its-over\/"},"modified":"2022-03-28T23:56:26","modified_gmt":"2022-03-28T23:56:26","slug":"2022-3-28-wallows-makes-an-electrifying-return-with-tell-me-that-its-over","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-3-28-wallows-makes-an-electrifying-return-with-tell-me-that-its-over\/","title":{"rendered":"Wallows Makes an Electrifying Return with \u201cTell Me That It\u2019s Over\u201d"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2000px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:40%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/wallowsbanner-2.png\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/wallowsbanner-2.png\" data-image-dimensions=\"2000x800\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"2000\" height=\"800\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\"> <strong>By Charlize Tungol<\/strong><\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Wallows\u2019 highly anticipated sophomore album, <em>Tell Me That It\u2019s Over<\/em>, was released on March 25th, 2022. Following the release of their second EP \u201cRemote\u201d in 2020, the band has definitely continued to be experimental with their sound. This album is just another taste of the band\u2019s take at vulnerability, but they\u2019ve clearly matured lyrically and sonically, taking their listeners on an adventure through love.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">It was a surprise to all when \u201cHard to Believe\u201d was the album opener as opposed to the three singles that the band released beforehand. Nonetheless, the track is a mild, grunge-pop introduction to the story of relationship dilemmas explored throughout the album. It starts off strong with a statement as Dylan Minnette (he\/him), lead vocalist, sings, \u201cAnd I just want to breathe \/ Is that so hard to believe? \/ Or would you agree with me? \/ And who would you choose to be?\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">This concept of angst bleeds into the single \u201cI Don\u2019t Want to Talk,\u201d which was released on September 21st, 2021. This track carries over the familiar indie rock sound from the band\u2019s previous EP, matching the feelings being portrayed by the lyrics. There was a lot of speculation about this being the opener of the album, especially with the album name mentioned in the lyrics: \u201cI&#8217;m not alright, but I don&#8217;t need comfort \/ I don&#8217;t want to talk \/ So could you tell me that it&#8217;s over, tell me that it&#8217;s over.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The third track, \u201cEspecially You,\u201d has love and adoration written all over it. Released in February, the month of love, the song, which has a dancey-pop vibe, describes the feeling of being obsessed with the idea of someone and thinking about them all the time. It juxtaposes the emotions carried through the two tracks preceding it but still experiments with the band\u2019s yearning indie sound, interestingly including a banjo instrumental.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">For \u201cAt the End of the Day,\u201d the lead vocalist switches to Braeden Lemasters (he\/him). This track also introduces a change to the melodies, bringing in a \u201870s\/\u201880s synth-pop sound<em>.<\/em> The lyrics describe the fear and foreshadowing of a doomed relationship, ultimately wishing happiness upon the other person <em>at the end of the day<\/em>.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The album\u2019s fifth track is \u201cMarvelous,\u201d literally and lyrically. It extends the same \u201870s\/\u201880s synth-pop sound of the previous track and explores the concept of unrequited love. The lyrics read, \u201cBuild a wall that you&#8217;ll crash into \/ I just wanna do right by you,\u201d and continue to, \u201cHave a marvelous time \/ I won&#8217;t get you off of my mind,\u201d indicating a certain level of contentment within the singer, saying that they\u2019re okay if being happy is a one-sided thing.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cPermanent Price,\u201d featuring Lydia Night (she\/her), lead vocalist of The Regrettes, is a standout on the album. It is undeniably a love song that talks about the \u201cpermanent price\u201d of loving someone. Night is also currently dating Minnette, so it\u2019s only appropriate that her first (and hopefully not last) appearance on a Wallows track is oh-so-romantic. The couple sings in the chorus, \u201cThe permanent price, the look in your eyes \/ I know what you mean without saying a thing \/ So please tell me now, but don&#8217;t let me down \/ The words that you say are the price that I pay.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The next two tracks, \u201cMissing Out\u201d and \u201cHurts Me,\u201d return to the higher tempos and angsty feelings that the beginning of the album hinted at. They are similar to the sound familiar to fans, heard on their debut album, <em>Nothing Happens<\/em>, and they paint a lyrical middle finger with satisfying punk rock beats, hinting at Vampire Weekend influences. The story flows well, with the lyrics stating that one might be \u201cmissing out\u201d on life by being in a destructive relationship and setting themselves free. Then, \u201cHurts Me\u201d is quite literally a break-up song about the dilemma between choosing your head or your heart, chaotically mimicked by the back-and-forth vocals by Minnette and Lemasters in the chorus.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Track number nine is \u201cThat\u2019s What I Get,\u201d once again with leading vocals from Braeden Lemasters. Fans who heard this song at the band&#8217;s listening party and Q&amp;A event in Boston joked about it being a potential &#8220;1980s Horror Film III,&#8221; following the band&#8217;s previous releases of the first and second versions. It\u2019s one of the more mellow songs on the album with hints of synthpop once again as Lemasters sings, \u201cHard to believe you couldn&#8217;t see that you and me could be enough \/ I gave up on you &#8217;cause you gave up on me \/ And that&#8217;s what I get for falling in love.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Lastly, the final track of the album is \u201cGuitar Romantic Search Adventure.\u201d Fans at the listening party saw it as the \u201cDo Not Wait\u201d (closing track of <em>Nothing Happens<\/em>) of <em>Tell Me That It\u2019s Over<\/em>, with the M83-esque instrumental chorus and soft guitar throughout the song. As the album closer, which discusses the dilemmas, hardships, and tough realities of relationships, it\u2019s a final decision of wanting to stay. The lyrics perfectly end the track and the album with the line, \u201cSo now I hope that you don\u2019t tell me that it\u2019s over.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">As the band now has two albums and two EPs out, this album is undeniably an indication of growth. Once singing about existentialism and teenage angst, the band now shifts to a more cultivated exploration of their sound, their musical influences, and love. It doesn\u2019t have as catchy of hooks like the songs on \u201cSpring EP\u201d (released in June 2018) or <em>Nothing Happens<\/em>, but it leaves fans excited ahead of their 2022 Tell Me That It\u2019s Over Tour.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">Wallows\u2019 highly anticipated sophomore album, <em>Tell Me That It\u2019s Over<\/em>, is just another taste of the band\u2019s take at vulnerability, but they\u2019ve clearly matured lyrically and sonically, taking their listeners on an adventure through love.<\/p>\n","protected":false},"author":1,"featured_media":823,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21],"class_list":["post-822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wallows Makes an Electrifying Return with \u201cTell Me That It\u2019s Over\u201d - 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