{"id":814,"date":"2022-04-01T16:05:46","date_gmt":"2022-04-01T16:05:46","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-4-1-staff-pix-41\/"},"modified":"2022-04-01T16:05:46","modified_gmt":"2022-04-01T16:05:46","slug":"2022-4-1-staff-pix-41","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-4-1-staff-pix-41\/","title":{"rendered":"Staff Pix 4\/1"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite recent releases, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 1-2 EST to the Staff Pix radio show.<\/p>\n<\/div>\n

\n

Maura Cowan<\/h1>\n

DRIFT ALONG SMALL WORLD by Tom Rosenthal<\/h2>\n

British singer-songwriter Tom Rosenthal, to me, is a nearly eternal calming presence in a life that is so often turbulent and confusing. When everything feels upside down and spinning at a million miles per hour, his soft and simple words on loss, hope, and healing always help to center me, and this piece epitomizes that comfort to me. Written only with five-letter words (Rosenthal, after all, greatly enjoys an unconventional songwriting framework), it feels almost more like a musical meditation than a song. A simple piano riff supports short and sweet observations on the way we humans get by, with quick images that flash through the mind like the landscape on the outside of a train window. <\/p>\n<\/div>\n

\n

Maxwell Reid<\/strong><\/h1>\n

Rafters by Scoo<\/h2>\n

You know I\u2019ll always plug any music from Denver whenever I can. It\u2019s hard for me to really define Scoo, his sound is all over the place. Pop rap? Pop punk? Midwest emo meets trap? I can\u2019t even tell you. All I know is that this guy can do it all, but unlike a jack of all trades, he\u2019s a master of all. An Elaborate Way to Say Goodnight<\/em>, his debut, is riddled with everything from clever samples, fun bars, and hints of a pop punk love. \u201cRafters\u201d is all of that come into fruition. A synthy, midwest emo introduction showcasing his virtuosic guitar leads into a pop punk banger with a classic catchy choruses. Half way through he interrupts this thing with a goddamn Spongebob sample. If you\u2019re looking for creative pop punk or creative music in general, please listen to this song and listen to his last album.<\/p>\n<\/div>\n

\n

Sarah Fournell <\/h1>\n

Jersey by Barrie <\/h2>\n

Opening up Barrie\u2019s newest album Barbara<\/em>, \u201cJersey\u201d is a lighthearted, twangy bass-driven, coming of age track. Barbara <\/em>is Massachusetts-born Barrie Lindsey\u2019s first solo project following Happy To Be Here<\/em>, which was made with a 5 piece band that separated during the pandemic. The album flawlessly bends genres, spanning across techno deep cuts, dreamy synth-pop dance songs, acoustic guitar ballads, and even features a few poignant harp tracks. The versatility of the album as a whole is introduced in \u201cJersey\u201d with its youthful lyrics that are simultaneously intimate and universal. \u201cJersey\u201d captures the essence of a song that a band from an early 2000s teen rom com is playing at the prom when the protagonists finally kiss under the disco ball.<\/p>\n<\/div>\n

\n

Lily Hartenstein<\/strong><\/h1>\n

21st Century Schizoid Man by black midi <\/strong><\/h2>\n

I\u2019m no musician, but even I listen to certain songs and think \u201cthis would be so fun to play.\u201d I get the sense black midi is having an absolutely ball covering this King Crimson classic. The first minute of the song is almost a perfect emulation, with black midi\u2019s style becoming more and more prevalent as the track progresses. They play on the lyrics with cartoonish voices, adding a sense of both horror and humor. The ending is an addictively jarring frenzy I desperately wish I could see live. It\u2019s fitting the English prog rock band would play such an iconic track from their predecessor, but what makes their short collection of covers all the better is the Taylor Swift song that follows; Cavalcovers <\/em>is not a collection of covers to miss.<\/p>\n<\/div>\n

\n

Julia Norkus<\/h1>\n

Talk by beabadoobee<\/h2>\n

Being rebellious is a guilty pleasure for many, and for artist beabadoobee, going out on a weekday is all the rebellion she needs. Her new single \u201cTalk\u201d feels reminiscent of the scene sound of the early \u201800s, all while incorporating the idea of doing things we know are bad for us, but are equally exhilarating. It opens up with Bea trying to get her partner to go out with her on a Tuesday night, which Bea explained in an interview, \u201cI was obsessed with Tuesday because I thought it was the best night to go out, not too much chaos but just enough to have a good time.\u201d However, a weeknight party isn\u2019t all that\u2019s inherently bad for Bea in this song. Later on, she goes on to sing the line, \u201cYou don\u2019t exist, you\u2019re my imagination\/You don\u2019t exist, you\u2019re just a bad decision,\u201d which leads the listener to consider Bea\u2019s relationship with this person in the song. It shows that Bea is with someone that isn\u2019t necessarily good for her, and while they\u2019re able to have a good time together at parties or with distractions, Bea wants to forget them when the fun begins to flow elsewhere, like a group of 20 somethings on a Tuesday night bar crawl.<\/p>\n<\/div>\n

\n

Sophie Severs<\/strong><\/h1>\n

Elevation by Susanna<\/h2>\n

Norwegian artist Susanna Wallumr\u00f8d\u2019s cathartic melody, \u201cElevation,\u201d invites listeners to explore the purifying characteristics of nature. The track illustrates the feeling of being completely unlimited and free in exploration\u2014both of nature and the self. Employing the words of poet Charles Baudelaire, Wallumr\u00f8d sings, \u201cHappy the man whose thoughts, like larks, take wing\/Freely towards the morning skies – who glides\/Above this life and simply understands\/The speech of flowers and of silent things.\u201d Accompanied by melancholy piano and a faint binaural beat, Wallumr\u00f8d\u2019s soft voice puts listeners into a peaceful trace. Ending in a cacophony of ambient noise, one finds themselves longing to explore and immerse themselves in the all-encompassing mystery of nature.<\/p>\n<\/div>\n

\n

Harry Bates<\/h1>\n

As it Was by Harry Styles<\/h2>\n

It\u2019s been over two years since the December 2019 release of Fine Line<\/em>, and listeners have been eagerly waiting for new music from the beloved singer-guitarist-songwriter. \u201cAs it Was\u201d combines an alternative\/indie sonic \u2013 reminiscent to sounds of \u201cThe Adults Are Talking\u201d by The Strokes \u2013 <\/em>with the lyrical intimacy of earlier recordings from Styles such as \u201cFrom the Dining Table\u201d and \u201cMeet Me in the Hallway.\u201d Altogether, it forms to make this heart-pulling tune that is very much introspective of the artist\u2019s life in the spotlight, highlighting the feelings of isolation and distance common within the lives of the famous. Harry\u2019s House<\/em> seems to be positioning itself as a new chapter in Styles\u2019 discography, shaping up to be an album exploring the deeply personal thoughts of an individual whose name is at the forefront of global media and popular culture. I absolutely love the artistic spirit showcased in this new track, and can hardly wait to see what Styles has to share in the coming months. \u201cAs It Was\u201d comes from Styles\u2019 upcoming third studio album, Harry\u2019s House,<\/em> which is set for release on May 20.<\/p>\n<\/div>\n

\n

Andrew Johnson<\/h1>\n

Tip The Surgeon by Young MA<\/h2>\n

Some songs people listen to for insight into their own mind. Some songs are meant to make you think about the grand nature of the universe. Some songs are also meant to be dope and \u201cTip The Surgeon\u201d is most definitely dope. This rap song has great bars in it that mesh seamlessly with the backing track. The flow of the song makes me feel hyped. I want to work out to a song like this, or do something crazy that I will definitely regret later. I don’t listen to a lot of modern rap but \u201cTip The Surgeon\u201d just feels good.<\/p>\n<\/div>\n

\n

Everly Orfanedes <\/strong><\/h1>\n

We\u2019ll Never Have Sex by Leith Ross<\/h2>\n

No lyrics have ever devastated an entire generation of songwriters the way \u201cWe\u2019ll Never Have Sex\u201d by Leith Ross does. Leith Ross, a singer-songwriter who grew popular on the social media app TikTok in the past year has finally <\/em>released the long awaited acoustic track. The thing that makes \u201cWe\u2019ll Never Have Sex,\u201d stand out so strongly is the intense, heartbreaking lyrics that contain layers of meaning, and provoke intense thought regarding what it means to be in a relationship where you are not expected to give up your body to a person. That is just my interpretation. That is what is so special about this song, it contains so many possible interpretations and meanings. Leith Ross is such an incredibly talented songwriter, and this haunting track only further proves their talent.<\/p>\n<\/div>\n

\n

Will Ingman<\/h1>\n

What It\u2019s Like by Together Pangea<\/h2>\n

A more delicate offering from Santa Clarita surf-punks Together Pangea, \u201cWhat It\u2019s Like\u201d, is positively teeming with energy, contrasting hand-claps and sparkling clean chords with the band\u2019s characteristically melancholy lyrics to form a sad surf-jam, ideal for Malibu misanthropes and L.A. loners alike. If you\u2019ve ever wanted to cruise down the Pacific Coast Highway and cry, \u201cWhat It\u2019s Like\u201d will take you there.<\/p>\n<\/div>\n

\n

Adri Pray<\/h1>\n

RUNRUNRUN by Dutch Melrose<\/h2>\n

\u201cRUNRUNRUN\u201d marks Dutch Melrose\u2019s first single of 2022! Catchy electric guitar riffs punctuate Melrose\u2019s edgy lyrics as he sings about the obsession he has with his newest crush. This song deviates from Melrose\u2019s previous sound, adding a more garbled, whiny tone to his voice and preludes his untitled sophomore album.<\/p>\n<\/div>\n

\n

Karenna Umscheid <\/h1>\n

Nothing Gives Me Pleasure by Girlpool<\/h2>\n

Girlpool matches intense, slowly metallic instrumentation with soft, tender lyricism and vocals in their latest song, \u201cNothing Gives Me Pleasure.\u201d The combination is enough to make you feel like you\u2019re spinning in a treacherous body of water. The violently descriptive verses spell out a desire for pain and intensity in a relationship. Girlpool eerily depicts the dangers of infatuation, lacing the song with gory metaphors, if only as a precautionary measure. The chorus goes back and forth between leaping for the danger and staying in safety, switching from saying that \u201cNothing gives me pleasure like the things I know you won\u2019t say\u201d to \u201cNothing gives me pleasure, just the things I know you won\u2019t say.\u201d Indecision is rough, and it\u2019s not always made easier by the loss of choice, it\u2019s still circles of pain and desire. <\/p>\n<\/div>\n

\n

Izzy Desmarais <\/strong><\/h1>\n

Shotgun by Soccer Mommy <\/h2>\n

Sophie Allison, better known by her stage name Soccer Mommy, recently announced that her third studio album, Sometimes, Forever<\/em>, will be released this year on June 24th. Along with this exciting news came the album\u2019s first single, \u201cShotgun.\u201d Known for dreamy vocals paired with softer, indie-rock instrumentals, Allison opts for a grungier and faintly \u201890s sound on \u201cShotgun.\u201d Its lyrics, however, remain upbeat as they delve into the whirlwind feelings that come with falling in love. The juxtaposition between the song\u2019s lyrics and its sound may be a sneak peek of what\u2019s to come on Sometimes, Forever<\/em>, and tackle the conflicting emotions one experiences while in a relationship. Either way, I absolutely love the direction Allison went in with this track (you know I\u2019m a sucker for \u201890s alternative rock) and I cannot wait for the album\u2019s release!<\/p>\n<\/div>\n

\n

Nat Szczepanski<\/h1>\n

Fire Escape by Beach Bunny<\/h2>\n

I remember when I first discovered Beach Bunny \u2014 it was way back before their song \u201cProm Queen\u201d propelled them into the greater alternative community\u2019s consciousness. What I\u2019ve noticed in their music between then and now is a sense of confidence. The guitar solo, a facet of almost Beach Bunny song, has grown to not be afraid of its presence; rather, with their latest single \u201cFire Escape\u201d the catchy lick is right in your face. The release of this single is in preparation for a third studio album (Emotional Creature) <\/em>set to release July 22nd. I\u2019m excited to see what else the band has in store and you can definitely expect me to purchase this on vinyl \u2014 gotta keep that collection growing, after all.<\/p>\n<\/div>\n

\n

Lydia Aga<\/strong><\/h1>\n

AMERICAN GURL by Kilo Kish<\/h2>\n

\u201cAMERICAN GURL\u201d is what feels like the retro, playful successor of fellow art-pop extraordinaire Santigold\u2019s 99 cents <\/em>– both projects shapeshift between electronic pop and brooding R&B and find musical purpose in discovery. Kilo Kish departs from the autobiographical narratives that weaved together Reflections In Real Time<\/em> in order to shift focus because frankly she has much more to say. Kilo Kish\u2019s \u201cAMERICAN GURL\u201d yearns to understand rather than to simply accept as she questions \u201cWho are you baby?\/Who are you keeping around?\u201d The intimate, conversational whispers once scattered throughout Reflections in Real Time <\/em>rise to a roar as Kilo tries to makes sense of a world gone mad.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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