{"id":790,"date":"2022-04-17T21:26:08","date_gmt":"2022-04-17T21:26:08","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-4-15-staff-pix-415-new-releases\/"},"modified":"2022-04-17T21:26:08","modified_gmt":"2022-04-17T21:26:08","slug":"2022-4-15-staff-pix-415-new-releases","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-4-15-staff-pix-415-new-releases\/","title":{"rendered":"Staff Pix 4\/15"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite recent releases, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 1-2 EST to the Staff Pix radio show.<\/p>\n<\/div>\n

\n

Sara O\u2019Connell<\/h1>\n

I Choose Me by 3rd Secret <\/h2>\n

From the ashes of three of the most popular 90s grunge\/rock band members, 3rd Secret is a brand spanking new project from former Nirvana bassist Krist Novoselic with Kim Thayli from Soundgarden and Matt Cameron from Pearl Jam. This track is where the grunge legends come out to do their thing. With brooding heavy guitar riffs, 3rd Secret reinvents the wheel with their modern twist on a timeless classic. <\/p>\n<\/div>\n

\n

Sophie Severs<\/h1>\n

Can I See U Again by Friko <\/h2>\n

Ever said goodbye to someone without knowing it would be your last<\/em> goodbye? Well, Friko has too. The Chicago-based band expresses wistful longing to see that special someone again in their song, \u201cCan I See U Again\u201d off of their newest EP, Whenever Forever<\/em>. The track starts out on a somber note, with melancholy tinkling of a piano that soon evolves into a groovy, beachy jam that anyone could vibe with. The band somberly sings, \u201cI have lost a friend, though we’ve always been\/Drifting apart.\u201d Even with the unfortunate end of this friendship, there are no malicious farewell wishes or attempts at vengeance, as they exclaim, \u201cIf you’re lost at sea, hope you find your peace\/Where you are.\u201d This groovy track provides an example of peaceful closure, even if all the band wants in reality is to see that special person just one more time.<\/p>\n<\/div>\n

\n

Karenna Umscheid <\/h1>\n

That\u2019s Where I Am by Maggie Rogers<\/h2>\n

Maggie Rogers\u2019s new track is so exquisite, it feels impossible not to keep it on repeat. The song is a glorious comfort in its lyricism, repeatedly saying \u201cIt all works out in the end,\u201d reminding me of a more upbeat \u201cI know it\u2019s for the better\u201d from Phoebe Bridgers\u2019s \u201cWaiting Room.\u201d Her imagery follows her message, when she says \u201cEven boulders turn into sand,\u201d she tells us that time heals all, and no feeling lasts forever. Julia Norkus, in her review of the single<\/span><\/a>, says \u201cno matter how clich\u00e9 it may be, everything will always work out how it is meant to.\u201d It has been the perfect track to keep me going for the last few weeks of the school year.<\/p>\n<\/div>\n

\n

Nia Tucker <\/h1>\n

Camille\u2019s Daughter by keiyaA<\/h2>\n

In her first new track since her experimental R&B 2020 album, Forever, Ya Girl,<\/em> keiyaA returns with her signature arpeggiated, vocal-layered sound. Her music is an exciting addition to the Black, experiential canon alongside fellow musicians Blood Orange and L\u2019Rain who all have a natural knack for storytelling over subtly intricate, electronic and bass heavy songs. <\/p>\n<\/div>\n

\n

Adri Pray<\/h1>\n

Tell Me The Truth by Two Feet<\/h2>\n

Everything Two Feet does is exceptional, and their latest release does not disappoint. \u201cTell Me The Truth\u201d is main character energy at its finest, as Two Feet leans into a loud guitar line in order to build up the suspense that breaks at the chorus. Most of Two Feet\u2019s songs are slower, but even with the half-time feel, the drums march the melody along. If you like dark, sultry songs, this track will be on repeat. <\/p>\n<\/div>\n

\n

Julia Norkus<\/h1>\n

Hills of Fire by Sarah Kinsley<\/h2>\n

Sarah \u201cThe King\u201d Kinsley has released her latest track to be a sister song to the popular single she released last June. In contrast to \u201cThe King,\u201d \u201cHills of Fire\u201d is a reckoning with fantasies of love and magic. It\u2019s a realization of the reality and the messiness of such love, with lines like, \u201cThe city is a-calling, the water is a-rushing\/Again to a burning door,\u201d signifying the want for this beautiful thing that feels fated and wonderful, but knowing the reality of the disaster that awaits. Kinsley references her previous single in this one, tying the two together in storyline, by using the lyric, \u201cYou know I can\u2019t stay the king forever,\u201d which also acknowledges the idea that not everything is going to be perfect and beautiful always. Both songs are alike in musicality as well, both starting softly and building to something more, showing parallels that allow their stories to flow together, but eventually displaying the contrast in what type of message each is trying to convey. Honestly, it\u2019s a heart-wrenching banger that will never get old.<\/p>\n<\/div>\n

\n

Lily Hartenstein<\/h1>\n

MAGIC WITH MUSTARD by Vince Staples<\/h2>\n

Vince Staples\u2019 discography is exceptional. Few artists can experiment and pivot as he has done without, at least once, missing the mark. First I thought Big Fish Theory <\/em>(2017) was the best it could get, and then I spent all last summer listening to his 2021 self-titled release, and now, we\u2019ve all been rewarded with Ramona Park Broke My Heart.<\/em> Staples\u2019 work is layered, his projects getting better with every listen, so jury\u2019s still out on where exactly this new album lies in the spectrum, but one thing is for certain: Staples\u2019 only competition is himself. The whole album is a love letter to west coast rap, but \u201cMAGIC WITH MUSTARD\u201d, highlighting Mustard\u2019s signature bounce style, stands out to me. It\u2019s both infectiously nostalgic, using the same sample from the \u201870s Ice Cube used in the \u201890s, and refreshingly current. I can already see it in the queue as my friends sit on MUNI swapping earbuds. <\/p>\n<\/div>\n

\n

Adora Brown<\/h1>\n

The Kitchen by Briston Maroney<\/h2>\n

Briston Maroney\u2019s newest single is a precursor to an album that will hopefully live up to its expectations. \u201cThe Kitchen\u201d has his classic wailing guitar coupled with hard-hitting lyrics. Maroney sings, \u201cWhy is my mother scared that I don\u2019t miss her? \/  And why ain\u2019t I doin\u2019 more to prove her wrong?\u201d He harmonizes beautifully in the final two renditions of the chorus as the bass builds in the background. The song is an existential crisis personified \u2013 the inner thoughts of a young man questioning, well, everything. <\/p>\n<\/div>\n

\n

Harry Bates<\/h1>\n

About Damn Time by Lizzo<\/h2>\n

She is back, and I\u2019m so happy to hear new music from the Queen of Flutes. Disco and Lizzo is a combination that I didn’t know I needed, but now that it\u2019s here, I couldn\u2019t be happier. \u201cAbout Damn Time\u201d is the first song released from Lizzo\u2019s upcoming album Special,<\/em> which is set for release on July 15 on Atlantic Records. Good vibes all around with this one \u2014 will definitely be blasting this all weekend.<\/p>\n<\/div>\n

\n

Maura Cowan<\/h1>\n

Lola by Maude Latour <\/h2>\n

I could not go too long without casting a well-deserved spotlight onto rising indie pop artist (and, in just a month or so, Columbia graduate) Maude Latour. Everything she touches is gold to me, a perfectly balanced pop confection, and \u201cLola\u201d is my favorite output of hers in months. Though the song is something of a tribute to Latour\u2019s friend and roommate and their intense connection, it carries an underlying message to all powerful women\u2013 the survivors, the healers, and the still healing. Over a sparse beat, she chants the bridge like a mantra, \u201cKeep my girls protected, I\u2019m turned on when I\u2019m respected\/ For my planet, for my daughters\/ Make my music, drink my water.\u201d Minimalistic instrumentals burst to life in the kind of lush chorus that Latour does best, while she pulls back her lyrics to a simple but powerful message of love for Lola.<\/p>\n<\/div>\n

\n

Will Ingman<\/h1>\n

PUPTHEBAND Inc. Is Filing for Bankruptcy by PUP<\/h2>\n

On The Unraveling of PUPTHEBAND<\/em>, the Toronto-based punk four-piece reflect on the twelve years they\u2019ve spent together, sleeping on the floors of venues, stretching $5 into a full day\u2019s meal, and touring for whole years at a time. But like any good punk band, complaints of \u201cselling out\u201d began to emerge as the group gained a popular foothold. This record confronts those detractors through the conceit of a corporate authority, who, by the time of this track (the album\u2019s closer), have failed to sway the band in their relentless commitment to creativity and a newer, inventive sound \u2014 seriously, a saxophone<\/em>? On a punk record? \u2014 and have, well, declared bankruptcy. This track smashes the few unbroken windows left in what was once PUPTHEBAND Inc. headquarters, knocking the walls down with a pummeling bass-drums combo and tearing up the carpets with shrieking, aggressive guitar lines, both clear hints of the sound found on 2013\u2019s PUP <\/em>and 2016\u2019s The Dream is Over<\/em>, but with obvious creative progression and a healthy spoonful of spite.<\/p>\n<\/div>\n

\n

Sarah Fournell<\/h1>\n

Kiss Me (I Loved You) by Father John Misty <\/h2>\n

The release of Father John Misty\u2019s (aka Josh Tillman) Chloe and the Next 20th Century <\/em>welcomed a in new era characterized by the old Hollywood glamour aesthetic. With it came a sonically different era, consisting of weepy violins, traces of Bossa Nova, and delightful jazzy tracks. However, my favorite on the album \u201cKiss Me (I Loved You)\u201d has its roots in the rest of Tillman\u2019s discography. The timid piano intro mirrors the piano in \u201cI Love You, Honeybear\u201d and Tillman\u2019s pleas for affection remind me of \u201cWhen You\u2019re Smiling and Astride Me\u201d both off of I Love You, Honeybear. <\/em>The song creates a dreamscape of a couple on the verge of destruction; a bittersweet melody sending off a couple as they dance on a sinking ship or sway silently in the middle of a burning dance floor. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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