{"id":768,"date":"2022-04-26T22:35:55","date_gmt":"2022-04-26T22:35:55","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-4-26-catharsis-at-the-royale-with-indigo-de-souza\/"},"modified":"2022-04-26T22:35:55","modified_gmt":"2022-04-26T22:35:55","slug":"2022-4-26-catharsis-at-the-royale-with-indigo-de-souza","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-4-26-catharsis-at-the-royale-with-indigo-de-souza\/","title":{"rendered":"Catharsis at the Royale with Indigo de Souza"},"content":{"rendered":"
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By Lily Hartenstein<\/strong><\/p>\n

When Indigo de Souza (she\/her) took the stage with her band at the Royale on Monday evening, fans went hysterical, crying out \u201cI LOVE YOU\u201ds as she adjusted her guitar strap. \u201cHell yeah,\u201d she responded\u2014her lyrics paint her as a person who doesn\u2019t say I love you unless she absolutely means it. She then fell into a fit of giggles, soft and joyful, the type of sound that instantly brightens you. Still smiling, she started the first chords to her debut album\u2019s opening track, \u201cHow I Get Myself Killed\u201d. <\/p>\n

de Souza was opened by the band Friendship, from Philadelphia, and Boston\u2019s very own Horse Jumper of Love. Friendship is often described simply as \u201cindie rock,\u201d but I found their sound to have a distinctly country twang. They were missing guitarist Peter Gill (he\/him) \u2014 \u201cWe had to leave Pete behind, he was sick\u201d \u2014 but three remaining members held it down as frontman Dan Wright (he\/him) strummed with ease. Their drummer, Mike Cormier (he\/him), was particularly adorable, full of delight as he played; I\u2019ve since been listening to his solo releases. For the final tracks, Friendship brought in de Souza\u2019s guitarist Dexter Webb (he\/him), elevating their sound to bring a sense of organized discord that I loved, building up tension until suddenly ending right at the peak.<\/p>\n

Horse Jumper of Love played with a sense of seriousness, frontman Dimitri Giannopoulos (he\/him) only cracking a smile in the final riffs of their closer \u201cOrange Peel.\u201d Banter was sparse, as Giannopoulos simply said \u201cthis is a new one,\u201d or \u201cthis one is old\u201d before a song. When the crowd screamed out for drummer Jamie Vadala-Doran (he\/him), Giannopoulos asked if there were any townies in the crowd. \u201cForest Hills,\u201d he said, indicating himself, \u201cWest Roxbury,\u201d at Vadala-Doran, \u201cand Dorchester,\u201d pointing to bassist John Margaris (he\/him). The earnestness of their stage presence reflected their music: Horse Jumper of Love\u2019s lyrics may be cryptic and indirect, but coupled with the band\u2019s hazy sound, both anxious and calming, makes them an incredibly compelling act.<\/p>\n

I\u2019ve been a fan of Indigo De Souza since \u201cTake Off Ur Pants\u201d found its way into my playlists in high school; as a Type A wallflower with undiagnosed hypomanic episodes, I\u2019d never heard anything so accurate to the specific tensions of my angst and desire. Indigo\u2019s songwriting is brilliant in the waves of emotion she harnesses, each song bringing a moment of exhilarating release. That ebb and flow was even more spellbinding live, de Souza building from soft croons to noisy shreds and back again, controlling the audience like the moon does the tide. I was utterly entranced, and almost taken aback at the power of de Souzas voice. While I\u2019ve always adored her as a songwriter, it wasn\u2019t until she was performing insane vocal runs in front of me that I understood how truly talented she is. <\/p>\n

On \u201cWhat Are We Going to Do Now,\u201d she drifted to high pitches, airy and delightful, and back down to the soft chant of the chorus. For \u201cWay Out,\u201d she broke into Fiona Apple-esque undulations, a totally different take than the song I knew from its recording (and I\u2019m obsessed with it). During \u201cAlways,\u201d the only song performed that wasn\u2019t from I Love My Mom<\/em> (2018) or her 2021 release Any Shape You Take<\/em>, she started screaming while jumping up and down, shredding with her band. <\/p>\n

As she sang, de Souza filled the room; not only her voice, but her presence was larger than life. Between tracks, she seemed to shrink down, becoming a small figure on stage as she crouched down to retune her guitar. Her voice was shy when she addressed the crowd, musing about her sister\u2019s recent birth of twins or letting us know there was a table available at the show with resources to connect anyone interested with a therapist. \u201cI still haven\u2019t found the right one,\u201d she nervously laughed. She began each song with a giggle, erupting into a huge smile as the audience started singing along with her.<\/p>\n

The highlight of the show, hands down, was the performance of \u201cReal Pain.\u201d One of my favorites from Any Shape You Take,<\/em> in the album\u2019s version the tempo slows and instruments fade as de Souza sings the word \u201cgoing\u201d over and over again, screams building behind her until it is a wall of unadulterated emotion. When performed live, the crowd became that wall, shrieking and crying out. It sounded like joy and rage all at once, and I laughed as I screamed along, until the release of de Souza singing \u201cI wanna kick, wanna scream, I wanna know it’s not my fault\u201d and the instruments returned. The entire crowd started jumping to the rest of the track, all of us feeling lighter after the auditory release.<\/p>\n

de Souza\u2019s chemistry with her band is beyond endearing to witness. She often turned her back on the audience to face her partner and drummer Avery Sullivan (he\/him), the two of them playing only to each other. And though she directly interacted with Webb and bassist Zack Kardon (he\/him) less, the two of them frequently cast her looks of admiration, reflecting my very same sense of awe. All four of them gave each other awkward side eyes as de Souza stepped to the mic after \u201cGood Heart\u201d: \u201cThis is awkward to say but it\u2019s more awkward if we don\u2019t say it.\u201d They all laughed. \u201cBut we don\u2019t really believe in encores. They\u2019re overdone, at this point, right?\u201d<\/p>\n

With that, they launched into \u201cKill Me,\u201dan incredible conclusion to the night, everyone in the audience screaming the final lyrics \u201ctell them that I wasn\u2019t having much fun\u201d over and over, not wanting it to end. Obviously, at the Indigo de Souza show, much fun was had. <\/p>\n

\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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