{"id":76,"date":"2025-02-14T20:14:33","date_gmt":"2025-02-14T20:14:33","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2025-2-14-squid-crawls-into-your-crevices-on-cowards\/"},"modified":"2025-02-14T20:14:33","modified_gmt":"2025-02-14T20:14:33","slug":"2025-2-14-squid-crawls-into-your-crevices-on-cowards","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2025-2-14-squid-crawls-into-your-crevices-on-cowards\/","title":{"rendered":"Squid crawls into your crevices on \u201cCowards\u201d"},"content":{"rendered":"
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Graphic by Kristen Lee<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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by Sam Shipman<\/h1>\n<\/div>\n
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\u201cI\u2019m evil too,\u201d echoes out into a void of nothing before being faced with a hellish onslaught of satanic strings and raspy keys. This moment falls roughly halfway through Cowards<\/em>, the latest release in the catalog of Squid, a Brighton-based post-punk band known for their daringly experimental, krautrock sound.<\/p>\n

What Squid does on Cowards<\/em> is make the listener uncomfortable. Unlike their welcoming debut Bright Green Field<\/em> (2021), which topped the UK charts, or their spastic synth use on O Monolith<\/em> (2023), Squid makes it clear that their comeback is not one to bop your head to.<\/p>\n

If the opening track titled \u201cCrispy Skin\u201d wasn\u2019t enough of a hint, take a glance at the lyrics: <\/p>\n

\u201cWe love their crispy skin \/ ‘Cause it’s something that we crave \/ One hit right between the eyes \/ It’s become so easy \/ That’s no surprise \/ One hit right between the eyes \/ It’s become so easy to take a life.\u201d<\/p>\n

If casually eating people isn\u2019t your thing, turn back now\u2014evil sounds so good on Squid that it\u2019s almost tasty. Through its embodied hatred, Cowards <\/em>elevates drummer and lead vocalist Ollie Judge\u2019s already slightly strange yet iconic vocals into a new category: making your skin crawl.  <\/p>\n

Judge\u2019s vocals deliver the lyrics of Cowards<\/em> in a way that makes you flinch as he whispers lines such as \u201cBlood on The Boulders\u201d in his ghoulish timbre. It\u2019s not just the vocals that make Cowards<\/em> frightening; Squid dusts off their instrumental mastery to conduct an experience that oscillates between navigating the slums of medieval poverty and observing a busy day at the torture chamber.<\/p>\n

The instrumentals can be summed up in one word: foreboding. The horns exude sorrow, while the guitars create distortion with ambient notes reminiscent of being lost in Germany\u2019s Black Forest.Meanwhile, the bass drum thuds like a mysterious sound echoing from a dark cave.<\/p>\n

The feeling of walking through a haunted house doesn\u2019t falter, as almost every song flows into the next. Cowards <\/em>is a seemingly not-so-relaxed attempt at a concept album. In a crawl through horror, Squid gives each song moments of a creepy lullaby and a dash through the underworld. \u201cShowtime!\u201d starts with an alluring vibe that justifies the wickedness before slowing down into a spiral of fear for its outro. A byproduct of the energy Cowards <\/em>brings to the table is that public listening to any of the tracks is bound to be met with disgusted side eyes\u2014monsters are usually unwelcome in a car ride or social gathering.<\/p>\n

The ominous odyssey culminates in \u201cWell Met (Fingers Through The Fence),\u201d an eight-minute behemoth that encapsulates the eerie atmosphere through whispers, horns, strings, and cryptic promise of \u201cnothing else to see.\u2019 Ultimately, the track fulfills this promise by fading into silence, leaving the listener feeling cold and alone.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Cowards <\/em>is a seemingly not-so-relaxed attempt at a concept album. 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