{"id":744,"date":"2022-07-17T00:59:33","date_gmt":"2022-07-17T00:59:33","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-7-16-finneas-a-modern-troubadour\/"},"modified":"2022-07-17T00:59:33","modified_gmt":"2022-07-17T00:59:33","slug":"2022-7-16-finneas-a-modern-troubadour","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-7-16-finneas-a-modern-troubadour\/","title":{"rendered":"FINNEAS: A Modern Troubadour"},"content":{"rendered":"
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Photo by Sarah Rene\u00e8 <\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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By Sarah Fournell<\/h1>\n

It\u2019s very fitting that FINNEAS chose the Troubadour, a deeply historic Los Angeles location named after romantic poets, to debut his new single, \u201cMona Lisa, Mona Lisa\u201d with a pop-up show. The quaint and timeless venue on the Sunset strip was a central location for pioneers of folk music such as Joni Mitchell, Bob Dylan, and Neil Young (or as the guy at the bar described them: \u201cthese old ass white guys on the wall\u201d). FINNEAS\u2019s act defines the modern troubadour; replacing the harmonicas and acoustic guitars of his predecessors with flashy red axes and a keyboard, while still maintaining the charm and vulnerability of the singer-songwriter act.<\/p>\n

The opening act, Marinelli, can be best defined by the Spotify playlists I found his songs on: \u201cFeel Good Indie Rock,\u201d \u201cidk.,\u201d \u201ci miss her but i know she\u2019s never comin back,\u201d and \u201cpov: u are sad gay and lonely.\u201d I was mindlessly listening to his hokey lyrics until he said \u201cThis one\u2019s called \u2018Sarah\u2019\u201d (my name). His lyrics about a girl named Sarah who writes left me with a fuzzy feeling and a permanent blush on my cheeks because of the way he warbled out the syllables that made up my name. There was so much fervor and passion wrapped up in Marinelli\u2019s silly ballads, tied together with tinny guitar strings and a vocal modulator. He sang his songs with such a confident vulnerability that I truly felt like Mila Kunis\u2019 character in Forgetting Sarah Marshall <\/em>when Jason Segal\u2019s character sings a song from his Dracula musical\u2014happy for him and his endeavors, but feeling inexplicably naked while watching him. His act was deeply cute, and his wit and charm made up for the multitude of technical difficulties he faced throughout the night. <\/p>\n

Nearly no time was spared between Marinelli\u2019s set and FINNEAS\u2019s, as if no one wanted to waste a second of precious shared moments on such a magical night. He embarked on his electrifying set with \u201cNAKED,\u201d an instant crowd charmer with its heavy-hitting chorus that left the floor absolutely pulsating. The walls of the venue could barely contain the surges of excitement that arose from the opening notes of his next song, \u201cThe Kids are All Dying.\u201d  <\/p>\n

I could truly dedicate a full article to the way that he looked at his girlfriend, Claudia Sulewski, during his new song \u201cMona Lisa, Mona Lisa,\u201d which he performed two minutes before its international debut. FINNEAS was so overwhelmingly crestfallen for the girl on the balcony, keeping his eyes locked on her during verses about how she \u201ccould be the Mona Lisa if the Mona Lisa was prettier,\u201ddespite the horde of screaming fans clawing at him from below. His love for her was apparent throughout every song of his, with smiles sent her way throughout his set, as if he had embedded inside jokes just between the two of them in the lines of his songs.<\/p>\n

The crowd was full of rude hecklers under the guise of superfans, none of which dared to spare a moment of silence between breaths, using each pause to proclaim their undying love for him. FINNEAS paused his set for a moment to have a full conversation with a fan about their tattoos, which sparked and excited jealousy among the rest of the audience who wanted a solo moment with him too. But I sort of understood their lack of self control when he performed \u201cAround my Neck,\u201d a song that truly unearthed every ounce of sex appeal he seemed to be hiding beneath the surface up until that point. As he sang the words \u201cnobody does it like you do\u201d he caught a white feather boa and a yellow cowboy hat tiara hybrid from the crowd, which he donned for the first verse. After the song he admitted he felt \u201cquite silly\u201d in his new outfit.<\/p>\n

FINNEAS got more sentimental and visibly grateful for the opportunity to perform as the night went on, truly taking to heart the lyrics he writes about savoring the time we have left on this earth. He dedicated his most touching track \u201cOnly a Lifetime\u201d to Marinelli, before reminiscing on their late night hang outs and time spent performing together. He then brought the Troub to tears with lines about being \u201cunprepared for [his] loved ones to be gone.\u201d He sang each word with such genuity that I truly felt my view on life transforming with each verse. I became instantly thankful that I could share the moment with my mom and sister, and that the friends among the crowd also felt compelled to pull each other a little bit closer before the song ended.<\/p>\n

Towards the end of the evening, he slyly said \u201cI only have two songs left\u2026on the setlist.\u201d After performing \u201cTil\u2019 Forever Falls Apart\u201d and \u201cLet\u2019s Fall in Love for the Night\u201d he cheekily asked his sister, Billie Eilish, if she wanted to come down for a little bit. She skipped out onto the stage, and was met with exuberant amounts of adoration. She flashed an impish smile to the crowd, just before she and Finneas divulged that they couldn\u2019t decide which song to play and left it up to the bewildered audience. The siblings ultimately landed on her rarely performed track \u201cHostage,\u201d providing an extremely intimate performance that put the duo\u2019s musicality and chemistry on full display. Just moments after the song ended, Eilish whispered into her brother’s ear, nodded, and launched into a haunting acoustic rendition of \u201cHappier Than Ever.\u201d <\/p>\n

FINNEAS\u2019 songs bottle up the anxieties of our generation so perfectly, with lyrics detailing the sensation of having one foot out the door and dancing on the other\u2013feeling on fire but alright at the same time. Every song he performed felt like the one scene in a movie where the producers paid too much to have a band in, so they dedicate a whole scene to them\u2014so cinematic and pertinent to the story of the lives of everyone in the audience. Each song told a new story of yearning in a way that made them deeply personal yet completely and utterly relatable at the same time. <\/p>\n

Throughout the night I found myself staring at the detailed wood carvings in the walls of the hallowed halls of the Troubadour. I imagined what it would have been like to have lighters and hands in the air instead of phone screens and cameras. I thought of the legends who\u2019ve graced the stage and how they were the voices of their generation, and how FINNEAS is a voice for a new one. And I wondered if the girls lunged at the stage like that for Dylan too.<\/p>\n<\/div>\n

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Photo by Sarah Renee<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

It\u2019s very fitting that FINNEAS chose the Troubadour, a deeply historic Los Angeles location named after romantic poets, to debut his new single, \u201cMona Lisa, Mona Lisa\u201d with a pop-up show. 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