{"id":688,"date":"2022-10-07T14:20:20","date_gmt":"2022-10-07T14:20:20","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-10-7-pierangela-dzsa-the-rising-temptress-of-music\/"},"modified":"2022-10-07T14:20:20","modified_gmt":"2022-10-07T14:20:20","slug":"2022-10-7-pierangela-dzsa-the-rising-temptress-of-music","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-10-7-pierangela-dzsa-the-rising-temptress-of-music\/","title":{"rendered":"Pierangela D\u00f3zsa: the Rising Temptress of Music"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:1874px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:62.326576232910156%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/FullSizeRender_Original28129.jpg\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/FullSizeRender_Original28129.jpg\" data-image-dimensions=\"1874x1168\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"1874\" height=\"1168\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div><figcaption class=\"image-caption-wrapper\">\n<div class=\"image-caption\">\n<p class=\"\" style=\"white-space:pre-wrap\">Pierangela in front of one of her murals. Photo used for thumbnail graphic by Ema Capilla.<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">By Farah Rincon<\/h1>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cJazz girl, muralist, and overall right brained\u201d are the words 18-year-old Venezuelan musician Pierangela D\u00f3zsa Chiodi (she\/her) uses in her Instagram bio to present herself to her audience. After a thorough, insightful, and (what honestly felt like a) therapeutic interview on her life and music career, I could not have searched for a better arrangement of words to describe this rising singer.&nbsp; Piera, short for Pierangela, creates a unique, hypnotic, and dreamy sound through her layered harmonies and jazzy chords, casting what feels like a magic spell through her songs. Her most recent singles come in three: \u201cHypnotize,\u201d \u201cMirror,\u201d and \u201cMind\u2019s Conviction.\u201d Each of these have their own story to tell, but this trinity of songs are interconnected through lessons of romance, self-love, and identity.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Piera cites artists such as Hiatus Kaiyote and Sabrina Claudio as her biggest inspirations. Piera emphasized the personal relationship that she\u2019s developed for Sabrina Claudio\u2019s music, \u201cEvery time she comes out with an album it\u2019s so aligned with whatever I\u2019m going through in that period.\u201d Not only that, but both Claudio\u2019s and Piera\u2019s essence and themes of sensuality and femininity feel intertwined in their songwriting. On Sabrina Claudio\u2019s latest album, <em>Based On A Feeling<\/em>, Piera said, \u201cIt was beautiful the way she expressed it. It was empowering\u2026 and I find that really important because it was honestly a really big catalyst for me to explore my own connection to my own sensuality.\u201d Piera channeled those themes to write songs that feel like a critique of love and self-perception as a whole.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Piera\u2019s songwriting process revolves around her biggest life lessons. \u201cMy experiences with love and my experiences with connecting with other people have been the catalysts for the biggest lessons I\u2019ve learned in my life\u2026 so it is something I really value and I write a lot of my music through that lens.\u201d Her song \u201cHypnotize\u201d is about \u201clooking back at a version of [herself] that is powerful.\u201d The overwhelming emotions of stress and anxiety took over her as she awaited finding out her acceptance to her dream school, Berklee College of Music. \u201cI was doubting myself so f-ing much.\u201d She went on, \u201cI was like I don\u2019t want my first single to represent me as someone who is sad and stressed\u2026 I want to write about my essence, my highest self.\u201d Shortly after, \u201cHypnotize\u201d came to life, revealing a conversation between two versions of herself: her present, doubtful self, versus her empowered and confident being.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cMirror\u201d is the first song Piera ever produced. The song is formatted as a poem rather than a song, and is inspired by J. Cole\u2019s \u201cIntro.\u201d Both create the same feeling of listening to a slam poetry performance backed up by mesmeric and compelling instrumentals. The song speaks on her experiences with people channeling their own insecurities into critiques on her appearance. \u201cMy biggest fear is being misunderstood\u201d she told me amidst the backstory of her first produced song. As she grew up and came to terms with her sensuality and how she portrayed it, she often felt criticized by her surroundings for showing \u201ctoo much skin\u201d and receiving lots of attention. \u201cI grew up with a lot of attention on me. When puberty hit\u2026 it was interesting to see how the world perceived me.\u201d From this came \u201cMirror,\u201d which flows directly into \u201cHypnotize\u201d, adding to the constant critiques on the reflection of her being.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Piera lived in Miami, Florida before attending Berklee College of Music. Her Venezuelan cultural roots have shaped her identity as a musician. \u201cHonestly, being Latina is\u2026 it\u2019s such a beautiful culture\u2026 My Latin identity is one of the only things that makes me feel like I\u2019m part of something.\u201d Aside from being a musician, Piera has also built a reputation as an artist, having painted multiple murals, one of which was featured in Miami\u2019s renowned Art Basel event. \u201cI\u2019m always trying to see where I find myself\u2026 I\u2019m a musician but I\u2019m also an artist\u2026 I feel like there\u2019s a bit of both; but I feel like I don\u2019t fit into one group entirely. With my Latin heritage I\u2019m like: \u201cI\u2019m Latin. I don\u2019t need to prove anything to anybody and this is what I am.\u201d While Piera has no current music released in Spanish, she aspires to add some to her discography one day. \u201cI write songs in Spanish\u2026I would love to do an entire album in Spanish and let that be part of my artistic profile because it is very very important to me.\u201d&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Piera\u2019s strong senses of identity, sound, and aesthetic continue to grow as she enters a new chapter of her life, living out her dreams in the big city of Boston. In the future, Piera says her main focus is to make jazz fusion and to achieve a higher quality of production value at Berklee. We can only imagine what\u2019s next for the rising singer, but I can attest that it will definitely be exciting to listen to.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">\u201cJazz girl, muralist, and overall right brained\u201d are the words 18-year-old Venezuelan musician Pierangela D\u00f3zsa Chiodi (she\/her) uses in her Instagram bio to present herself to her audience.<\/p>\n","protected":false},"author":1,"featured_media":689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[28,30,36],"class_list":["post-688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-interview","tag-local","tag-profile"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Pierangela D\u00f3zsa: the Rising Temptress of Music 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