{"id":684,"date":"2022-10-09T16:02:18","date_gmt":"2022-10-09T16:02:18","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-10-9-dodie-is-a-hot-mess-in-her-new-ep-in-the-best-way-possible\/"},"modified":"2022-10-09T16:02:18","modified_gmt":"2022-10-09T16:02:18","slug":"2022-10-9-dodie-is-a-hot-mess-in-her-new-ep-in-the-best-way-possible","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-10-9-dodie-is-a-hot-mess-in-her-new-ep-in-the-best-way-possible\/","title":{"rendered":"Dodie is a Hot Mess in her new EP in the best way possible"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2000px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:40%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/7_Untitleddesign28129.png\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/7_Untitleddesign28129.png\" data-image-dimensions=\"2000x800\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"2000\" height=\"800\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div><figcaption class=\"image-caption-wrapper\">\n<div class=\"image-caption\">\n<p class=\"\" style=\"white-space:pre-wrap\">Graphic by Lily Hartenstein<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\"><strong>By Minna Abdel-Gawad<\/strong><\/h1>\n<p class=\"\" style=\"white-space:pre-wrap\">Last Friday, English indie-pop artist dodie released her fourth EP, <em>Hot Mess<\/em>. Following her debut album, <em>Build A Problem<\/em> (2021), dodie goes in a different direction with the EP, experimenting with both sound and aesthetic.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The first two tracks, <a href=\"https:\/\/open.spotify.com\/track\/0Whu2R5Zja643cLaFBfnEZ?si=6b395c06a3c444b5\"><span style=\"text-decoration:underline\">\u201cHot Mess\u201d<\/span><\/a> and <a href=\"https:\/\/open.spotify.com\/track\/3sTZqO3R6OT1SSScoaL1U6?si=8c3f996d29d24c2c\"><span style=\"text-decoration:underline\">\u201cGot Weird,\u201d<\/span><\/a> feel reminiscent of dodie\u2019s previous releases. The title track has a strong beat accompanied by the singer&#8217;s trademark dreamy voice, heavenly layered backing vocals and beautiful strings. Over the past 5 years, dodie has been experimenting with instrumentation and has found her niche working with an orchestra, melding modern sounds with classical music techniques. While \u201cHot Mess\u201d is similar to songs like <a href=\"https:\/\/open.spotify.com\/track\/6CT9rlhE55gX3MaDznjWt7?si=f26739bb85fe4b18\"><span style=\"text-decoration:underline\">\u201cBoys Like You\u201d<\/span><\/a> and <a href=\"https:\/\/open.spotify.com\/track\/4ILUKveMdxak81RIB0iyhH?si=0f3d7f0e99c84f57\"><span style=\"text-decoration:underline\">\u201cHate Myself,\u201d<\/span><\/a> it brings a new perspective to the singer&#8217;s discography in the way it builds and the complexity of the vocals. This EP feels like dodie is taking all she has learnt from her debut album, truly finding her stride and refining her sound.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cHot Mess\u201d details the growing pains that accompany entering your twenties and the growth and self discovery you go through. In the bridge there is a repetition of the lyric \u201cLet me let go\u201d paired with a build of the instrumentation. The repetition of \u201cLet me let go\u201d being the climax of the song before the instrumentation falls away absolutely captures the \u201cHot Mess\u201d of your 20\u2019s. For dodie\u2019s two million subscribers, \u201cHot Mess\u201d was released in January as a <a href=\"https:\/\/youtu.be\/rlSVL774OGk\"><span style=\"text-decoration:underline\">demo<\/span><\/a> via her YouTube channel. Seeing how the song grew from a guitar and clarinet arrangement into the piece it is today is one of the many reasons fans love dodie. She lets viewers into the world of her creations and they are able to see the growth and development of her projects first hand.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The second track \u201cGot Weird\u201d feels like the older sister of fan favorite and deep cut, <a href=\"https:\/\/open.spotify.com\/track\/6BBfG9FiwJhRVMCd9IYl6c?si=fabcea4f5dba4dad\"><span style=\"text-decoration:underline\">\u201cIn The Middle.\u201d<\/span><\/a> Released on the singer&#8217;s 2017 EP <em>You,<\/em> dodie has yet to release something with similar energy. \u201cGot Weird\u201d perfectly encapsulates the chaos and yearning of \u201cIn The Middle\u201d with her developed sound, more mature lyricism and dynamic instrumentation. \u201cGot Weird\u201d is a groovy bop that discusses hookup culture and sexually awkward situations. Dodie\u2019s candid lyrics make listeres feel they are talking to a friend about their last hookup as she sets the scene \u201cTable for two that\u2019s all sorted\u201d and details \u201cWhy do karma and girls love to bite me?\u201d Something about the candor in these lyrics makes listeners feel they are sitting on the couch and catching up with her talking late into the night.&nbsp;&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The final two tracks, <a href=\"https:\/\/open.spotify.com\/track\/5HFzAeZkaTDBhlaqwcRmeL?si=383c54b4af444534\"><span style=\"text-decoration:underline\">\u201cLonely Bones\u201d<\/span><\/a> and <a href=\"https:\/\/open.spotify.com\/track\/71kcVvSxf0QVp2uto4EsHn?si=305074f9faf14b03\"><span style=\"text-decoration:underline\">\u201cNo Big Deal (I Love You),\u201d<\/span><\/a> feel entirely new for dodie. \u201cLonely Bones\u201d is a unique take on a traditional 4\/4 dance song. The plucky guitar piece feels reminiscent of a folk song. Accompanied by the bridge, which features voices singing \u201cla\u2019s\u201d and clapping at the end of each measure, transports listeners to a ballroom of sorts. The bridge takes inspiration from a traditional waltz which juxtaposes the solitude and aching loneliness dodie explores in her lyricism. Making this track a perfect balance of unique instrumentation and harrowing lyrics.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cNo Big Deal (I Love You)\u201d on the other hand is a sad piano ballad that showcases the singer&#8217;s vocal range and storytelling abilities. dodie paints an emotionally draining picture while describing a situationship that many people are all too familiar with. She describes a scenario where one member feels so deeply for the other, whilst the other is hard to read and the words \u201cI love you\u201d are just too heavy. The closing track feels like a plea to both herself and her partner hoping that it truly will be \u201cno big deal.\u201d This song dissects the \u201ccool girl\u201d complex where women are expected to \u201cdo this dance\/ for the rest of my life for as long as you want\u201d and treat these mixed signals as \u201cno big deal.\u201d&nbsp;<br \/><em>Hot Mess <\/em>is a short four song collection and experimental EP that serves as a perfect transition between dodie&#8217;s debut album and any following releases. It is a true showcase of all that the artist has grown to become and displays her range from pop bops to piano ballads and all that is in between.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">Following her debut album, <em>Build A Problem<\/em> (2021), dodie goes in a different direction with the EP, experimenting with both sound and aesthetic.<\/p>\n","protected":false},"author":1,"featured_media":685,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Dodie is a Hot Mess in her new EP in the best way possible - wecb<\/title>\n<meta name=\"robots\" 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