{"id":674,"date":"2022-10-13T13:40:38","date_gmt":"2022-10-13T13:40:38","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-10-12-new-album-from-open-mike-eagle-a-tape-called-component-system-with-the-auto-reverse\/"},"modified":"2022-10-13T13:40:38","modified_gmt":"2022-10-13T13:40:38","slug":"2022-10-12-new-album-from-open-mike-eagle-a-tape-called-component-system-with-the-auto-reverse","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-10-12-new-album-from-open-mike-eagle-a-tape-called-component-system-with-the-auto-reverse\/","title":{"rendered":"New Album From Open Mike Eagle: A Tape Called Component System with the Auto Reverse"},"content":{"rendered":"
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Graphic by Cate Banks<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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By Parker Bennett<\/h1>\n

In the wide expanse of hyper-specific sub-genres that has come to define musical discourse in the internet age, \u201cArt Rap\u201d is a relative greenhorn. For all intents and purposes, the first usage of the term actually comes from Chicago rapper Open Mike Eagle, whose 2010 album Unapologetic Art Rap<\/em> coined the term and had many rap fans at the time wondering what exactly it might refer to. In general the consensus seems to be anything left-of-field; off-kilter production coupled with dense lyrics that usually focus on heavy socio-political concepts. Over the past decade, Art Rap has grown in its scope, and has become the stylistic home for some of the most exciting and consistently solid MC\u2019s in the game (E.g., Armand Hammer, Quelle Chris, Jean Grae, R.A.P. Ferreira\/Milo, etc.). Unfortunately, Open Mike Eagle\u2019s recent releases haven\u2019t been able to keep up. While his early works like Dark Comedy <\/em>(2014) and Brick Body Kids Still Daydream <\/em>(2017) are absolutely excellent, projects like Anime, Trauma, and Divorce <\/em>(2020) felt somewhat forgettable.<\/p>\n

It\u2019s a pleasure to say that Open Mike Eagle\u2019s latest album, A Tape Called Component System with the Auto Reverse<\/em> is not only on par with his most solid work, but it\u2019s also a triumphant return to the head of a sub-genre he founded. The album is a uniquely nostalgic recreation of analog cassette stylings, with muffled, fuzzy production and muttered, lo-fi lyricism. It\u2019s a love letter to the self-made mixtapes that dominated Sony Walkmans in a bygone era, and while the songs certainly embody that collage aesthetic, the entire project manages to move with an immersive cohesion. Both the production and feature lists boast some ear-pricking collaborators by the likes of Quelle Chris, Madlib, mother-freaking Diamond D on the boards, Armand Hammer, R.A.P. Ferreira, and mother-freaking Aesop Rock coming in with the lyrical assist. <\/p>\n

For the most part, though, Component System <\/em>is an experience that places Mike front and center, and sees him carry the spotlight with the lackadaisical, biting charisma that only he can muster. It was released on his own record label (aptly titled Auto Reverse), offering a chance for Mike\u2019s creativity to run even more free. The stories on these songs are very much his, and any and all of the \u201890s nostalgia comes strictly through his lens and experiences, such as sampled snippets from a college radio station Mike listened to back in the day, which appear intermittently throughout the album. It\u2019s startlingly personal, but Mike\u2019s personal insights are so apt that they offer food for thought for anyone who cares to listen, regardless of how much they relate to what\u2019s being discussed.<\/p>\n

At first, Component System <\/em>makes it a little hard to get your bearings. \u201cThe Song with the Secret Name\u201d kicks things off in a dizzying barrage of distorted chimes and symphonic swells, with Open Mike Eagle sing-rapping over it in a way that\u2019s just barely <\/em>on beat. By the time the \u201cTDK Scribbled Intro\u201d interlude is done, and he says, \u201cI don\u2019t always have the words for the feelings \/ So I decided to make you a tape,\u201d you\u2019re already pretty settled into this lowkey hodge-podge of melancholy madness, and ready for whatever comes next. <\/p>\n

The rest of the tracklist unfurls rather unceremoniously, but nearly every song features an instantly memorable beat paired with at least five quotables each, so nothing ever feels like it\u2019s going in one ear and out the other. It\u2019s a dense project, that\u2019s for sure, but one of Open Mike Eagle\u2019s strongest strengths here is making that density an inviting visit that deserves multiple re-listens to decipher. The single \u201cI\u2019ll Fight You,\u201d produced by the DITC crew legend Diamond D, features some of the hardest drum-work on the entire album, which of course means that Mike is rapping with his most lowkey delivery. As with the Art Rap decree of that first 2010 album, the middle-of-the-road is certainly a place where he doesn\u2019t sound comfortable, and that makes it all a delight to behold.<\/p>\n

\u201cI Retired Then I Changed My Mind\u201d offers an almost voyeuristic peek behind the industry curtain, and features Mike breaking down the major milestones of his career thus far with a familiarity that feels nothing less than friendly with the listener. The image of taking selfies under a billboard with his face on it in the hopes of getting noticed is just so specific that it\u2019s impossible not to enjoy it to some extent. This is followed by \u201cBurner Account\u201d, a Quelle Chris produced affair featuring the increasingly iconic duo Armand Hammer (Billy Woods and ELucid). As with most of Chris\u2019 productions, the beat is a dizzying collage of high frequency whines and tightly looped percussion chops, but the three veteran Art Rappers make riding it seem like light work.<\/p>\n

\u201cFor Doom\u201d is a notable detour in the tracklist, and sees Mike taking just a few minutes to pay his respects to underground rap legend MF DOOM who passed away in 2020. It\u2019s an incredibly touching display of poeticism on Mike\u2019s part, and he breaks down his experiences collaborating with and idolizing DOOM in a way that not only honors the late great MC, but also highlights just how much of his innovation lives in Mike\u2019s music. The production here is muddy and hard to distinguish, but a mournful chorus carries the melody and backs up Mike\u2019s rapping makes barely two minutes feel deeply cathartic. RIP DOOM.
By the time underground legend Aesop Rock makes an appearance towards the tail-end of the project, it feels like Open Mike Eagle has more than re-earned his status as an Art Rap elite. A Tape Called Component System with the Auto Reverse<\/em> is a nostalgia trip rooted in the present with a \u201890s throwback drenched in the aftermath of 2020 quarantines. It\u2019s not a contradiction, because it\u2019s simply an unadulterated collection of exactly what Open Mike Eagle feels and wants to say about his feelings, and we\u2019re lucky that it just so happens to be creative, well-written, and well-paced to boot.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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