{"id":656,"date":"2022-10-19T20:49:09","date_gmt":"2022-10-19T20:49:09","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-10-19-a-playlist-for-jury-duty\/"},"modified":"2022-10-19T20:49:09","modified_gmt":"2022-10-19T20:49:09","slug":"2022-10-19-a-playlist-for-jury-duty","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-10-19-a-playlist-for-jury-duty\/","title":{"rendered":"A Playlist For Jury Duty"},"content":{"rendered":"
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Graphic by Lily Hartenstein<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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By Harry Bates<\/h1>\n

The card arrived back in April. I thought it was a postcard from a beloved far-away friend, but it was something much more frightful. My eyes peered at the yellow 4×6 with its hideous sized-32 Times New Roman text spelling out the words \u201cJury Duty Notice.\u201d The day had finally come when the Commonwealth was so desperate for judicial participation that they needed to reach out to a student residing here for less than a year.<\/p>\n

Cut to October, and the date of my legally-obligated scheduled appearance had finally arrived. Here\u2019s my playlist for the day, guiding me through a very flawed institution that makes me nauseous just to think about.<\/p>\n

\u201cGovernment Center\u201d by the Modern Lovers<\/strong><\/p>\n<\/div>\n

\n

This is the perfect theme song for my morning commute on the Green Line from the sleepy outskirts of Boston to the bustling downtown district. The B-Line ride was just as usual; moving at a walking pace in Brighton then accelerating up to Lamborghini-like speed after entering the Kenmore tunnel. The Modern Lovers\u2019 \u201cGovernment Center\u201d pairs well with the scene around city hall, with all walks of life jaunting the sidewalks of Tremont Street.<\/p>\n

\u201cMama Tried – Live at Barton Hall, Cornell University, Ithaca, NY 5\/8\/77 \u201d by the Grateful Dead<\/strong><\/p>\n<\/div>\n

\n

I\u2019ve been in a courthouse a few times, but the ones back home look like one-room schoolhouses compared to Boston\u2019s skyscrapers of judicial supremacy. The first few, crisp notes of the Grateful Dead\u2019s 1977 recording of \u201cMama Tried\u201d in upstate New York rang through my head immediately as I checked in with dozens of other unlucky participants for a waiting room the size of my high-school cafeteria. Once seated, a propaganda presentation began to play on raised televisions, while a banner at the front of the room read \u201cMassachusetts Superior Court \u2013 150 Years of the Rule of Law.\u201d<\/p>\n

\u201cHarper Valley P.T.A.\u201d by Jeannie C. Riley<\/strong><\/p>\n<\/div>\n

\n

How can a human be apolitical? It just doesn\u2019t make any sense to me that a person, as soon as they are politically appointed to a position, can just suddenly remove their bias and lifelong views with a snap of a finger. Jeannie C. Riley\u2019s \u201cHarper Valley P.T.A.” explores the hypocrisy present within a group of powerful people telling others how they ought to act. This tune instantaneously bounced through my head as I looked around, feeling an eerie stare from a late, historical judicial figure in an oil painting above.<\/p>\n

\u201c<\/em>With God On Our Side\u201d by Odetta<\/strong><\/p>\n<\/div>\n

\n

As the day went on, I began to think more of this system that so many of us rely so much upon. An internal debate ensued: Why are we still depending on a system that dates back to colonial rule? Who is this working for? Who is this hurting? Who is benefiting from this?<\/em> Odetta\u2019s heartfelt cover of this poetic Bob Dylan song got to me, as its tone and content describes the ways in which our society and government shifts its morals to support whatever it wants to do. <\/em>When looking at the integrity of the judicial system, it puts a lot into perspective \u2013 the largest crimes by the most powerful entities are rarely punished.<\/p>\n

\u201c<\/em>Conversation With A Cop\u201d by FANNY<\/strong><\/p>\n<\/div>\n

\n

I kept thinking about \u201cConversation With A Cop\u201d by FANNY throughout the whole duration of my experience. The song details how people are treated much differently by authorities due to their natural appearances, sharing a story of police profiling a woman, presumably a woman of color, while she walks alone at night. FANNY, an all-female rock band dating back to the \u201870s which includes the awesome talents of June Millington, Jean Millington, Alice de Buhr, and Nickey Barclay, tells one perspective of this. Poor people, people of color, and people from other marginalized communities have been and continue to be profiled and targeted by a corrupt policing system<\/span><\/a> in the United States. The impacts of this biased policing and a prison-focused court system can be seen throughout the criminal justice system, with, according to the ACLU, nearly one-in-three Black men sentenced to prison in contrast to one-in-seventeen White men<\/span><\/a>.<\/p>\n

\u201c<\/em>Cry Baby\u201d by Janis Joplin<\/strong><\/p>\n<\/div>\n

\n

Joplin\u2019s soul-capturing blues in \u201cCry Baby\u201d reflected the somber vibes of the day. There\u2019s something about the way she spaces lyrics and adds breath and strength to words; it\u2019s just raw human emotion. Her ability to convey understandings from the human soul is something that feels very much missing from a place like this. From my experience, the Court feels more like an industrial factory than a venue that\u2019s supposedly dealing with the complexities of human thought, emotion, and experiences.<\/p>\n

\u201c<\/em>You Are Not Alone\u201d by Mavis Staples<\/strong><\/p>\n<\/div>\n

\n

There\u2019s an immense amount of pain in a courthouse, as it\u2019s really the last place that anyone in the world wants to be. The common people that enter its doors \u2013 on both sides of a case \u2013 are most likely experiencing one of the worst days during one of the darkest periods of their entire lives. There\u2019s a complex mixture of harm, anxiety, and grief mixed about those wood-paneled rooms under fluorescent lighting. A system that\u2019s designed to judge and promote penalties of isolation fails to provide empathy, understanding, and paths to forgiveness to the people that need it most so such tragedies don\u2019t repeat themselves again. Feeling<\/em> is what makes us human, while empathy is what makes us smart and in-tune with our hearts. \u201cYou Are Not Alone\u201d by Mavis Staples knocks at the soul of this idea; there are people out there no matter the circumstances that care and that want to see people find peace. Hopefully one day we can create a system that looks to solve the root of problems rather than further this idea of justice where we deprive broken people of the love they need most, put them behind bars, and celebrate the destruction of a person.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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