{"id":600,"date":"2022-11-11T21:22:57","date_gmt":"2022-11-11T21:22:57","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-11-10-staff-pix-1111\/"},"modified":"2022-11-11T21:22:57","modified_gmt":"2022-11-11T21:22:57","slug":"2022-11-10-staff-pix-1111","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-11-10-staff-pix-1111\/","title":{"rendered":"Staff Pix: 11\/11"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 2-3 EST to the Staff Pix radio show.<\/p>\n<\/div>\n

\n

Karenna Umscheid<\/h1>\n

She\u2019s a Liar by Little Fuss<\/h2>\n

Local band Little Fuss\u2019s latest single is bursting with underground energy and lively beats. The production perfectly amplifies the fun and real lyricism, laced with a 2000s edginess and stellar, rich vocals from lead singer Olivia Martinez. The band\u2019s inventive storytelling laments on anxiety and a mental spiral – inspired by the short story \u201cThe Yellow Wallpaper\u201d through verses that sing \u201cI just took a hit of my worst desires\/now my eyes look kind of burned and\/the room\u2019s on fire\/but I\u2019m playing it cool\/in the corner like I\u2019m used to.\u201d From the gorgeous light humming matched with drum beats at the start, to each whispery interludes sandwiched between electric instrumentals, \u201cShe\u2019s a Liar\u201d is a spunky sick hit from a band climbing up Boston\u2019s local music scene. <\/p>\n<\/div>\n

\n

Stephanie Weber<\/h1>\n

girlfriend by hemlocke springs<\/h2>\n

\u201cgirlfriend\u201d is hemlock springs\u2019 second single ever. It accompanies her first single released this year, titled \u201cgimme all ur luv.\u201d \u201cgirlfriend\u201d was available for listen on November 2 and immediately trended on TikTok about a week after the release date. The song follows her bubbly personality and musical sound with ethereal lyrics and sound. The song starts with the lyrics \u201cYou say, \u2018I want to be your girlfriend\u2019 \/ It wasn’t really in my plans,\u201d going on to describe this toxic relationship she\u2019s getting into. The second lyrics explain that this protagonist \u201cI’ll treat you like you are a carry on (carry on, carry on)\u201d and \u201cMy kindness is of a false pretense.\u201d hemlocke springs tells us that just because we have a crush on someone doesn\u2019t mean we should always be in a relationship with them. \u201cgirlfriend\u201d is a pretty simple song lyrically, with no rhymes and the three-line chorus ending in \u201cgirlfriend,\u201d \u201cgirl,\u201d and \u201cgirlfriend.\u201d The bridge has been the one part of the song that\u2019s trended on TikTok. The bridge in particular is excitable and fun, emanating her fun personality in the song. With 23,500 followers on Instagram and about 600,000 monthly listeners on Spotify, I\u2019m very excited to see what hemlocke springs releases in the next few months.<\/p>\n<\/div>\n

\n

Farah Rincon<\/h1>\n

Lamb (feat. Porches) by Coco & Clair Clair<\/h2>\n

On Friday, November 4th, Coco & Clair Clair released their second album, “Sexy,” after their five-year-old (and very first) album, “Posh.” The album\u2019s title lives up to its musical standards, being that it truly does have a playful, “sexy” sound to it. Previously released songs such as “Cherub” and fan favorite “Pop Star”, take part in the album as well, accompanied by ten other tracks. Coco & Clair Clair have mastered the art of mixing elements of bedroom pop with lo-fi hip-hop and birthing their unique, youthful, and flirty music for their fans to dance to. A particular track that can be used to represent the overall sound and “sexiness” of this album is their ninth track, “Lamb,” featuring Porches. The indie-sounding acoustic guitar chords, lofi drum patterns, and baby vocals complete the lighthearted, frisky vibe of the song. “Lamb,” an abbreviation for Lamborghini, also has catchy lyrics: “Hopping out the Lamb’ with my man, my man \/ Dancing in the club with my friends, my friends \/ Nothing’s really changed, I’m the same as always.” More or less, listeners of CoCo & Clair Clair can confide in them to produce an easy-going, fun track to party to or play in the car with friends. The musicians continuously produce a fresher sound while keeping the nostalgic bedroom pop beats that became popularized in the late 2010s.<\/p>\n<\/div>\n

\n

Anne O\u2019Leary<\/h1>\n

Die For You- Joji<\/h2>\n

\u201cDie For You\u201d is the third song off of Joji\u2019s third studio album Smithereens<\/em> that was just released last week. Smithereens<\/em> also features the popular track \u201cGlimpse of Us\u201d that blew up on Tik Tok a few months ago. \u201cDie For You\u201d is a meloncholy post breakup ballad where Joji wishes his past lover that they are getting the happiness they deserve, but he would still do whatever he could for them, with lyrics, \u201cI heard you\u2019re happy without me\/ And I hope it\u2019s true\/It kills me a little, that\u2019s okay\/ Cause I\u2019d still die for you\/ You know I\u2019d still die for you.\u201d Die For You has already amassed 15 million streams on Spotify but still rings true to the general themes Joji sings about, unrequited love, breakups, and loneliness. This is a great track for those still stuck in the breakup blues, but past the anger stage, wishing for hope to come. <\/p>\n<\/div>\n

\n

Patrick McGill<\/h1>\n

Dirt by Y2K Feat. JPEGMafia<\/h2>\n

Though he\u2019s been largely in the background producing for a variety of pop-rap artists since his 2019 hit \u201cLalala\u201d, electronic musician Y2K clears his own, more danceable, path with JPEGMafia on \u201cDirt\u201d. Starting with flickering synths and ambient swells before going into a breakbeat extravaganza that continues for the rest of the duration, what really sets this track apart is the sound. Nothing is overproduced or formed to be bombastic. Despite their relentless usage, the sampled drums feel spacious and well recorded, as if you\u2019re actually in the room unaware of their probably synthetic origin. What this creates is a fun, groovy, tune that still has hidden darknesses and a lack of the pop sensibility that Y2K has shown to be well equipped at. With Peggy\u2019s stream of consciousness lyrics and wavy flow acting as another musical layer than average feature, we get a track that shows Y2K not only to be a producer with unexpected musical variety but also a solo artist worth looking out for.<\/p>\n<\/div>\n

\n

Lily Suckow Ziemer<\/h1>\n

Hold Me by Hojean<\/h2>\n

\u201cHold Me\u201d is the most recent single from R&B artist, Hojean (he\/him). Starting with \u201cSmall Room\u201d in 2017, Hojean has released 20 singles, with this being the most recent. Furthermore, Hojean announced on Instagram that, \u201cafter this track, we\u2019re heading into my VERY FIRST DEBUT EP.\u201d The song is slow with a strong beat that speaks exactly to the title. On the surface level, the lyrics present Hojean offering comfort to another. He sings, \u201cWhenever you’re free \/ Whenever you need \/ Come hold me.\u201d But as the lyrics \u201chold me\u201d repeat over and over again, the listener is able to interpret Hojean\u2019s need as well. He\u2019s not just offering solace, but begging for it on his own end as well. \u201cHold Me\u201d is a beautiful song and sets the tone for Hojean\u2019s upcoming EP.<\/p>\n<\/div>\n

\n

Lily Hartenstein<\/h1>\n

Sheepskin by Clifford the Band and Mei Semones<\/h2>\n

Post-hardcore genre hoppers Clifford the Band collaborated with jazz-influence indie pop artist Mei Seimones to create the melancholic and simultaneously soothing single \u201cSheepskin.\u201d Since graduating from Berklee, Semones has relocated to Brooklyn, NY, but during her time in Boston was a frequent treasure on DIY show lineups; similarly, Clifford is a staple in the Boston basement scene. The combination of Semone\u2019s tender, jazz-influenced indie pop blends seamlessly with Clifford the Band\u2019s folk-rock stylings. The single is reminiscent of early 2010\u2019s indie, lending a similar effect to The Shins or Death Cab For Cutie: that gentle, forlorn style of vocals over delicate and layered instrumentation sounds comfortingly familiar, until Semone\u2019s Japanese lyrics come in and you realize something entirely new is made. <\/p>\n<\/div>\n

\n

Anya Perel-Arkin<\/h1>\n

No Blood, No Needles, Nothing by ash tuesday<\/h2>\n

I\u2019m usually at a loss on weeks where we write about new releases, but luckily Lily came to the rescue, somehow knowing about my guilty pleasure for midwest emo. Milk Crate actually has a history with Ash Tuesday,<\/span><\/a> so I thought this was a good choice. Her new song, \u201cNo Blood, No Needles, Nothing\u201d feels like a warm hug to me\u2014 it reminds me of driving to apple orchards with my ex-girlfriend while listening to The Front Bottoms, enveloped by fields of changing trees, or even hiking with my roommate in Montana. It also gives me flashbacks to rainy days in Southern New York, where I was born and raised and spent most days listening to artists like German Error Message and Golden Smog (I love you Jeff Tweedy, I\u2019m sorry I couldn\u2019t marry your son). Anyways, Ash\u2019s lovely voice and pacing guitar clearly bring me back to better moments, and this song is definitely going on the \u201csad in science class\u201d playlist.<\/p>\n<\/div>\n

\n

Parker Bennett<\/h1>\n

Say That ft. Nomi by Mount Kimbie<\/h2>\n

British electronic duo Mount Kimbie released their fourth studio album MK 3.5: Die Cuts \/ City Planning<\/em> last Friday, a double disc that saw the tracklist split between band-members Dom Maker and Kai Campos. Maker\u2019s first half is a lo-fi, sample-heavy collage of underground collaborators, and Campos\u2019 is a tinkling, ambient collection of instrumentals. Altogether, the album ends up feeling somewhat bloated – Campos\u2019 half is fairly tedious – but songs like \u201cSay That\u201d definitely deserve celebration. Produced by Maker, the track is a seemingly inconspicuous collab with relatively unknown Houston singer, nomi, but ends up being one of the most addictive moments in the MK 3.5 <\/em>tracklist. Over a muffled sample loop, nomi\u2019s sweet pop vocals float out clear as day: \u201cI don\u2019t think you see you how I see who you are.\u201d Her presence is a gentle, romantic flourish that elevates the rather simple instrumental into a delightful feat of electronica. nomi continues to sing about love, spelling out stories of seduction and silent communication between lovers. Then, just as you\u2019re getting nice and comfortable with the song, it changes. The last minute of the track is the undeniable highlight, with an absolutely gorgeous vibraphone orchestration underpinning nomi\u2019s muttered repetition of \u201csay that for me.\u201d It\u2019s a slow-burn of a song, and the build-up happens without the listener even realizing it. The song\u2019s first half doesn\u2019t necessarily signal a change of pace, but the inclusion of one is nothing short of magical, and makes for one of the most loopable pieces of music I\u2019ve heard in a long time. <\/p>\n<\/div>\n

\n

Julia Norkus<\/h1>\n

cursive by ghost orchard<\/h2>\n

\u201ccursive\u201d is just one of the many little sun spots that live on the burst of beauty that is rainbow music<\/em>, the fourth album from independent artist Sam Hall (n\u00e9e ghost orchard). A song that can be described as nothing other than a backyard jam, \u201ccursive\u201d marries stripped down sounds with the grooviest of picking patterns and suggestions of a pedal steel. While you might hear people say that something sounds like it’s underwater, \u201ccursive\u201d and the rest of the album sound like my headphones are plugged into a kaleidoscope. The lyrics are nearly inaudible, but still feel bright and like they\u2019re wrapped in dewy gossamer. Diluted vocals, gentle drums, the sound of birds chirping in the distance\u2014it feels like a song fit for a morning walk around the Public Garden. The album overall sounds effortless and easy to listen to, so even if you don\u2019t understand any of the lyrics, it\u2019s just a nice one to sit back and enjoy the presence of. While its words might not resonate with you, treat it like an old friend you can enjoy comfortable silence with\u2014except this is an album and you get to be the silent one.<\/p>\n

<\/p>\n<\/div>\n

\n

Sarah Fournell <\/h1>\n

mad at me by Samia ft papa mbye\u200b<\/h2>\n

\u201cMad at Me\u201d is a fun, pop anthem with sinister, universally relatable lyrics. The Caleb Wright and Rostam produced track is punchy, fun, and flirty with dark undertones. Sonically, it\u2019s a sharp deviation from the trance-like despair of Samia\u2019s recent work, \u201cKill Her Freak Out.\u201d But lyrically, the themes are just as scary and desperate. Throughout the song, she begs the question that physically hurts when asked, \u201cAre you still\/Mad at me?\u201d Though ultimately by the end of the song, she decides \u201cI don\u2019t wanna know anymore.\u201d \u201cMad at Me\u201d features a verse from Senegalese artist papa mbye about the self-destructive nature of the question \u201cAre you still\/Mad at me?\u201d The music video is just as fun as the beat, with unadulterated joy on full display as Samia\u2019s bikini-clad squad playfully dances around a lakefront.<\/p>\n<\/div>\n

\n

Farah Rincon<\/h1>\n

Lamb (feat. Porches) by Coco & Clair Clair<\/h2>\n

On Friday, November 4th, Coco & Clair Clair released their second album, “Sexy,” after their five-year-old (and very first) album, “Posh.” The album\u2019s title lives up to its musical standards, being that it truly does have a playful, “sexy” sound to it. Previously released songs such as “Cherub” and fan favorite “Pop Star”, take part in the album as well, accompanied by ten other tracks. Coco & Clair Clair have mastered the art of mixing elements of bedroom pop with lo-fi hip-hop and birthing their unique, youthful, and flirty music for their fans to dance to. A particular track that can be used to represent the overall sound and “sexiness” of this album is their ninth track, “Lamb,” featuring Porches. The indie-sounding acoustic guitar chords, lofi drum patterns, and baby vocals complete the lighthearted, frisky vibe of the song. “Lamb,” an abbreviation for Lamborghini, also has catchy lyrics: “Hopping out the Lamb’ with my man, my man \/ Dancing in the club with my friends, my friends \/ Nothing’s really changed, I’m the same as always.” More or less, listeners of CoCo & Clair Clair can confide in them to produce an easy-going, fun track to party to or play in the car with friends. The musicians continuously produce a fresher sound while keeping the nostalgic bedroom pop beats that became popularized in the late 2010s.<\/p>\n<\/div>\n

\n

Nathan Hilyard<\/h1>\n

Jazzercise by Okay Kaya<\/h2>\n

\u201cJazzercise\u201d is a standout track from Okay Kaya\u2019s newest album, SAP<\/em>, which arrived on November 4th. The track is a testament to the subliminal, quirky jams Okay Kaya is so adept at constructing. The song opens with wonky guitar swings mixing uncomfortably with a cheerful drum beat, and by the addition of the bass the song has reached a gentle swing and groove. Then she begins, \u201cHave you tried jazzercising your nerves away? \/ Spandex, lycra, every single day \/ Polymer-amorous, second layer of skin \/ Lay there touching it, exalted, spread your fingers and wiggle them.\u201d Okay Kaya\u2019s past work perfectly contextualizes these lyrics, with her signature lyrical focus on the mundane, oddball lanes of life. The song more or less adventures around these simple, well formed sounds and continues to sing on the necessities of jazzercise. Okay Kaya in all of her strange ways has added another unique and unexplained track to her canon of quirk. <\/p>\n<\/div>\n

\n

Minna Abdel-Gawad<\/h1>\n

Bygones by Seeing Double <\/h2>\n

New York based band Seeing Double released their fourth single \u201cBygones\u201d this week. They had massive success with their debut single “Leah” that currently has over 3 million streams on spotify. They originally gained popularity on Tik Tok platform with their series \u201cbrushing our teeth to our song Leah until it blows up.\u201d The factor that led to their massive burst of popularity is their retro and psychedelic rock style, strong vocal performance and groovy guitar solos. The band has shared how heavily inspired they are by artists like Fleetwood Mac, The Strokes and Paul McCartney and these inspirations are completely evident in their soulful vocals, gritty guitar pieces and use of three part harmonies. \u201cBygones\u201d tells the story of a painful heartbreak that is accompanied by a thrashing guitar, belting vocals, and prominent tambourine piece. The song feels like a very natural progression for the band\u2019s discography as it still has the retro elements that everyone loved in \u201cLeah\u201d but explores a new aspect of it with a more hard rock angle to the song. It\u2019s dynamic, energetic and an all around great rock song.<\/p>\n<\/div>\n

\n

Harry Bates<\/h1>\n

\u201cWe Back\u201d by Charlie Boon Jodie Harsh <\/h2>\n

Mixing it up this week \u2014 Serving a little SOHO London sound this Friday, with legendary Jodie Harsh adding her own spice to Charlie Boon\u2019s infectious house track. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel case. 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