{"id":588,"date":"2022-11-18T19:30:55","date_gmt":"2022-11-18T19:30:55","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-11-18-staff-pix-1118\/"},"modified":"2022-11-18T19:30:55","modified_gmt":"2022-11-18T19:30:55","slug":"2022-11-18-staff-pix-1118","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-11-18-staff-pix-1118\/","title":{"rendered":"Staff Pix: 11\/18"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 2-3 EST to the Staff Pix radio show.<\/p>\n<\/div>\n

\n

Karenna Umscheid<\/h1>\n

Absentee by Paper Lady<\/h2>\n

Paper Lady, the immortal crone of Allston<\/span><\/a> led by stellar siren Alli Raina is a band with undeniably gorgeous, witchy hits. Residing at the well-loved Tourist Trap house show venue in Allston, the band is active throughout the Boston underground scene, and has recently toured with The Beaches and Trophy Wife. The track \u201cAbsentee\u201d is fresh and beautiful, as the band\u2019s production blends effortlessly with Raina\u2019s magical voice and wistful lyricism. When the chorus goes \u201cTaking more than you gave me\/but who can blame the absentee,\u201d I can\u2019t help but feel as though the band\u2019s music could echo through stadiums, it is so unique yet honest and relatable. For now, Paper Lady\u2019s music coats the sticky, wet walls of Allston basements, catch them live when it only costs $10 to do so. <\/p>\n<\/div>\n

\n

Julia Norkus<\/h1>\n

Weekend at Andy\u2019s by The Most Beautiful Moth in America<\/h2>\n

As I write this and listen to the song, I can\u2019t help but involuntarily bob my head back and forth to the beat of \u201cWeekend at Andy\u2019s.\u201d From their first EP, The Most Beautiful Moth in America<\/em>, this guitar-heavy tune tells the story of movie-star-wannabe Andy. This idea of Andy feels like a joke in itself, where the lyrics talk about how he was born to be this beautiful Hollywood golden child, but doesn\u2019t do anything about it. He has the look, does the same stereotypical things that movie stars do, and yet it seems as though he either doesn\u2019t care or just is giving up on those dreams, \u201cAndy looks so cool \/ Slathered in sunblock, dripping with drool.\u201d Something about the use of the name Andy and being a \u201cstar\u201d reminds me of The Killers song \u201cAndy, You\u2019re a Star,\u201d which is a song all about a guy that bullied lead singer Brandon Flowers in high school. Something about both songs feels like a mockery of superstar-wannabes who can\u2019t seem to stop sucking<\/em> as people. However, putting these people in their places will never not be a win for the underdogs.<\/p>\n<\/div>\n

\n

Farah Rincon<\/h1>\n

Is She Weird by Pixies<\/h2>\n

I first heard \u201cIs She Weird\u201d in the 2001 movie On the Edge, which I found in full length on Youtube with its questionable streaming quality. Regardless of the iffy streaming conditions, I got far enough into the film where I heard a series of odd-sounding chords, peculiar vocals, and strange lyrics that only enticed me to Shazam and add to my Spotify library. Upon a second listen, I appreciated the song\u2019s weirdness a lot more, and eventually, its nagging chorus turned into a catchy, memorable set of words I sang along to. The lyrics have an odd personality within themselves and repeat a total of twelve times. However, while the repetition can be a bit frustrating, I find myself nodding my head back and forth to the beat of the song; it\u2019s just too good.<\/p>\n<\/div>\n

\n

Lauren Larking<\/h1>\n

Cool It by Dejima<\/h2>\n

Kaveh Hodjat (he\/him), who goes by the stage name of Dejima for his music, is a sophomore at Emerson College that makes soft rock-esque music that I can only pin down as a dream-poppier Wallows with some Gus Dapperton tones at time. His most popular song, \u201cCool It,\u201d has garnered 1.2 million streams on Spotify since it was released in mid March this year and rightfully so. The song is sexy, sultry, and very cool. The laidback guitar backing track is layered with slow but impressive riffs that close out this under two minute song. The two verses of lyrics in the song are a drawn out, soft questioning of \u201cWhile I’ve been gone, what have I missed my dear? \/Have you been fond of the time I’m not near?\u201d While the song is short, his future as an artist seems to be quite the opposite. Dejima released a three-song EP in April that demonstrated his ability to span genres and the exciting growth he is destined for as an artist in the future.<\/p>\n<\/div>\n

\n

Izzy Desmarais <\/h1>\n

Leech by Trophy Wife <\/h2>\n

Recent Berklee College graduate McKenzie Iazzetta, better known by her stage name Trophy Wife, put out her second EP Voyeur <\/em>earlier this week. Iazzetta is now based out of Brooklyn, New York, but she undoubtedly got her start here in Boston and its DIY scene. While the new EP definitely stays true to Trophy Wife\u2019s typical sound \u2014 heavy instrumentals and emotional lyrics \u2014 Iazzetta pushes herself in new directions, demonstrating how much of a powerhouse vocalist she truly is. \u201cLeech\u201d is the most experimental out of these five songs, opening with a solo bass line and soft vocals before erupting into this darkly robust ballad about a toxic relationship. If you have the opportunity to see Trophy Wife \u2014 she recently finished a mini fall tour around New England\/the Northeast, including an opening set for Canadian rock band Beaches at Brighton Music Hall \u2014 please take advantage of it! She and her band are incredible performers, commanding whatever venue their in with ease and grabbing the audience\u2019s attention from start to finish. <\/p>\n<\/div>\n

\n

Lily Hartenstein<\/h1>\n

New Jersey\/Careful Chaos by Cadderwall<\/h2>\n

I really should have chosen Cadderwall\u2019s song \u201cmassachusetts\u201d for this Boston-themed Staff Pix, but I simply love the Northeastern graduate\u2019s lyricism in \u201cNew Jersey\/Careful Chaos\u201d too much to forgo a blurb about it. At any rate, the song still references house parties in Allston! This song came to mean a lot to me during COVID, when I fled Boston and took a year off school. I missed the music scene of the city I\u2019d grown to know desperately, and remote Zoom meetings with the members of Milk Crate were my one tether to a community. When editing an interview<\/span><\/a> with Cadderwall our then-staffer Annie Wojnarowski wrote, I listened through the scattering of EPs musician Clem Cahill has released and found a warm sense of comfort. \u201cNew Jersey\/Careful Chaos\u201d was instantly familiar, drenched with the sense of peaceful melancholy I\u2019ve only ever known on cold late-night walks towards the Green Line. It\u2019s the most stripped-down song Cadderwall has released, needing nothing more than a guitar to carry the weight of Cahill\u2019s tender imagery. <\/p>\n<\/div>\n

\n

Parker Bennett<\/h1>\n

Pop Warner by King Brickz ft. claybourne vel<\/h2>\n

Despite being a mere train ride away from New York City, Boston has never really received its flowers in regards to the city\u2019s contributions to hip-hop. For decades, up and coming rappers from Boston have had to put in significant work to gain the slightest amount of recognition, and usually end up leaving the city in favor of larger cultural hot-spots. In the case of Boston rapper King Brickz, despite recently relocating to Atlanta, Boston still remains at the heart of his lyrics, videos, and overall branding. Over the past few years, Brickz has jostled his way into the Boston spotlight through constant mixtape releases and collaborations, and while his work has yet to truly reap the fruits of labor, his music shows significant potential. The single \u201cPop Warner\u201d, featuring fellow Boston MC Claybourne Vel, is an excellent example of the sort of music Brickz and his collaborators have been putting out on a consistent basis. The beat is a pitch-shifted soul sample guided by tight drum-work, and makes for an effectively cinematic back-drop for the two rappers to paint over. Lyrically, their deliveries, cadences, and flows are both well-executed and well-thought out, making it clear just how much work these artists are putting into low budget, low recognition tracks. It\u2019s not anything cutting edge for hip-hop as a whole, but it doesn\u2019t need to be. There\u2019s a realness that can be felt through the track in a way that many larger rappers simply can\u2019t provide, and while aspects of the song might sound a little clich\u00e9 or overproduced, it\u2019s ultimately a testament to the drive and ambition of underlooked artists in an underlooked city putting in the work to release quality music at a consistent level. Hopefully, King Brickz will continue to see success, and he and his team will be able to elevate Boston hip-hop to higher stages of notoriety and recognition. Until then, \u201cPop Warner\u201d is an excellent place to start.<\/p>\n<\/div>\n

\n

Will Ingman<\/h1>\n

I Think We Should Try to Have Kids by Makeout Palace<\/h2>\n

Makeout Palace check a great many \u201cclassic emo\u201d boxes. Singing bassist? Check. Overly verbose full-sentence song titles? In spades. Abrupt, unexpected ending to the song? That\u2019s there too. However, The Midnight Show<\/em>, their first and only full-length release (which, let\u2019s face, is something of a rarity for local bands), isn\u2019t just a collection of tunes written by the trio in their three years together – it\u2019s a concept album! The record is, in its own narrative fiction, a live record, recorded at a theatre on the moon for a lunar audience. It\u2019s not a particularly intrusive concept, but the 30-second interlude tracks peppered throughout its runtime keep the listener reminded of Makeout Palace\u2019s standout creativity \u2014 in addition to the deceptively complex genre-bending riffage and sardonic but earnest songwriting. \u201cI Think We Should Try to Have Kids\u201d exemplifies what the group calls in their Spotify bio \u201csasquatch rock\u201d (a curiously similar moniker to last-gen Bostonians Kudgel\u2019s \u201cchimp rock\u201d), a mix of stabbing staccato guitar, grungy, overdriven bass and primate-level physical drumming. However, there\u2019s also a palpable sincerity and earnestness to it, a commitment and belief in every musical idea that\u2019s nothing short of charming. Plus, they\u2019re great live<\/span><\/a>.<\/p>\n<\/div>\n

\n

Lily Suckow Ziemer<\/h1>\n

Sk8 Boi by Talk Chalk<\/h2>\n

As a part of their latest EP Fork, Marry, Killbassa!<\/em> local Boston group Talk Chalk released \u201cSk8 Boi\u201d September 1, 2022. The title may be reminiscent of Avril Lavigne\u2019s \u201cSk8er Boi,\u201d but the song offers a new and unique sound. Although slowed down, there are a multitude of sounds overlapping each other, creating a rich listening experience. There is a wonderful mix of guitar solos and drums. Crystal Araiza\u2019s vocals are amazing, shifting from moody to loving to angry. The song is a dialogue directed towards the \u201cSk8 Boi\u201d himself. The lyrics mainly consist of questions towards the stereotypical skater boy: \u201cDo you like your hair long? \/ Or do you just not care?\u201d But as the song progresses the lyrics become much more targeted. The song culminates with lyrics such as, \u201cSkate boy, don\u2019t come down my street \/ Skate away from me.\u201d \u201cSk8 Boi\u201d is a melodic yet head banging song that will have you listening to it on repeat.<\/p>\n<\/div>\n

\n

Everly Orfanedes<\/h1>\n

I Think I\u2019m Doing Better Alone Again by Matilde Heckler<\/h2>\n

When I saw Matilde Heckler\u2019s first performance back in September of 2021, I didn\u2019t know if I wanted to be her or be her friend. Heckler\u2019s first single, \u201cI Think I\u2019m Doing Better Alone Again,\u201d was highly anticipated by her followers, like me, and was well worth the wait. Since its release in late 2021, the song has gained over 25,000 listens and that number only continues to climb. Heckler writes all her songs, and leads her band on violin. Her style has a basis of midwest emo, hence her song \u201cEmo Needs More Fucking Girls,\u201d in which she sings about the feminine power in the rock music scene. However, Heckler adds personal twists on the style, and once explained to me in an interview how her style is not limited to midwest emo. In that interview, she put an emphasis on how her music is meant to communicate with others and is deeply personal so that her listeners feel connected and less alone in their experiences. Especially those who have experienced rejection or disrespect from the world around them, such as the music industry. I love Matilde Heckler and her music, and I would highly recommend checking out her music on Spotify, or if you\u2019re local to Boston, checking out a show. \ud83d\ude42<\/p>\n<\/div>\n

\n

Patrick McGill<\/h1>\n

Solitaire by Krill<\/h2>\n

Though they\u2019ve assumed a new name (calling themselves Knot since 2020) Krill\u2019s 2011 indie breakthrough, Alam no Hris<\/em>, is finally on popular streaming services for the very first time. The Allston trio whose music evokes the durgy, lo-fi, indie rock of the early to mid-90s (think Pavement, Royal Trux, Yo La Tengo, etc) while being so heart on its sleeve that it somehow becomes fresh all over again. Nowhere is that better seen than fan favorite and lead single \u201cSolitaire\u201d. Atop a buzzy bassline so wonderfully over blown it feels like your ear is smushed up against the amp, singer Jonah Furman laments \u201cThought about how I wanted to \/ Love you enough to miss you\u201d. In the wrong hands, this could come off melodramatic and corny. However, under the band’s bouncy and often not too serious sound and appearance, it just seems charming. So much so, in fact, that ten years seemed to have barely made a dent in how timeless this track feels.<\/p>\n<\/div>\n

\n

Harry Bates<\/h1>\n

Follow Me Down by Skyfoot<\/h2>\n

My friends, I love this Boston-based band so much \u2013 they\u2019ve got such heart, soul, and a cracking talent for playing to the human experience. They are definitely on my list of acts to see sometime; waiting for the day that our paths collide. If anyone else is into the Dead\/jam rock sound, feel free to board this musical wagon bound for good times. Your boarding pass is the play button before you, and this is most definitely a non-stop service from Boston to spatial orbit. \u201cFollow Me Down\u201d comes from their November 2020 album Astronomy Man. <\/em>Happy listening \ud83d\ude42<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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