{"id":58,"date":"2025-02-28T15:59:00","date_gmt":"2025-02-28T20:59:00","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2025-2-27-staff-pix-228-dive-bar-anthems\/"},"modified":"2025-02-28T15:59:00","modified_gmt":"2025-02-28T20:59:00","slug":"2025-2-27-staff-pix-228-dive-bar-anthems","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2025-2-27-staff-pix-228-dive-bar-anthems\/","title":{"rendered":"Staff Pix 2\/28: Dive Bar Anthems"},"content":{"rendered":"
\n

Another beer? Sure! Split your last one on the photo booth? Hey that\u2019s okay\u2026 this is a place for loving hard and getting sloppy! It\u2019s the dive bar for god sake! Throw another quarter in the jukebox and let\u2019s find out what the Milk Crate staff\u2019s queued up. <\/p>\n

\u201cLazy Eye\u201d by Silversun Pickups<\/h2>\n<\/div>\n
\n

This classic. My unsung GOAT of the \u201800s alternative boom, Silversun Pickups helped define my taste; I fondly remember screaming for my dad to take his call whenever his Samsung rang to the tune of 2015\u2019s \u201cNightlight,\u201d somehow always on maximum ringer volume. \u201cLazy Eye\u201d is the band\u2019s most well-known piece of work, and for good reason. The guitars and bass are gnarly, it becomes an almost psychedelic pedal-off halfway through. Brian Aubert grows more and more passionate, culminating in a bombastic wail as the five minutes eventually run up. It\u2019s addicting, a magnum opus of tried-and-true indie rock. \u2014Sofia Giarrusso <\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cJumpin\u2019 Jack Flash\u201d by the rolling stones <\/h2>\n<\/div>\n
\n

Jumpy guitar, pure rebellion, and powerful energy\u2026 \u201cJumpin\u2019 Jack Flash\u201d is a quintessential dive bar anthem. Following the Rolling Stones\u2019 psychedelia record, this song proves itself a raw and spiritual force of rock \u2018n roll thanks to the iconic guitar riff that will have anyone grooving. \u201cJumpin\u2019 Jack Flash\u201d is timeless \u2013 a perfect rock \u2018n roll song filled with the addictively defiant energy of Mick Jagger\u2019s vocals:
\u201dI was born in a crossfire hurricane\/<\/p>\n

And I howled at the morning drivin’ rain\/ <\/p>\n

But it’s all right now, in fact it’s a gas\/<\/p>\n

But it’s all right, I’m jumpin’ jack flash.\u201d <\/p>\n

\u2014Heather Thorn<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cLonely is the night\u201d by billy squier<\/h2>\n<\/div>\n
\n

My dad said we need \u201cmore Billy Squier\u201d on Milk Crate, so I feel as though it\u2019s my personal duty to satisfy that requirement. I\u2019ve never been to a bar in my life (or so my parole officer thinks), but I can\u2019t help imagining a dingy biker dive in the middle of nowhere only playing \u201cLonely is the Night.\u201d It\u2019s a hilariously macho classic, a metal-toothed battleborn anthem calling every lonely person in the world to drink together and then fight each other in the parking lot. It slinks, it attacks with hot guitar shredding, and it rocks your ass off. If I were inebriated enough, I\u2019d probably stand up on a wobbly, liquor-slick table and spit out every word. Extra points go to Mr. Squier for being from Wellesley, Massachusetts, home to every rich person who still couldn\u2019t afford to live in Weston. \u2014Charlie Desjardins<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201closer\u201d by beck<\/h2>\n<\/div>\n
\n

Though this might be my most basic pick in recent Staff Pix history, it’s a necessary one. If any song is going to unite the people (especially those frequenting a dive bar) it\u2019s going to be Beck\u2019s iconically ridiculous \u201cLoser.\u201d The track is inherently an anthem with a chorus that layers vocals and imitates the kind of call-and-response that can only be experienced in a room full of people. From \u201cIn the time of chimpanzees, I was a monkey\u201d to \u201cYou can\u2019t write if you can\u2019t relate \/ Trade the cash for the beat, for the body, for the hate,\u201d Beck is an incredibly witty songwriter whose sonically brilliant punch-lines make it impossible not to sing along. \u2014Sophie Parrish<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cAdd it up\u201d by the violent femmes<\/h2>\n<\/div>\n
\n

\u201cBlister In The Sun\u201d is a classic. You know it, I know it. As soon as that unmistakable bass line starts up, the urge to clap and sing along that follows is almost muscle memory. And I could have just as easily put that song, or any song off of Violent Femmes timeless self-titled debut, on here. But few tracks from the Milwaukee folk punk pioneers encapsulate the rough-and-ready earworm quality of their music better than \u201cAdd It Up,\u201d the Femmes\u2019 impossibly sing-along-able ode to teenage angst. Like every other track on Violent Femmes<\/em>, \u201cAdd It Up\u201d is defined by the Femmes\u2019 rock-solid rhythm section, who provide the song with a manic energy and relentless groove that only serves to parallel the indignation in lead singer Gordan Gano\u2019s words. And that chorus is unmistakable, even if you\u2019ve only heard it once; \u201cAdd it up, add it up,\u201d the band reiterates over and over, until there\u2019s no room left for doubt that they\u2019re serious. It\u2019s gritty, grimy, angry, catchy beyond belief \u2013 everything that made Violent Femmes all-stars at college parties and sleazy karaoke bars alike. \u2014Lucca Swain<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cMr. Brightside\u201d by The Killers<\/h2>\n<\/div>\n
\n

Everyone\u2019s shirt is soaked with beer, the floors smell like piss, and after a couple hours of sad attempts at dance moves, it\u2019s time to go home. Then you hear that fuzzy 2000s rift, the second it comes on the once messy excuse for a social gathering has turned into a palace of drunken flailing. It doesn\u2019t matter if you<\/em> like \u201cMr. Brightside\u201d by the Killers\u2013the people you\u2019ve been too scared to chat up for the past two hours have finally warmed up to you, it\u2019s time to get off your ass and move. As you dance with your new friends, the lyrics trickle back into your head just as you remember how to scream the chorus word for word. It doesn\u2019t matter if you\u2019re a music snob or a normie, any social situation from a wedding to frat basement owes The Killers\u2019 super hit a bow, for making their miserable party exciting for almost four-whole minutes. \u2014Sam Shipman<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cthe pink room\u201d by Angelo badalamenti<\/h2>\n<\/div>\n
\n

Way up near the Canadian border there\u2019s a bar where you can get naked on camera. The prom queen\u2019s here and she brought her dorky homegirl, they\u2019re doing coke and finishing off the half-empty beer bottles as greasy-palmed perverts ogle. This place has litter bugs and bad seeds abound. So is the rough charm of Angelo Badalamenti\u2019s \u201cThe Pink Room,\u201d from the soundtrack of the late great David Lynch\u2019s masterpiece, Twin Peaks: Fire Walk With Me<\/em>. A song that frames the diviest of bars, music roaring so loud that the subtitles kick in. Laura Palmer has just enough time to spit out a few consequential one-liners before slurred guitar lines swallow her whole. \u2014Nathan Hilyard<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cfame\u201d by david bowie<\/h2>\n<\/div>\n
\n

In Chicago, DePaul University students have a plethora of dive bars to choose from for a weekend outing. Lincoln Park, the neighborhood that houses DePaul\u2019s campus, features a dive bar on almost every block and while visiting home for the summer I got to join in on that experience. My best friend\u2019s boyfriend, a DePaul student, took us to Rose\u2019s. Rose\u2019s is cozy, features the necessary pool table, and is decorated with vintage Chicago memorabilia. They even had their Christmas decorations up; it was June. Nothing beats the feeling of putting down your second mug of local beer and spotting the jukebox hidden in the corner. Surrounded by the beautiful chaos of dive bar ambience, I flipped through the seemingly endless catalogue and landed on \u201cFame\u201d by David Bowie. The jangly guitar, the buzzy bass, and Bowie\u2019s stretched out vowels perfectly stand out above the din of laughter and clicks of pool balls. The laid-back energy of the track is the perfect groove for dimly-lit conversation. \u201cFame\u201d emulates the orange glow of the lights, the musk of the seats, and the time capsule energy that exists in dive bars. \u2014Izzie Claudio<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Another beer? Sure! Split your last one on the photo booth? Hey that\u2019s okay\u2026 this is a place for loving hard and getting sloppy! It\u2019s the dive bar for god sake! Throw another quarter in the jukebox and let\u2019s find out what the Milk Crate staff\u2019s queued up. \u201cLazy Eye\u201d by Silversun Pickups This classic….<\/p>\n","protected":false},"author":1,"featured_media":59,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-58","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 2\/28: Dive Bar Anthems - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 2\/28: Dive Bar Anthems - wecb\" \/>\n<meta property=\"og:description\" content=\"Another beer? 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