{"id":574,"date":"2022-11-26T20:07:17","date_gmt":"2022-11-26T20:07:17","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-11-26-foushe-redefines-herself-with-softcore\/"},"modified":"2022-11-26T20:07:17","modified_gmt":"2022-11-26T20:07:17","slug":"2022-11-26-foushe-redefines-herself-with-softcore","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-11-26-foushe-redefines-herself-with-softcore\/","title":{"rendered":"Foushe\u00e9 Redefines Herself with softCORE"},"content":{"rendered":"
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Graphic by Cate Banks<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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By Parker Bennett<\/h1>\n

While her buzz has been quietly growing over the past few years, New Jersey artist Foushe\u00e9\u2019s hype has unfortunately often been attributed to the collaborators she\u2019s worked with, rather than the strength of her music itself. She blew up from rapper Sleepy Hallow\u2019s viral interpolation of her song \u201cDeep End,\u201d and her recent Grammy nomination comes from her writing credits on partner Steve Lacy\u2019s smash hit \u201cBad Habits.\u201d This isn\u2019t necessarily a bad thing, but it\u2019s a frustrating experience to watch an incredibly talented artist receive mainstream recognition only when other (usually male) collaborators are involved. While her 2021 album time machine <\/em>was a solid project that showcased exactly what Foushe\u00e9 was capable of, softCORE <\/em>feels like the cohesive body of work she deserves, and firmly stamps her one-of-a-kind sound on the current music scene with ubiquitous deftness. <\/p>\n

Instantly, the first thing that grabs your attention about the album is the clear distinction between its title and its sound. For the majority of softCORE<\/em>, Foushe\u00e9 is experimenting with raucous splashes of punk, hyper-pop, and \u2013 ironically \u2013 hardcore. These more aggressive portions are then juxtaposed with meditative moments of art-pop, indie-rock, and folk. The soundscape of this album whips from crashing guitar riffs and pounding drums to gentle acoustic strums and beautiful oceans of reverb, and Foushe\u00e9\u2019s vocal performances are just as dynamic. At times, she\u2019s screaming her head off (\u201cbored\u201d), others singing angelically (\u201cunexplainable\u201d), and even busting out a couple rap verses (\u201cscream my name\u201d). Across the board, her presence is charismatic, enigmatic, and wonderfully unpredictable, and it makes for a listening experience that feels like a sprawling world of Foushe\u00e9\u2019s design that we are being granted the privilege of peering into.<\/p>\n

Album opener \u201csimmer down\u201d kicks things off with a punk-inspired assault of drum and bass, accompanied by a looming wall of dark synth moods. Foushe\u00e9\u2019s vocals on the track are half-yelled and unbound by constraints of tempo, allowing her to carve her own way through the back-beat. Like the best punk ballads, the rhyme scheme is archaic and easily chant-able, and the lyrical references to violence, independence, and promiscuity are instantly memorable. Foushe\u00e9\u2019s vocal performance really sells the track, with the chorus standing out as the deliciously addictive highlight: (\u201cSim-ma-ma-ma-ma down, I know I don\u2019t fuck around\u201d). The track dovetails in a high energy guitar solo accented by Foushe\u00e9\u2019s whistle-tone shrieks, and sidetracks briefly into a piano-driven ballad portion that feels reminiscent of Ziggy-era Bowie. It\u2019s a captivating start to the album, and is an aggressive but thoroughly enjoyable introduction to the artistic range Foushe\u00e9 embodies.<\/p>\n

The comedown on \u201ci\u2019m fine\u201d is nothing short of baffling, with Foushe\u00e9 choosing to follow up her speaker-breaking opener with a gentle, guitar-driven folk song. Her singing here is ethereal, and her lyrics are a soft proclamation of being \u201cfine\u201d. Then, at about the thirty second mark, the song transforms into a three second breakdown of screeching guitars, banging drums, and a distorted voice screaming, \u201cFIIIIINNNNE!\u201d This interruption occurs twice more during the only ninety second song, and it transforms an otherwise meditative interlude into a charming piece of emotional storytelling. The distinction between Foushe\u00e9\u2019s repeated reassurances and the screaming death-metal segments that reflect her mental state is one whose meaning is clear, but its execution is so well-done and honestly surprising that it makes for one of the most replayable moments on the album without a doubt.<\/p>\n

The mood takes a sharp turn back onto the punk track with \u201cbored\u201d, which amps up the noise, aggression, and intensity of \u201csimmer down\u201d in incredible fashion. Lyrically, Foushe\u00e9 is at her most brutal and delightfully violent: \u201cI\u2019m bored, how \u2018bout a little torture? I\u2019m BORRRRED\u201d. Once again, her performance shines through and makes for the most memorable highlights of the track, including the outro\u2019s divulgence into hyper-pop and the gorgeous melody Foushe\u00e9 croons through mountains of auto-tune. <\/p>\n

Single \u201csupernova\u201d is another gentle interlude, which features Foushe\u00e9 singing in a pitched-up falsetto, reminiscent of Tierra Whack or 645AR. The beat here is spacey and accented by trap snares, and the bassline is a steady groove that grounds Foushe\u00e9\u2019s flurries of vocalics at a danceable center. \u201cSpend the money\u201d is a notable highlight for boasting the only feature on the album: rapper Lil Uzi Vert, whose recent output has flirted much more with pop-punk than the trap that put them on the map. Here, they continue that pop-punk evolution hand-in-hand with Foushe\u00e9, and the result is a moody, unpredictable banger. The vocal performances here are muttered and subdued, providing the perfect companion to the brooding beat that buries a flurry of percussion under an avalanche of glitchy low-end. Lyrically, both Uzi and Foushe\u00e9\u2019s writing is a charming homage to the trappings of pop-punk\u2019s angst, including references to skating, mental illness, and tumultuous relationships. Ultimately the song argues for a similarly juvenile lifestyle: encouraging teenage hedonism and for the listener to \u201cspend that money up.\u201d<\/p>\n

\u201cDie\u201d is arguably the darkest moment on the tracklist, which sees Foushe\u00e9 yelling over a sparse rock beat about tribulations of partying, drug abuse, and sexuality. Her assertions here are direct and aggressive, calling out an annoying partner, jealous haters, and a general assertion of her boss status. After the silly funk interlude of \u201csimulation\u201d, \u201cunexplainable\u201d sees her suddenly stepping into the world of art-pop: accompanied now by an orchestral pizzicato that she sings atop with evocative delicacy. It\u2019s a beautiful moment, and showcases just how far Foushe\u00e9\u2019s range can stretch. <\/p>\n

That range is further highlighted by the divergence into indie-pop on \u201csmile\u201d (my personal favorite). This song is a beautifully constructed bop that favors sensibilities much closer to Foushe\u00e9\u2019s past releases. There\u2019s a sense of longing that feels deeply present on the track, and allows the chorus to feel all the more heart-wrenching: \u201cYou give me one good reason to smile.\u201d It\u2019s an earnest and vulnerable declaration of love, and an undeniable highlight in an album full of wholly memorable moments. <\/p>\n

After two more hardcore bangers with \u201cstupid bitch\u201d and \u201cscream my name\u201d, the album comes to a close with \u201clet u back in.\u201d It\u2019s a slow-burn of an outro that sees Foushe\u00e9 beautifully baring her soul as she sings about loneliness, regret, and the urge to return to former lovers. After an album of such intense highs and lows, it feels like the perfect catharsis. <\/p>\n

There\u2019s an anger in this outro (\u201cbored\u201d), but Foushe\u00e9\u2019s tongue and cheek angst shines through (\u201cspend the money\u201d), and the entire thing is delivered in a tightly produced, emotionally provocative package (\u201csmile\u201d). As it comes to a close, softCORE <\/em>is an incredible effort from Foushe\u00e9, and showcases her as not only a competent songwriter, performer, and musician, but also as an impressive visionary whose ability to construct a meaningful body of work is more than worthy of praise. For fans of pop-punk, indie-pop, R&B, and just general out-of-the-box greatness; Foushe\u00e9\u2019s got you covered on this one.<\/p>\n

<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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