{"id":568,"date":"2022-12-01T22:21:16","date_gmt":"2022-12-01T22:21:16","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2022-12-1-waltzing-down-christopher-street-with-kevin-atwater\/"},"modified":"2022-12-01T22:21:16","modified_gmt":"2022-12-01T22:21:16","slug":"2022-12-1-waltzing-down-christopher-street-with-kevin-atwater","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2022-12-1-waltzing-down-christopher-street-with-kevin-atwater\/","title":{"rendered":"Waltzing Down Christopher Street with Kevin Atwater"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2000px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:40%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/KevinAtwaterbanner.png\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/KevinAtwaterbanner.png\" data-image-dimensions=\"2000x800\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"2000\" height=\"800\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">By Minna Abdel-Gawad<\/h1>\n<p class=\"\" style=\"white-space:pre-wrap\">New York-based indie folk artist Kevin Atwater (he\/him) is known for his gut wrenching, tender and endearing queer love songs and his latest single <a href=\"https:\/\/open.spotify.com\/track\/6V8qSQ7na1atg4V8iR1e2x?si=b027e2ef71d54cdd\"><span style=\"text-decoration:underline\">\u201cchristopher street\u201d<\/span><\/a> is no different. Releasing his debut single <a href=\"https:\/\/open.spotify.com\/track\/6w5KKFh6vWtQBQf3PefsDA?si=b8d98b27931845e8\"><span style=\"text-decoration:underline\">\u201cFreckles\u201d<\/span><\/a> in 2020, the 23-year-old singer quickly cultivated a niche audience via his <a href=\"https:\/\/www.tiktok.com\/@kevinatwatermusic?lang=en\"><span style=\"text-decoration:underline\">Tik Tok<\/span><\/a>. Following his dynamic pop song <a href=\"https:\/\/open.spotify.com\/track\/3UMB8wB0MGqoXVgVgvyNc3?si=e860505995934dfe\"><span style=\"text-decoration:underline\">\u201cstar tripping,\u201d<\/span><\/a> Atwater has returned to what he does best: wistful fingerpicking pieces accompanied by agonizing lyrics and vivid storytelling.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cchristopher street\u201d opens with a plucky fingerpicking pattern as the only instrumentation ringing in the listeners ears, which is quickly followed by Atwater\u2019s gentle and breathy vocals setting the scene for the listener: \u201cWaltzing down Christopher Street with a tall can\/ &#8220;Fuck the police&#8221; you screamed right into the law man\/ I&#8217;ve never wanted to take my clothes off so much\/ We almost did but you fell asleep watching Roma.\u201d Something that the artist does phenomenally is tell a story, each song feels like a journal entry or a FaceTime call with a best friend as he sets the scene, sparing no details and processes these events in the song itself.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">This hyper specific imagery is not new for Atwater. In \u201cdispose,\u201d the opening track of his EP <em>retriever<\/em> (2022)<em>,<\/em> he sets the scene once more with the lyric \u201cI&#8217;ve been picking at my nails\/ Like I did when I was young\/ And listening to Phoebe\/ While I&#8217;m laying on the floor\/ Trying not to ask you if you like me anymore.\u201d This use of striking imagery and deeply personal details in his songs is what, in my mind, makes them so special. It feels as though every song is an extension of himself and a piece of him resides in each track.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Atwater is clearly a natural storyteller, and this track describes a yearning, pit-in-your-stomach-inducing heartache as he hopefully waits for someone only to be disappointed. He has a knack for transporting listeners to his exact state of mind with lyrics like \u201cWas gonna make a sculpture, but I&#8217;m shit with my hands\/ They shake so much, you&#8217;re sweet to say you don&#8217;t notice\/ So I\u2019ll make believe that it&#8217;s make-believe when you hold his.\u201d This lyric immediately stood out to me not only for the word play, but for the very intimate moment that is shared in these lyrics.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The songwriter lives within his lyricism and each song serves as a time capsule for these moments and feelings. Another stand out lyric: \u201cIf you could hold me now\/ You can leave me later\/ Give me just one day\/ If you kiss me now\/ You can kill me later\/ I will even say\/ In the note they find that I loved you anyway.\u201d This portion of the track is accompanied by light harmonization to emphasize the hurt he is describing. The lyricism and themes remind me of how Phoebe Bridgers describes her song \u201cGraceland Too:\u201d \u201cthe wanting and themes-to-be-stepped-on feeling: wanting someone to treat you badly because at least they\u2019ll treat you at all.\u201d These lyrics encapsulate that feeling so well, he\u2019d give up his life just to be seen and treated by this one person.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Following this harrowing chorus, the instrumentation changes to a strumming pattern accompanied by a soothing synth and sounds of New York\u2019s Christopher Street (i.e. laughing, voices talking, sirens etc.) The outro features the singer repeating \u201cI can never walk that street again\u201d like a prayer, a plea or a promise to himself. His vocals are full of sorrow and wistfulness as it slowly fades out. This effect makes it feel like his vocals fade out the same way Christopher Street fades from his memory, slowly and reluctantly letting go of this soul crushing yearning for this other person; vowing to never walk that street again.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">New York-based indie folk artist Kevin Atwater (he\/him) is known for his gut wrenching, tender and endearing queer love songs and his latest single \u201cchristopher street\u201d is no different.<\/p>\n","protected":false},"author":1,"featured_media":569,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[37],"class_list":["post-568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-single-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Waltzing Down Christopher Street with Kevin Atwater - wecb<\/title>\n<meta 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