{"id":520,"date":"2023-02-01T14:49:52","date_gmt":"2023-02-01T14:49:52","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-2-1-samias-saccharine-sweet-honey\/"},"modified":"2023-02-01T14:49:52","modified_gmt":"2023-02-01T14:49:52","slug":"2023-2-1-samias-saccharine-sweet-honey","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-2-1-samias-saccharine-sweet-honey\/","title":{"rendered":"Samia\u2019s saccharine sweet &#8220;Honey&#8221;"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2000px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:40%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/samiabanner.png\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/samiabanner.png\" data-image-dimensions=\"2000x800\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"2000\" height=\"800\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div><figcaption class=\"image-caption-wrapper\">\n<div class=\"image-caption\">\n<p class=\"\" style=\"white-space:pre-wrap\">Graphic by Anya Perel-Arkin<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">By Sarah Fournell<\/h1>\n<\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\">On January 27th, Samia released her sophomore album <em>Honey<\/em>,&nbsp; which dives deep into the pits of despair and dances at the bottom. Tied together with hyper specific yet universally relatable melancholy,<em> <\/em>the <em>Honey<\/em> tracklist aurally oscillates at a feverish pace. The movement between trance-like ballads and folksy pop songs invoke auditory whiplash, creating an album as sonically unstable as the tumultuous emotions Samia captures lyrically. If it were ordered in a more cohesive manner, the album would have carried more weight as a whole. Samia\u2019s songwriting remains hallmarked with an introspective\u2013bordering on invasive\u2013candor on <em>Honey<\/em>, with lyrics so deeply specific that they have the power to anthropomorphize entire tracks.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Beginning with an organ invoked stupor on \u201cKill Her Freak Out,\u201d Samia ushers you into an elegy for lost loves, youthful exuberance, and a sense of becoming. With provokingly intimate lyrics, an ambient eeriness, and deadpan delivery of lines like \u201cI hope you marry the girl from your hometown \/ And I&#8217;ll fucking kill her \/ And I&#8217;ll fucking freak out,\u201d the opening track is an amuse-bouche of the album to follow \u2014 a taste of the darkly comedic, melancholic and wistful work of art.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Following with \u201cCharm You,\u201d Samia offers up some levity after the funeral march that is \u201cKill Her Freak Out.\u201d A quaint folksy backdrop accompanies lyrics about not daring to enter into a relationship for fear of heartbreak. Despite verses full of cute anecdotes, ultimately the fear of \u201cending up crying\u201d holds Samia back from charming anyone.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Samia once again dives into the deep end with \u201cPink Balloon,\u201d a short but far from sweet piano ballad about a relationship that devolved into complicatedness far too quickly. So much so that it\u2019s nearly impossible to continue to bear the weight of the relationship. Full of words that are painful to utter, \u201cPink Balloon\u201d can best be summarized by the final line of the song, \u201cHow are you supposed to wanna love me anymore?\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Despite the sucker punch of the track before, <em>Honey<\/em> revs back up with \u201cMad at Me,\u201d the standout pop anthem of the album. Even though the infectious rhythm makes it easy to dance to, the Rostam produced track is still emblematic of Samia\u2019s sinister lyricism. Featuring a verse from Senegalese artist papa mbye, the track muses on the self-destructive nature of the question \u201cAre you still \/ Mad at me?\u201d&nbsp;&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Once again taking a sharp turn down the rabbit hole of disparity and dissolution, \u201cSea Lions\u201d is the sister to \u201cPink Balloon,\u201d a different telling of the same relationship that was \u201ctoo far gone.\u201d The first half of the song is mournful, seemingly taking place after the fact, when the relationship is already dead and buried but still haunts Samia. It then evolves into a buzzing instrumental climax, flipping to the confrontational, borderline angry side of a dead relationship.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The next track, \u201cTo Me It Was\u201d is a flashback to the sound she captured on her debut album <em>The Baby<\/em>, full of a country charm, embellished with a bluesy, twangy slide guitar, and allusions to classic country hits. The reflective, nostalgic lyrics feel like an incantation of self-reassurance, as if Samia is telling herself that even if things weren\u2019t always great in hindsight, in the moment they were. It ends in a song sung by her grandmother, which she also featured on <em>The Baby<\/em>\u2019s opening track \u201cPool.\u201d&nbsp;&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Followed by the most vulnerable song on the album, \u201cBreathing Song\u201d is a bone-chilling and raw ballad that displays Samia\u2019s exceptional lyricism. Each verse serves as a vignette of a toxic relationship that budded from a non-consensual encounter dispersed between choruses of \u201cNo no no \/ No no no\u201d that tell the story more bluntly. Each inflection of the word \u201cno\u201d in the chorus is sickeningly sadder than the last and sucks the air out of your lungs each time it\u2019s sung. The intoxicating autotune that embellishes the chorus induces a painful fugue state of remembering. \u201cBreathing Song\u201d capstones in a frightening scream cut off by the opening notes of the saccharine sweet titular track \u201cHoney.\u201d&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cHoney\u201d is a nod to youthful exuberance and blissful ignorance within the artificial safe spaces you can create in your mind. It encapsulates a blithe numbness that suggests that fear and sadness don\u2019t exist if you can\u2019t feel anything at all! It\u2019s unsettlingly whimsical and sunny, with dissociative lyrics that remind you, once again, that Samia is a masterful lyricist.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Slowing down yet again \u201cNanana\u201d is a wistful lullaby, one of the few (slightly) emotionally secure songs on the album, shrouded with a sense of positivity inside and out. An ode to her \u201cfavorite friend\u201d and all things wholesome, \u201cNanana\u201d denies any inklings of relationship doubt, as previously approached with fear on \u201cCharm You.\u201d The track feels like a spiritual sequel to the Beatles\u2019 \u201cAcross the Universe\u201d with the same reverence for simplistic beauty in addition to their mirrored outros, with Samia\u2019s&nbsp; \u201cNothing\u2019s gonna change my mind\u201d echoing The Beatles\u2019 \u201cNothing\u2019s gonna change my world.\u201d&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The penultimate track \u201cAmelia\u201d is a joyous celebration about the recording of <em>Honey<\/em>. With nods to the friends who helped her record the album such as Caleb Wright, Samia\u2019s primary collaborator, and Sylvan Esso\u2019s Amelia Meath, whose studio she recorded <em>Honey<\/em> in. The buzzy, warm track reflects the overwhelming excitement memorialized in the line \u201cOh my god there&#8217;s nothing quite like doing \/ What you came to do.\u201d&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\"><em>Honey <\/em>ends on the same contemplative note it begins with in \u201cDream Song.\u201d A peaceful guitar track guides you through Samia\u2019s stream of consciousness musings on the world around her. The dreamy nature of the bridge has the sensation of a sunrise after a cold, dark night, serving as an optimistic note to culminate such a raw and painful album. Once again wildly specific in her one liners, Samia manages to bridge the gap between the personal and pervasive.&nbsp;<br \/>In a rollercoaster ride of emotional distress and sonic flux, <em>Honey <\/em>is a flourishing exhibition of Samia\u2019s capabilities. Where the album lacks in order and flow, she makes up for in masterful lyricism and poignance. A magnificent showcase of her sensibilities, her sophomore work is that of an imminent superstar.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">On January 27th, Samia released her sophomore album <em>Honey<\/em>,&nbsp; which dives deep into the pits of despair and dances at the bottom.<\/p>\n","protected":false},"author":1,"featured_media":521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21],"class_list":["post-520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Samia\u2019s saccharine sweet &quot;Honey&quot; - wecb<\/title>\n<meta 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