{"id":52,"date":"2025-03-03T19:53:00","date_gmt":"2025-03-04T00:53:00","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2025-3-3-delete-ya-and-the-anatomy-of-a-breakup\/"},"modified":"2025-03-03T19:53:00","modified_gmt":"2025-03-04T00:53:00","slug":"2025-3-3-delete-ya-and-the-anatomy-of-a-breakup","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2025-3-3-delete-ya-and-the-anatomy-of-a-breakup\/","title":{"rendered":"“Delete Ya” and the anatomy of a breakup"},"content":{"rendered":"
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Graphic by Sofia Giarrusso<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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by Salem Ross<\/h1>\n

How does one navigate a breakup? First, there is the impact: one side (or both)  making the decision that two people are together no more. Then, the crash: the first couple days of not speaking, denial that the choice even happened to begin with. Finally, the aftermath: It comes when all is said and done, settling in the new found world without another half. Djo\u2019s second single off his junior album, The Crux<\/em>, sets the listener in that aftermath. \u201cDelete Ya\u201d singles out that broken piece, calling out to anyone who has uttered the sentence: \u201cI wish we never met.\u201d<\/p>\n

As the fifth track on the upcoming album, it acts as a foil for the fifth track on Djo\u2019s first album, Twenty Twenty<\/em>, \u201cChateau (Feel Alright).\u201d The latter song being a fond memory, a recollection of new beginnings. \u201cChateau (Feel Alright)\u201d being:<\/p>\n

\u201cI could feel the pain \/<\/em><\/p>\n

Of my head, seeing stars \/<\/em><\/p>\n

You said “Come to ours” \/<\/em><\/p>\n

So I did \/<\/em><\/p>\n

It’s a decision that I’m glad that I made \/<\/em><\/p>\n

I’m still not certain that it happened at all \/<\/em><\/p>\n

I just can’t recall.\u201d<\/em><\/p>\n

This memory is something of the past in \u201cDelete Ya.\u201d As this ordeal is recalled, it\u2019s apparent that the relationship has gone south. <\/p>\n

\u201c<\/em>And now I’m back on your couch, frozen peas to my head<\/em><\/a> \/<\/em><\/p>\n

Driving up to your folks, cramming into your bed \/<\/em><\/p>\n

You picked me up every time, drove me back to our home \/<\/em><\/p>\n

It doesn’t leave you alone.\u201d<\/em><\/p>\n

We always find ourselves reminiscing on the past when going through a breakup. Things that could have been done differently, words that could have been said to salvage any connection left (if there was any). Djo grapples with his own emotions, while simultaneously trying to understand the other person. It’s a familiar struggle, wanting to break into someone’s mind and just know the pure why<\/em>. After a certain amount of time you just need to let it go. Accepting that someone who was once connected to you can soon become a stranger, even if It wasn\u2019t your choice. Entering the bridge, he uses toned down vocals to offer the insite of being on the un decided half: <\/p>\n

\u201c<\/em>I wanna know (Just two weeks, how’d you cut it like that?)<\/em><\/a> \/<\/em><\/p>\n

Maybe you show me how (I’m built different, I don’t work like that, huh)<\/em><\/a> \/<\/em><\/p>\n

I got to repeat, chew up, spit out \/<\/em><\/p>\n

The blame complex in me, me, me.\u201d<\/em><\/p>\n

These decisions can be one sided, it only takes one for the effects to take place. It’s always a difficult conversation, there’s never a good time for it. The first line of this bridge pulls between  inner monologue and outward questions. The \u2018why?\u2019<\/em> of it all turns into more of a statement than a question. Looking at someone from afar, trying to comprehend if they are over the battle or just recovering from the wound. <\/p>\n

The premise of \u201cdeleting\u201d someone is all too familiar. If only you never made that left turn, went to that party, or were on time to that class then just maybe <\/em>they wouldn\u2019t have burrowed themselves into your life. But the past is the past, these things can\u2019t be changed. With the lyric, \u201cA heart excretes only one of us, only one\u201d protruding through The Cars-esc melody reminds the listener that two peoples emotions are separated, and healing is an individual process.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u201cDelete Ya\u201d singles out that broken piece, calling out to anyone who has uttered the sentence: \u201cI wish we never met.\u201d<\/p>\n","protected":false},"author":1,"featured_media":53,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[37],"class_list":["post-52","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-single-review"],"yoast_head":"\n"Delete Ya" and the anatomy of a breakup - wecb<\/title>\n<meta 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