{"id":476,"date":"2023-03-10T17:30:12","date_gmt":"2023-03-10T17:30:12","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-3-8-staff-pix\/"},"modified":"2023-03-10T17:30:12","modified_gmt":"2023-03-10T17:30:12","slug":"2023-3-8-staff-pix","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-3-8-staff-pix\/","title":{"rendered":"Staff Pix 3\/10: New Releases"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 2-3 EST to the Staff Pix radio show.<\/p>\n<\/div>\n

\n

Salem Ross<\/h1>\n

Good Time by The Dare<\/h2>\n

When Harrison Patrick Smith aka \u2018The Dare\u2019 came out with his follow-up track to his single Girls, I was neither in the city, the club, nor online. I was sitting in my friend Antonio\u2019s 2006 Honda Accord parked in a sonic drive-in at 12 AM. With its rumble basslines and techno bang, you would think it came out the same year as the car, manufactured to be played on a Gossip Girl soundtrack. But alas in 2023, there is a slow uprising of Indie sleaze for those who were still listening to their parent\u2019s music for its first wave. Smith takes on the flash visuals of house parties made for connections and combines them with a sound that makes you see the future of what the night has to offer. It\u2019s cocky and arrogant, as all great dance music is. Although songs about having fun while being broke and owning the night might be overplayed and annoying, The Dare takes that general idea and makes it into his own ideology. He makes it seem as if train rides home at 4 am didn\u2019t exist without him. Screaming  \u201cI\u2019m in the club while you\u2019re online. I hope my set sounds good outside\u201d at a pitch so sharp it turns heads. Having a good time requires a certain mindset, luckily this song has it in the name.<\/p>\n<\/div>\n

\n

Parker Bennett<\/h1>\n

Wild Animals by Liv.e<\/h2>\n

Since creeping onto the underground music scene in 2017, Dallas native Liv.e (pronounced Liv) has been cranking out project after project of off-the-wall RnB greatness. Her style is best described as a nebulous marriage of neo-soul, glitch, and hip-hop, and her latest album, Girl in the Half Pearl<\/em>, is another impressive notch to add to her belt. Amidst the noisy experimentation of the album, \u201cWild Animals\u201d stands out like a sore thumb. And thank God it does. The song begins with a chopped piano loop that just oozes atmosphere. The drums are a fuzzy accompaniment that march along in the background, and the entire affair is interjected with electronic blips and ambient swells. It\u2019s easily some of the most original and addictive production I\u2019ve heard this year, and it makes the song simply impossible to turn off. Liv.e\u2019s vocals are gently delivered ruminations on men (AKA wild animals) who dog after her and waste her time with posturing shenanigans. Her lyricism is razor sharp (\u201cYou just a pack of dogs, but everybody likes their boys with toys\u201d), and the melodies are just so fun to sing along to. If you haven\u2019t heard Girl in the Half Pearl<\/em> yet, do your ears a favor and check it out as soon as you finish reading this article; Liv.e does not disappoint. <\/p>\n<\/div>\n

\n

Stephanie Weber<\/h1>\n

I Want to Go to There by Take Van<\/h2>\n

Up and coming rave and house music artist Take Van (she\/they) blesses our ears with new song \u201cI Want to Go to There.\u201d Although the song is just under two and half minutes, it\u2019s full of lyrics and beats to fill a dance floor instantly. Take Van is truly impeccable in her ability to create songs to dance to. Full of bass, snares, and a mash-up of synthesized digital sounds, \u201cI Want to Go to There\u201d is sure to be a new staple of any fan who loves club music. Although the lyrics are fairly simple and repetitive, Take Van opens the song with the lines of \u201cI can’t tell if I wanna be her or if you need her\/ Who’s that girl? I know you see her\/ I’m gonna meet her\u201d instantly queering the song. The chorus is a repetition of \u201cyes\u201d over and over again, hyping up the listener to keep dancing and let loose. I am really excited to see where Take Van goes with their music career in the next year. They have released so many viral hits like \u201cIn My Head\u201d and \u201cTime Goes By,\u201d but are constantly releasing new hits. <\/p>\n<\/div>\n

\n

Karenna Umscheid<\/h1>\n

A&W by Lana Del Rey <\/h2>\n

In her latest single ahead of her album, the sad and bad girl queen Lana Del Rey solemnly laments on her existence, and then transitions into a shimmying, fun dance beat a l\u00e1 some of her earlier work – see Born to Die<\/em> and older unreleased tracks like \u201cYou Can Be The Boss.\u201d The lyricism of the first half – named the \u201cAmerican Whore\u201d section – rings with the same frequency of the gut-wrenching depression of Ultraviolence <\/em>as Del Rey asks us \u201cDid you know a singer can still be\/looking like a side piece at 33?\u201d In her melancholic introspection she says \u201cI\u2019m a princess\/I\u2019m divisive\/Ask me why, why, why I\u2019m like this,\u201d examining her public image and persona. Halfway through, the song transitions into an upbeat alt-pop banger, otherwise known as the \u201cJimmy\u201d section. With a groove similar to her older tracks, Lana magically repeats the lyrics \u201cShimmy shimmy koko bop\/Jimmy jimmy ride,\u201d entrancing listeners into dancing to her sad, sad, beat.<\/p>\n<\/div>\n

\n

Anne O\u2019Leary<\/h1>\n

Ring of Past by Men I Trust<\/h2>\n

Men I Trust is back with another whispery dreamy track with \u201cRing of Past\u201d. The vibes reflect the music video, a 1970s roller rink. The lyrics are a bit difficult to listen to under the leads soft voice but the lyrics are pretty, \u201cSpin in a ring of past \/I dive through memories that are locked around thee \/In blind days, when I\u2019m lost \/The dreams that we cherished foremost soar through me\u201d They seem to reminiscent of a past lover, a sort of longing for those memories to come back with the chorus, \u201cI will always love you\/Forever with you\/Reliving youth with\/You\u201d. This track totally screams walking through the Common vibes at 3am. <\/p>\n<\/div>\n

\n

Che Wetzel<\/h1>\n

coogie by Dijon<\/h2>\n

If you haven\u2019t jumped on the Dijon train yet, I\u2019ve got your ticket right here. Released just last Friday, \u201ccoogie\u201d is an atmospheric ballad that evokes a warm, hazy feeling that calls you home. In it, Dijon croons about a lover\u2019s quarrel, displaying his determination to work through it with lines like \u201cIf it pleases you, honey \/ If it pleases \/ Well, I\u2019ll do my best to bear it,\u201d while his pleading, soft tone of voice brings home his message. \u201ccoogie\u201d begs for you to grab your lover and hold them close, swaying to Dijon\u2019s raspy sensuality. The balance between the sparsely picked but crucial guitar notes, the ethereal crooning of mysterious backup voices, and his heartfelt words have culminated in the my favorite Dijon song to date. <\/p>\n<\/div>\n

\n

Adri Pray<\/h1>\n

only wanna dance by almost monday<\/h2>\n

I don\u2019t get nearly as many opportunities to write about almost monday as I\u2019d like, but I jump at all of the chances offered. \u201conly wanna dance\u201d sonically follows the band\u2019s signature California-beachy-feel good sound, featuring strong drum breaks and guitar riffs that I strongly believe are unmatched by anything else on their discography. This song, released Feb. 24, relays an adventurous and playful vibe about that one person you\u2019re attracted to, but can\u2019t quite identify why. \u201conly wanna dance\u201d is unmatched and proves to be almost monday\u2019s best song to date.<\/p>\n<\/div>\n

\n

Will Ingman<\/h1>\n

40k by Gee Tee<\/h2>\n

If the phrase \u201cchain punk vs. egg punk\u201d makes any sense to you, it might be time to get off Twitter. You might also be interested to know that Aussie egg-punk exemplars Gee Tee have released their sophomore full-length, Goodnight Neanderthal, <\/em>a scorching 17-minutes of off-the-wall rhythms played with, well, Neanderthal precision. Produced by Erik Nervous, best known for his work on the Liquids instant-classic Life Is Pain Idiot<\/em>, Goodnight Neanderthal <\/em>has all the makings of an album in line with the rest of Gee Tee\u2019s genre-defining body of work. Gee Tee have got the backing of egg punk\u2019s finest and Australia\u2019s rich punk history in their corner, and are only getting better with every new release. So if lo-fi fuzz, verse-chorus-verse songwriting and monophonic synth leads scratch your brain the way they scratch mine, try this ten-track on for size \u2014 and if it\u2019s somehow not your speed, you\u2019re only seventeen minutes in the hole. No-risk, high-reward \u2014 you\u2019d be a Neanderthal not to give this LP a listen.<\/p>\n<\/div>\n

\n

Matt Kugel<\/h1>\n

Tulip Sniper by Charmer<\/h2>\n

Michigan-based emo rockers Charmer just signed to Counter Intuitive records and their first release through the label does not disappoint. Tulip Sniper is the opening track on the four song EP and it definitely deserves that first spot. A song almost definitely named after an Aqua Teen Hunger Force character, its lush guitars and understated vocals make for an experience that\u2019s like no other. And it couldn\u2019t have come at a better time personally, too. The night I saw Charmer had dropped an EP I was overwhelmed with work and at my wits\u2019 end, but when those guitar chords graced my ears all the stress of pre-spring break school washed away. It\u2019s a different sound for the band, leaving behind their signature mathy arpeggios for something more acoustic. They\u2019ve said that their original sound will be back in full force on their next full length though, which makes my life easier because I can listen as much as I want without having tofeel like I miss the band I know and love. I\u2019m seeing Charmer play Arts at the Armory with Ogbert the Nerd, Oolong, and Pomegranate Tea in Boston on March 17th, and with any luck I\u2019ll get to hear Tulip Sniper live! Until then, I\u2019ll just keep listening anytime I get a little too stressed out. <\/p>\n<\/div>\n

\n

Izzy Desmarais <\/h1>\n

Bang Bang by Momma <\/h2>\n

I was introduced to Momma last August when I saw them open for Snail Mail at Fete Music Hall in Providence, RI. Sometimes, when I first listen to an artist, their songs sort of meld together in my head. It\u2019s not necessarily a bad thing \u2014 the same thing happened with me and Phoebe Bridgers, and I wrote a 1500 word article on Stranger in the Alps<\/em> last semester. It just takes a second to get into them. This happened to me when I saw Momma perform, but I think it was due in part to me being anxious to hear Snail Mail and this was the second opening act we had to get through. Reminiscent of 90s alternative outfits like Veruca Salt, Momma undoubtedly piqued my interest. Of course, I never got around to the deep dive into their discography I meant to take because I always end up falling into my comfortable listening habits, until now. Released on March 1st, \u201cBang Bang\u201d is consistent with the apathetic, Daria<\/em>-esque sound that I heard this past summer. It\u2019s simple, it\u2019s quick, and it\u2019s the perfect track to use as a lead single for an upcoming album. Momma gives the people what they want, while still keeping a few tricks up their sleeve for what\u2019s to come. <\/p>\n<\/div>\n

\n

Rachel Charles<\/h1>\n

If Looks Could Kill by Destroy Lonely <\/h2>\n

Destroy Lonely\u2019s “If Looks Could Kill” demo has had a mass spread online from apps like Soundcloud to Tik Tok. It’s been nearly impossible to escape this dark yet catchy track and all the memes associated with it. Although this song has been circulating online for weeks, it wasn\u2019t until last week that the official full-length studio version was released. With lyrics like, \u201cIf Looks Could Kill\/ Baby I\u2019m The Fashion Demon,\u201d Lonely merges vamp-rock, trap, and rap-rock elements to create a unique sound. With the gaining popularity of Playboi Carti\u2019s label Opium<\/em>, artists like Destroy Lonely and Ken Karson have been pushed into the spotlight, and for good reason. Destroy Lonely and artists alike are pushing the boundaries of hip-hop and rap, merging genres and aesthetics that might not typically be associated with rap and hip-hop. “If Looks Could Kill,” with its hypnotizing 808s and reverbed layered guitars, is one example of this emerging genre that I can\u2019t stop listening to.  <\/p>\n<\/div>\n

\n

Amelia Oei<\/h1>\n

 Nothing\u2019s Free by Angel Olsen<\/h2>\n

In her previous album Big Time<\/em>, which came out in 2022, Angel Olsen was coming to terms with growing up whilst simultaneously dealing with her mother\u2019s passing. It was heavy. This newly announced album \u2014 Forever Means<\/em> \u2014  sounds equally promising in heaviness, but for changed reasons, surrounding a different subject. The first single of the four-track album, \u201cNothing\u2019s Free\u201d was made as a response to a time in which Olsen wrestled with her sexuality and identity, that point when \u201cyou notice how long you\u2019ve been restraining who you are.\u201d The simplicity of the lyrics demonstrates this brilliantly: \u201cThat old cell \/ The one you thought had kept you safe \/ But nothing’s free \/ Like breaking free.\u201d These lyrics are sung throughout the beginning of the song only. As Olsen sings, a smooth saxophone follows, echoing a few beats behind until her voice drops out, allowing for the instrument to explore the feelings that cannot be put into words. Its melody is strong, emotional, and hypnotizing. As the song nears the end, a jazz synth joins the swing drums, saxophone, and piano. It feels like you\u2019re in an old jazz club, learning life lessons from experienced musicians that you wouldn\u2019t be able to access anywhere else. Olsen cries out one last phrase, \u201cI\u2019m broken,\u201d whose meaning is unclear: Has she broken free from her cage? Has she broken down? Or does she believe that her sexuality is what makes her broken?<\/p>\n<\/div>\n

\n

Sarah Fournell <\/h1>\n

Smog by Indigo De Souza <\/h2>\n

Indigo De Souza\u2019s last single \u201cYounger and Dumber\u201d absolutely gutted me with its devastatingly relatable lyrics and bluesy beat. I was reluctant to listen to \u201cSmog\u201d because I did not want to reenter the pits of despair that \u201cYounger and Dumber\u201d put me into. However, I was pleasantly surprised by the upbeat synth pop wonder of \u201cSmog.\u201d De Souza \u201ccomes alive\u201d on this track, with punchy, danceable choruses that deviate from her existing discography. While the beat is cheerful, the lyrics reflect the anxiety that derives from the inability to hear yourself think. The track packs a playful punch, and has created immense anticipation for her next album, All of This Will End.<\/p>\n<\/div>\n

\n

Nathan Hilyard <\/h1>\n

CooCool by R\u00f3is\u00edn Murphy <\/h2>\n

R\u00f3is\u00edn Murphy\u2019s first single since her 202 album Roisin Machine<\/em> is a fun, light nu-disco hit. After the more intense and lengthy singles from her past album and the remix album Crooked Machine<\/em>, \u201cCooCool\u201d is a return to her more silly and atmospheric tracks. In her signature word-play style of lyricism she bounces around the word \u201ccool\u201d until it falls into a rhythm, cooing back and forth between the washes of disco sound. R\u00f3is\u00edn is the sleeper hit of dance music, having put out exceptional work since her time with Moloko and her first solo debut in 2005. \u201cCooCool\u201d is a nice reentry into her sound, and wherever she goes next, it’s sure to be coocool. <\/p>\n<\/div>\n

\n

Harry Bates<\/h1>\n

California by Oh He Dead<\/h2>\n

This newest release from Washington D.C.\u2019s Oh He Dead arrives just in time for the spring break season\u2014it\u2019s got instrumentals that\u2019ll make your hips move, infectious lyrics, and good mood groove perfect for the week ahead. Wherever you\u2019re off to, no-matter the compass direction, \u201cCalifornia\u201d will fit perfectly into your plans for the week off. Don\u2019t get parched from a lack of new music this March! Give it a listen, and tune into the good vibes. Happy Spring Break \u201823!<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel case. 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