{"id":468,"date":"2023-03-24T23:15:02","date_gmt":"2023-03-24T23:15:02","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-3-24-staff-pix-324-best-collaborations\/"},"modified":"2023-03-24T23:15:02","modified_gmt":"2023-03-24T23:15:02","slug":"2023-3-24-staff-pix-324-best-collaborations","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-3-24-staff-pix-324-best-collaborations\/","title":{"rendered":"Staff Pix 3\/24: Best Collaborations"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite musical collaborations of the week, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 2-3 EST to the Staff Pix radio show.<\/p>\n<\/div>\n

\n

Karenna Umscheid<\/h1>\n

Dang! by Mac Miller, Anderson Paak<\/h2>\n

Mac Miller\u2019s The Divine Feminine <\/em>is chock-full of dreamy, lively, romantic collaborations, but my absolute favorite is \u201cDang!\u201d It\u2019s a lovely dance beat chronicling an attempt to keep a relationship as it deteriorates. In the chorus Anderson Paak repeatedly sings \u201cI can\u2019t keep on\/Losin\u2019 you over complications\/Gone too soon\/Wait!\/We was just hangin,\u201d as he watches his love slip away from him so easily, desperate to keep her. Mac Miller splices in his signature clever and fun lyricism, rapping \u201cI use every bone in my body\/Keep on holding on to your trust\/I know you don\u2019t want nothin to do with me\/But just one more time let\u2019s make love,\u201d grappling to keep his girl in any way he can, a romantic and tragic ode to true love as it dissipates like sand through his fingers. The perfect lyrics and incredibly dance-able melody, and the magical pairing of Anderson Paak and Mac Miller, make for a timeless hip-hop track of beauty and love. <\/p>\n<\/div>\n

\n

 Salem Ross<\/h1>\n

STARSTUD by Matt Watson, Sarah Bonito<\/h2>\n

Sarah Bonito is no stranger to a bubblegum pop ballad due to her Kero Kero Bonito fame, But Matt Watson definitely is. With his first album See You There<\/em> releasing in November, it was unexpected that another internet artist produced something tolerable. It\u2019s catchy keyboard opening paired with Watsons sing-song-y vocals leave the taste of ice cream and seeing your hometown friends at the beach. Although Matt is probably more commercially known for making parody skits and playing forgotten flash games as half of the channel Supermega, Starstud takes on a whole new direction with Sarah Bonito. Kero Kero Bonito\u2019s sound is greatly represented by their 2016 album Bonito Generation.<\/em> The heavily saturated colors beam from Sarah\u2019s vocals, bringing pop back to its state of a toy store sound. With their similar vivid hyper adorable aesthetic, the pair make an unexpected collaboration meant to be played while riding bikes with neighborhood kids. <\/p>\n<\/div>\n

\n

Parker Bennett<\/h1>\n

holy terrain by FKA Twigs, Future<\/h2>\n

When FKA Twigs\u2019 2019 album MAGDALENE <\/em>was released, the 9 song tracklist labeled only one collaborator: multi-platinum rapper and self-proclaimed \u201ctoxic king,\u201d Future. It was an eyebrow-raising inclusion, considering Future\u2019s well-documented accusations of misogyny and the fact that MAGDALENE <\/em>was an experimental depiction of Twigs\u2019 own femininity through the conceptual lens of embodying Mary Magdalene. Regardless of those behind the scenes factors, the resulting track is an absolute banger that showcases the best of both artists and revels in their unexpected chemistry. Built around a distorted vocal sample and twittering trap drums, the instrumental is an energetic playground for the vocalists to explore. Twigs\u2019 performance is a lyrical assertion of her own manifestation of divine femininity, delivered in her signature, haunting falsetto. Future switches things up with his auto-tune-soaked vocals, shrouding lyrics of heartbreak behind a bouncing delivery and undeniable charm. It\u2019s an incredible track, and songs like this are the embodiment of what artistic collaboration can create.<\/p>\n<\/div>\n

\n

Amelia Oei<\/h1>\n

Over Everything by Kurt Vile, Courtney Barnett<\/h2>\n

Vile and Barnett are each known for their signature styles: Vile\u2019s swinging garage rock and Barnett\u2019s sarcastic storytelling. However, the two artists have slowly shifted away from these bounds, almost switching places. In company with their friendship, this shift is the perfect basis for their work as artists together. According to Vile, he began writing the melody and some lyrics for \u201cOver Everything\u201d a couple years before the lead single was released for their 2017 album Lotta Sea Lice<\/em>, with Barnett in mind. In the song, their styles and thoughts overlap in a perfect trade-off of guitar licks and sweet storytelling that illustrate their compatibility as artists and people. Vile\u2019s words are right where they need to be: the headspace one reaches between optimism and pessimism when dealing with growing up and the loneliness that comes with it. As Vile and Barnett trade off verses, they remind us that though the world is overwhelming and sometimes forlorn, we can find solace through music. The two certainly demonstrate this deep human connection with each other through their composition, as well as a boundless bond to any listener who finds themselves singing along.<\/p>\n<\/div>\n

\n

Lily Suckow Ziemer<\/h1>\n

Beg For You by Charli XCX, Rina Sawayama<\/h2>\n

Charli XCX and Rina Sawayama are the ULTIMATE pop duo, so it\u2019s obvious that their 2022 collaboration, \u201cBeg For You,\u201d is a hit. The two had wanted to collaborate for a long time, messaging on and off for years. After Sawayama rewrote the second chorus and sent her vocals over to Charli, the duo knew this song was the one they had been waiting for. The song is an homage to September\u2019s 2006 queer anthem, \u201cCry for You.\u201d The entire song is extremely reminiscent of early 2000s pop anthems. Charli and Sawayama\u2019s voices, energy, and even dancing fits perfectly with the upbeat energy of \u201cBeg For You.\u201d It\u2019s an extremely enjoyable listen and will leave you pressing shuffle on the two artists\u2019 discographies.<\/p>\n<\/div>\n

\n

Will Ingman<\/h1>\n

DELICIOUS APE by HEALTH, Xiu Xiu\t<\/h2>\n

A cursory dive into HEALTH\u2019s body of work might not give the impression they play nice with others, but nothing could be further from the truth. The group\u2019s 2020 & 2022 dual-albums DISCO4:: PART I & II<\/em> ran the gamut from Nine Inch Nails to Soccer Mommy, proving the only surefire way to success is in fact moving to Los Angeles. Yet, no matter what corporate weapon of mass destruction HEALTH are pointing at every record label on the West Coast, they\u2019ve never lost the taunting, inscrutable energy of true auteurs, demanding their work be not just heard, but understood<\/em>. And, to be quite frank, I can\u2019t wrap my head around this one. Jamie Stewart from Xiu Xiu is rarely a transparent writer, but I just can\u2019t get what makes me \u201cun-delicious ape \/ comic, hairy, gross \/ childish arms banging out of time on garbage drums\u201d. Apes aside, the imagery left behind by this collision of soundscape and spoken word is as enrapturing as it is incomprehensible, painting a picture of something that doesn\u2019t exist in the space between my ears. Delicious ape, you are undelicious ape. <\/p>\n<\/div>\n

\n

Adri Pray<\/h1>\n

Play Pretend by Mac Wetha and spill tab<\/h2>\n

This song came to me in a fever dream. When Izzy and Karenna declared staff pix to be \u201ccollaborations,\u201d I knew I could not pass up the opportunity to write about spill tab and Mac Wetha. This was my inaugural song into the spill tab world and I haven\u2019t been able to escape since (not that I\u2019d want to, let\u2019s be honest)! \u201cPlay Pretend\u201d is raw, honest, and doesn\u2019t stifle either artists\u2019 feelings toward the perpetrator. If you haven\u2019t heard this song or of these artists, I strongly encourage you to pop in some earbuds now and take yourself on a wild, emotional ride.<\/p>\n<\/div>\n

\n

Stephanie Weber<\/h1>\n

WAP by Cardi B, Megan Thee Stallion<\/h2>\n

Released in August 2020, \u201cWAP,\u201d standing for \u201cWet Ass Pussy,\u201d was one of the best songs to come out of the Covid-19 pandemic. It\u2019s an epically vulgar song rapped by icons Cardi B and Megan Thee Stallion. It is so raunchy that I can\u2019t listen to it without cringing but simultaneously singing along with it. It opens and closes the same way, with repeating lyrics \u201cThere’s some whores in this house.\u201d The lyrics are hardly coherent, but catchy and mesmerizing too. I\u2019m fascinated by the lines \u201cBring a bucket and a mop for this wet ass pussy,\u201d \u201cNow get your boots and your coat for this wet ass pussy,\u201d and \u201cMacaroni in a pot, that’s some wet ass pussy, huh.\u201d The song itself is monumental, but was later turned into a meme, with conservative TV personalities reciting it like slam poetry. \u201cWAP\u201d remains one of the most tasteless and crass songs of the decade, performed by two of the biggest names in rap. \u201cWAP\u201d put both Cardi B and Megan Thee Stallion on the map, with over a million streams on Spotify. <\/p>\n<\/div>\n

\n

Rachel Charles<\/h1>\n

Lean Beef Patty by JPEGMAFIA, Danny Brown<\/h2>\n

Jpegmafia and Danny Brown’s single \u201cLean Beef Patty\u201d just recently released early this month after speculation of a collaborative album titled, Scaring The Hoes Vol.1.<\/em>. This song is an alternative hip hop gem pitching and sampling another iconic collaborative track \u201cI Need A Girl\u201d. Lean beef patty titled after Tik Tok gym influencer \u201cleanbeefpatty\u201d stands out as one of Jpeg’s best work as a producer with its dynamic hyper-pop beats and flawless use of sampling and ad-libs. Danny Brown and JPEGMAFIA\u2019s work together in this song makes me incredibly excited for this duo’s new album in the works.<\/p>\n<\/div>\n

\n

Anne O\u2019Leary<\/h1>\n

See You Again by Tyler, The Creator, Kali Uchis<\/h2>\n

\u201cCan I get a kiss?\/And can you make it last forever?\u201d This iconic indie rap collab definitely captured the 2017 bedroom pop scene by storm. Additionally, the album this song is off of, Flower Boy<\/em>, cemented Tyler\u2019s place in the industry from a controversial rapper to an innovative and complex musician. The collaboration also introduced Colombian-American singer Kali Uchis onto the scene. Flower Boy <\/em>actually has a lot of collaborations, including artists like Frank Ocean, A$AP Rocky, Jaden, Anna of the North, Steve Lacy, and Lil Wayne. Uchis smooth vocals contrasting Tyler\u2019s harsh voice along with the orchestral-like sound is somehow a pleasant track. <\/p>\n<\/div>\n

\n

Nathan Hilyard<\/h1>\n

Guilty by Barbra Streisand, Barry Gibbs<\/h2>\n

In the great tradition of mid to late 20th century broadway starlets, Barbra Streisand takes a brief sojourn into easy-listening pop with her 1980 album Guilty<\/em>. Its opening track is a smooth and buttery pop hit, slowing down and enclosing this funny girl\u2019s vocals with satin sheets and hairspray. \u201cOut on the street anybody you\u2019ll meet got a heartache of their own,\u201d she begins, pulling the song into a world of romantic yearning and emotional ooze. As she progresses, we soon meet her romantic interest, Barry Gibbs, and the two entangle themselves in a melodic love affair, deciding there\u2019s nothing to fear, \u201cAnd we\u2019ve got nothing to be guilty of, our love \/ We\u2019ll climb any mountain.\u201d \u201cGuilty\u201d is a prime example of a broadway starlet making the switch from the stage to the turn-table, Steisand presenting a romance so smoldering and sultry it can only be shown through this angelic veil of soulful jazz.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Milk Crate staff\u2019s favorite musical collaborations of the week, presented with blurbs worthy of a promotional sticker on a jewel case. 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