{"id":452,"date":"2023-04-09T18:16:02","date_gmt":"2023-04-09T18:16:02","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-4-9-jpegmafia-and-danny-browns-new-collaborative-album-brings-an-offbeat-eccentricity-to-alt-rap\/"},"modified":"2023-04-09T18:16:02","modified_gmt":"2023-04-09T18:16:02","slug":"2023-4-9-jpegmafia-and-danny-browns-new-collaborative-album-brings-an-offbeat-eccentricity-to-alt-rap","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-4-9-jpegmafia-and-danny-browns-new-collaborative-album-brings-an-offbeat-eccentricity-to-alt-rap\/","title":{"rendered":"JPEGMAFIA and Danny Brown\u2019s new collaborative album brings an offbeat eccentricity to alt-rap"},"content":{"rendered":"
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By Rachel Charles<\/h1>\n<\/div>\n
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JPEGMAFIA and Danny Brown’s collaborative album, Scaring The Hoes, <\/em>released on March 24th, is one that has garnered lots of anticipation from their cult-like fanbase, and for good reason. This album combines the well-known innovative production and lyricism of JPEGMAFIA with Danny Brown\u2019s iconically clever flow to create a multi-genre alternative hip-hop gem that can\u2019t be placed into a box. With elements of glitch-core, rap, r&b, and more, this boundary-breaking album is multifaceted in its production, creating a unique listener experience for the average hip-hop head. Although this album has fourteen tracks, its run time sits at a short thirty six minutes. Each fast-paced song and all its intricate details, however, encourage multiple relistens. Scaring The Hoes<\/em> is chock full of satirical quips and jabs at internet and pop culture \u2013 it\u2019s a time capsule for listeners to look (or rather listen) back on that reflects our \u201cchronically online\u201d modern times.  <\/p>\n

The opening track and single debut, \u201cLean Beef Patty,\u201d is a song that showcases the dynamic duo in all their glory. JPEGMAFIA opens with his infamous and topical callout of Elon Musk and Twitter with the lyrics, \u201cFirst off, fuck Elon Musk\/ Eight dollars is too much, bitch, that\u2019s expensive.\u201d This theme of celebrity and pop culture allusions continues with references to Kyle Rittenhouse, Hulk Hogan, and Kanye West. \u201cLean Beef Patty\u201d\u2019s use of sampling sets an impressive precedent for the rest of the album, pitching up the iconic \u201cI Need A Girl (PT.2)\u201d and layering it on top of a hyperpop electronica beat that encapsulates the eccentricity that exudes from every inch of this album. The cunning use of sampling mixed with heavy electronic beats continues onto the second track \u201cSteppa Pig,\u201d which draws from NSYNC\u2019S 2000\u2019s classic \u201cGone.\u201d Danny Brown opens this track with his witty and well-known raunchy lyricism with details about bodily fluids, sex, and drugs.<\/p>\n

The title track, \u201cScaring The Hoes,\u201d is somewhat eerie in its production, beginning with ominous rhythmic clapping and an avant-garde sax solo sampled from Dirty Beaches\u2019 \u201cUntitled.\u201d JPEGMAFIA and Danny Brown mockingly rap in a conversational flow-state about the disingenuous attempt to impress women at the expense of musical and artistic integrity. With lyrics like \u201cWe don\u2019t wanna hear that weird shit no more\/ What the fuck is that? Give me back my aux cord\u201d and \u201cHow the fuck we supposed to make money off of this shit,\u201d JPEG and Brown humorously call out other rappers and artists in their community who suppress themselves creatively to make themselves easily digestible. This use of cultural commentary within the artists\u2019 own community is a prevalent theme throughout this album in songs like \u201cGarbage Pale Kids,\u201d \u201cFentanyl Tester,\u201d \u201cOrange Juice Jones,\u201d and \u201cRun The Jewels.\u201d <\/p>\n

\u201cKingdom Hearts,\u201d the album\u2019s ninth track, has the first and only feature of the entire album. Rapper and producer redveil comes in with ferocity and loud, abrasive adlibs, matching the energy of Danny Brown and JPEGMAFIA\u2019s previous verses. This track samples \u201cYakusoku Wa Iranai” from the anime The Vision of Escaflowne<\/em>, and lays it overtop ethereal vocals and thumping 808s. The production juxtaposes the light airy sampling and beats with loud declarative vocals, juxtaposition being a common theme throughout this album. This style continues with the song \u201cGod Loves You,\u201d a blasphemous ode to the religious experience of sex. Sampling the iconic gospel track \u201cYou Don\u2019t Know,\u201d Danny Brown opens with shockingly explicit lyrics, \u201cThat pussy on my face\/ Imma talk in tongues.\u201d This motif of sex and religion occurs throughout the song, creating a subversive yet catchy tune. <\/p>\n

The album\u2019s production toward the end begins to placate with the song \u201cJack Harlow Combo Meal,\u201d and \u201cHOE (Heaven on Earth),” which both utilize tranquil synths and soothing R&B sampling. The final track of the album, \u201cWhere Ya Get Ya Coke From?\u201d breaks the pattern of tranquility with turbulence, the production opening with loud dissonant synths and fast rhythmic percussion. JPEGMAFIA switches up his flow in an AB form with Danny Brown following the same formula. This track ends the album, reflecting the same energy from the beginning and making for a coherent full circle ending.<\/p>\n

If you are a fan of JPEGMAFIA\u2019s idiosyncratic production and sampling or Danny Brown\u2019s memorable and humorous lyricism, this album is worth a listen. Scaring The Hoes<\/em> is an album that fits nicely into JPEGMAFIA\u2019s discography and may hallmark some of his best work as a producer. It\u2019s an album you can listen to in one sitting, gaining new discoveries with every relisten. Although this album is quick-paced, it doesn\u2019t lack the attention to detail that reverberates throughout JPEG\u2019s work. Scaring The Hoes<\/em> reflects everything an alternative and experimental rap album should be while skillfully avoiding overplayed cliches, offering something new and intriguing to the genre of alt-rap. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

This album combines the well-known innovative production and lyricism of JPEGMAFIA with Danny Brown\u2019s iconically clever flow to create a multi-genre alternative hip-hop gem that can\u2019t be placed into a 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