{"id":448,"date":"2023-04-11T13:33:04","date_gmt":"2023-04-11T13:33:04","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-4-11-this-article-is-about-fake-music\/"},"modified":"2023-04-11T13:33:04","modified_gmt":"2023-04-11T13:33:04","slug":"2023-4-11-this-article-is-about-fake-music","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-4-11-this-article-is-about-fake-music\/","title":{"rendered":"This article is about fake music."},"content":{"rendered":"
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By Stephanie Weber<\/h1>\n<\/div>\n
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Some of my favorite bands are fake. They\u2019ve been created by geniuses in Hollywood, concocting the most creative music for the pleasure of viewers across the world. Although they\u2019re fake, these artists are talented and treated as real, blurring the lines between fiction and reality. There are so many fake bands in existence, but there are a few that really stand out, each with their own unique story.<\/p>\n

Daisy Jones & The Six<\/h2>\n

Published in 2019, Daisy Jones & The Six<\/em> Taylor Jenkins Reid has garnered massive amounts of attention  in bookish communities for its telling of the renowned 1970s rock group, Daisy Jones & The Six. It\u2019s structured through interviews with band members, detailing the intertwining of love and passion in a seven-person group, chronicling their origin story and break-up on July 12, 1979. Think the dynamics of Fleetwood Mac, full of scandal and destruction. Unlike Fleetwood Mac, Daisy Jones & The Six are fake. The band isn\u2019t real despite Reid\u2019s cunning writing. <\/p>\n

It\u2019s so not real that Amazon Prime Video picked up a miniseries adaptation of the book, hiring actors and building sets to make the fake story a real one. In addition to the show, Daisy Jones & The Six\u2019s album Aurora<\/em>, \u201creleased\u201d in 1977, is available to stream on various music platforms. Two singles were released prior to the album, \u201cRegret Me\u201d and \u201cLook At Us Now (Honeycomb).\u201d Theatrics aside, the album is pretty decent for it being fake. Acoustic guitars, harmonizing vocals, and 70s rock rhythms make it one to remember. You can hear pain, longing, and passion in songs like \u201cThe River\u201d and \u201cPlease,\u201d and can feel the strained dynamics between the band members despite the album being cohesive. <\/p>\n

The band has amassed 1.5 million listeners on Spotify, with their most streamed song being \u201cRegret Me\u201d at just over 5 million clicks. With these accolades, Daisy Jones & The Six seems pretty real to me. This phenomenon isn\u2019t new. Within the last couple decades, fake bands have had a big boom. <\/p>\n

Sp\u0131n\u0308al Tap<\/h2>\n

In 1984, there was Sp\u0131n\u0308al Tap: a fictional heavy metal English band fronted by David St. Hubbins (Michael McKean), with Nigel Tufnel (Christopher Guest) on guitar, and Derek Smalls (Harry Shearer) on bass. McKean, Guest, and Shearer were American comedians and musicians, who debuted these characters on the pilot of The T.V. Show<\/em> in 1979. The band has been active since 1984, playing world tours and are featured in the documentary This is Spinal Tap<\/em> (1984). Two of their albums \u2014 This is Spinal Tap <\/em>(1984) and Break Like The Wind <\/em>(1992) \u2014 are available to stream. Spinal Tap is often labeled as \u201cone of England\u2019s loudest bands,\u201d characterized by glam and hard rock sounds. They originally performed as a psychedelic pop band, but are versatile in their musical abilities; they\u2019ve been able to play progressive rock, jazz fusion, funk, and reggae. Their last known performance was in 2019, when the band reunited at the Tribeca Film Festival to celebrate the 35th anniversary of their film.<\/p>\n

Pink Slip from Freaky Friday<\/em><\/h2>\n

Starting in 1997 with Daria\u2019s Mystik Spiral, fake bands came to the forefront of mainstream media. The early 2000s were full of Disney Channel originals rooted in fake artists like Hannah Montana, The Cheetah Girls<\/em>, Lemonade Mouth <\/em>(2011), and Connect 3 from Camp Rock <\/em>(2008). Possibly the most appreciated is Freaky Friday <\/em>(2003), with fake band Pink Slip with Anna (Lindsay Lohan) on guitar. \u201cTake Me Away\u201d plays near the end of the film, a closing to the climax that is switching brains with your mom. The only version of \u201cTake Me Away\u201d is found on YouTube<\/span><\/a> although fans have begged Disney to make it available on streaming platforms. Even though accessibility to the band\u2019s music is limited, both Lohan and Jamie Lee Curtis were trained in guitar for their roles, only for the scene to be dubbed over by professional studio musicians in the final cut. \u201cTake Me Away\u201d is an original song, so it had to have been written by someone to use in the movie. All the elements of a real band are here, but it\u2019s still fake. <\/p>\n

Sex Bob-Omb from Scott Pilgrim vs. the World<\/em><\/h2>\n

2010 saw Scott Pilgrim vs. the World<\/em>, featuring Sex Bob-Omb, with protagonist Scott Pilgrim (Michael Cera) on bass. Original songs like \u201cGarbage Truck\u201d and \u201cThreshold\u201d are available to stream. Scott Pilgrim <\/em>features not one but two fake artists, the second being Envy Adams (Brie Larson) covering Metric\u2019s \u201cBlack Sheep.\u201d The only difference between the cover and the original is the vocals. Both Michael Cera and Brie Larson have music backgrounds with fully released albums. Scott Pilgrim <\/em>is unique in the sense that everything about this film is fake: it\u2019s an adaptation of graphic novels with the same name. The film mimics this fictional universe immaculately; actors were instructed to not blink and move in specific ways to emulate a cartoonish feel. In this way, the fakeness of Scott Pilgrim <\/em>is real. <\/p>\n

Ian Rubbish and The Bizzarros<\/h2>\n

Some of these fake bands have comedic roots. Fred Armisen is no stranger to bending the rules of carefully crafted comedic skits. Armisen is a comedian and Saturday Night Live <\/em>alum, but he\u2019s a musician first. He was a drummer of 90s band Trenchmouth and you can find him using his wicked skills in his standup special Fred Armisen: Standup for Drummers<\/em> (2018), where he performs on drums from each decade since the 1920s accompanied with hilarious jokes. He\u2019s also fluent in guitar. His musical background helped him create an SNL character poignantly named Ian Rubbish. Rubbish is a burnt-out, helplessly British man from the 1970s and part of his band, Ian Rubbish and The Bizzarros. He\u2019s punk, passionate about his craft, and angry. His voice is crass and harsh, singing about demolition and anti-capitalism, embodying everything that the British punk movement originally stood for, besides the fact he vehemently loves former Prime Minister Margaret Thatcher. He and his bandmates provide an interesting retelling of punk history<\/span><\/a>, have performed at the 18th Weeby Awards<\/span><\/a> and created a short film<\/span><\/a> about The Clash featuring interviews at Electric Lady Studios in New York City.<\/p>\n

The Blue Jean Committee from Documentary Now!<\/em><\/h2>\n

In 2015, Armisen joined comedians Bill Hader and Seth Meyers to create mockumentary television series, Documentary Now!<\/em> The four seasons include individual episodes that parody a real documentary. With well executed cinematography and introductions from icon Helen Mirren, Documentary Now! <\/em>Gave prime time television something revolutionary. There have been four seasons, seven episodes in each. <\/em>Various episodes revolve around fake bands like \u201cTest Pattern\u201d and the \u201cOriginal Cast Album: Co-Op.\u201d Yet, my favorite is \u201cGentle & Soft: The Story of The Blue Jean Committee, Parts 1 & 2.\u201d Known as the BJC to fans, The Blue Jean Committee was one of the most popular bands of 1970s America, with similar compositions of The Eagles and Fleetwood Mac. It started out in Chicago, only for band members Gene Allen (Fred Armisen) and Clark Honus (Bill Hader) to move to California to create their soft rock sound. In Chicago, they released two singles \u201cMassachusetts Afternoon\u201d and \u201cEmbrace Me,\u201d as well as their two first albums St. Stanislaus\u2019 Matinee <\/em>and 221 Pulaski Parkway<\/em>, both which failed miserably. But, it wasn\u2019t until Catalina Breeze<\/em>, that the BJC would make their mark on the music industry. Released sometime around 1974, Catalina Breeze <\/em>was written in 72 grueling hours and garnered multi-platinum ratings. Years later, the BJC were inducted into the Rock & Roll Hall of Fame. Catalina Breeze <\/em>is available to stream, with my favorite songs being \u201cCatalina Breeze,\u201d \u201cGentle and Soft,\u201d and \u201cGoing Out to Hollywood.\u201d <\/p>\n

Out of all the fake bands I\u2019ve listed here, the most I want to be real is the BJC. Their origin story is captivating and their downfall is just as exciting as their formation. Hader\u2019s soprano vocals over California surfer vibes is the perfect soundtrack to summer. I want to see the BJC love, particularly in their hey-day of the 1970s rock boom. Hader, Meyers, and Armisen tell such a creative story I am convinced is real. <\/p>\n

Fake bands are awesome. They provide a unique way for music fans to delve further into niche artists, all of whom don\u2019t actually exist. Putting BJC or Sex Bob-Omb on a playlist is so meta, questioning what really is music.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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