{"id":442,"date":"2023-04-14T19:09:47","date_gmt":"2023-04-14T19:09:47","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-4-14-staff-pix-414-songs-about-desire\/"},"modified":"2023-04-14T19:09:47","modified_gmt":"2023-04-14T19:09:47","slug":"2023-4-14-staff-pix-414-songs-about-desire","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-4-14-staff-pix-414-songs-about-desire\/","title":{"rendered":"Staff Pix 4\/14: Desire"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite songs about desire, in honor of the release of our \u201cDesire\u201d zine, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 2-3 EST to the Staff Pix radio show.<\/p>\n<\/div>\n

\n

Karenna Umscheid<\/h1>\n

Novacane by Frank Ocean <\/h2>\n

Frank Ocean\u2019s double entendre-filled, drugged-up sex trip that is \u201cNovacane\u201d is sonic storytelling at its finest (and horniest). He tells of a festival odyssey featuring a girl studying dentistry, a red light on a tripod, and an ice blue bong that holds more than the drug that was promised. He doesn\u2019t let the high go to waste, giving into his desire for the \u201cmodel broad with a Hollywood smile\/Stripper booty with a rack like wow\/Brain like Berkeley.\u201d During the outro, he reflects on his high and sex with a slight peril, singing \u201cI can\u2019t feel a thing\/I can\u2019t feel her.\u201d \u201cNovacane\u201d chronicles a self-aware irresponsibility, confusion peeking beneath the curtain of lust, and the physical and emotional dangers of succumbing to desire. <\/p>\n<\/div>\n

\n

Izzy Desmarais <\/h1>\n

Man or Muppet by Jason Segel and Walter <\/h2>\n

Anyone who knows me might initially think this is my pick because of my gigantic crush on Jason Segel. The answer is yes, but also no. The real, and much more astute, reason why I picked this song is because of its disillusioned self-reflexivity. My feelings about desire and sex and being a person inside of a human body possess an eerily similar tone. Sometimes, I feel just fine about the fact that I am a human being who experiences desire. Other times, I feel outrageously insecure that maybe I don\u2019t experience desire enough<\/em>. But most of the time, I feel inadequate and send myself into a downward spiral as I compare myself to everybody else. Within the context of this week\u2019s Staff Pix theme, \u201cMan or Muppet\u201d represents an internal dialogue between myself and I, wondering whether I\u2019m normal or just barely masquerading as normal-ish. <\/p>\n<\/div>\n

\n

Stephanie Weber<\/h1>\n

I Wanna Be Your Dog by The Stooges<\/h2>\n

Released in 1969, \u201cI Wanna Be Your Dog\u201d by The Stooges has been changing hearts and libidos ever since. It\u2019s off of their first studio album, self-titled of course, and remains one of their most streamed songs of all time, making Rolling Stone<\/em>\u2019s top-500 songs of all time. The song opens with a sick and twisted guitar line, setting a dark and vulgar tone for the remainder of the track. It\u2019s grainy and rough, defined by Iggy Pop\u2019s abrasive voice. Backed up by distorted guitar, bass, and drums, Iggy Pop repeats the chorus \u201cNow I wanna be your dog\u201d with sparse lyrics like \u201cIn my room, I want you here\u201d and \u201cand now I\u2019m ready to feel your hand \/ And lose my heart on the burning sand.\u201d The song is inherently erotic and sexual; even though I don\u2019t like men in a sexual way, I can\u2019t help but be drawn into its unpolished finish and Iggy Pop\u2019s tousled hair and vocals. \u201cI Wanna Be Your Dog\u201d is a direct reference to kink and fetish culture, specifically about being a submissive \u201cpet.\u201d It\u2019s all about being dominated and letting your partner take control. I Wanna Be Your Dog\u201d is one of the sexiest songs to exist and the music world agrees.<\/p>\n<\/div>\n

\n

Isa Luzarraga<\/h1>\n

SLOW DANCING IN THE DARK by Joji<\/h2>\n

*Sigh*… From the beginning chords to its muffled beat drops, this was the original <\/em>Joji song. \u201cGlimpse of Us\u201d is simply too depressing for me, so whenever I want my Joji fix, this never fails to hit. The light synth in the intro and interludes renders this song in a sort of dreamlike state, perfectly mirroring the lustful lyrics that are tinged with just the right amount of mournful yearning, \u201cI don\u2019t want a friend \/ I want my life in two (My life in two) \/ Waiting to get there \/ Waiting for you (Waiting for you, I done fought it all night).\u201d Sung by Joji in a hushed tone, there is this reluctant resistance in these lyrics, which makes the beat drop and transition to the chorus all the more striking. Paired with his angelic belt, Joji begs, \u201cGive me reasons we should be complete \/ You should be with him, I can\u2019t compete \/ You looked at me like I was someone else \/ Can\u2019t you see? \/ I don\u2019t wanna slow dance\u2026\u201d Yeah. If I was going to be serenaded by someone, this would have to be the song they are singing, or else, I don\u2019t want it! Just kidding, within reason. Add \u201cSLOW DANCING IN THE DARK\u201d to your sexy playlist ASAP.<\/p>\n<\/div>\n

\n

Julia Norkus<\/h1>\n

Bare Hands by Deal Casino<\/h2>\n

This song takes the idea of desire and pretty much morphs into a glamourization of gluttony. Is it awesome to know someone only wants you for one thing and not your\u2026personality? Probably not. But is it everything<\/em> to be the b*tch holding the reins on a guy who can buy you anything and take you anywhere? Absolutely. Gold diggers\u2014you might know \u2018em, you don\u2019t necessarily love \u2018em, but the world still spins. We\u2014meaning I\u2014 crave the day where we stumble upon the trust fund baby reality we never had, finding an in into the world of socialites and the 1% with their dinner parties and private jets, \u201cA new car, a new house \/ (If you) got a heart, she\u2019ll tear it out with her \/ Bare hands, her bare hands.\u201d \u201cBare Hands\u201d is the sexy, dangerous embodiment of what someone sees in a gold digger. The song itself is a warning about being on the receiving end and being heartbroken, but damn does it sound fun to be the monster getting everything they want. Lines about being desirable and absolutely ruining the life of the narrator, or the person warning the narrator, like, \u201cTies his tongue in knots \/ Just so he won\u2019t speak \/ Comes to bed in heels \/ Such a stylish freak,\u201d followed by a glissando up the fretboard gives it the energy of \u201cShe\u2019s so Mean\u201d by Matchbox 20\u2014the same kind of toxicity in a love song that you know isn\u2019t good for you, but is incredibly hot. Thus, \u201cBare Hands\u201d is everything desirable\u2014crushing the spirits of entitled men AND being hot, sexy and cool. <\/p>\n<\/div>\n

\n

Lily Suckow Ziemer<\/h1>\n

SPIT IN MY FACE! by ThxSoMch<\/h2>\n

The title says it all. In \u201cSPIT IN MY FACE!\u201d by ThxSoMch, the singer expresses a masochistic love. The woman the lyrics are written to has no love or care for the singer. Still, his love doesn\u2019t fade, repeating, \u201cSpit in my face, my love, it won’t phase me \/\u2026 it won’t change me \/ \u2026 I’ve gone crazy \/ \u2026 I’ve gone mad.\u201d The repetition of the title is sexual, but in a relationship that can clearly be seen as toxic. This song displays how desire can be so extreme we will devalue ourselves, tolerating degradation and pain easily. Even as this woman rejects him and treats him like trash, he can\u2019t stop referring to her as \u201cmy love.\u201d Despite how dark the lyrics are, the aggressive desire in the song is addictive.<\/p>\n<\/div>\n

\n

Will Ingman<\/h1>\n

Closer by Nine Inch Nails<\/h2>\n

Someone had to pick it. <\/p>\n<\/div>\n

\n

Anne O\u2019Leary <\/h1>\n

disco tits by Tove Lo <\/h2>\n

In this disco-electroclash-dance pop Tove Lo wants you to know that she doesn\u2019t have a type and is \u201cfully charged, ready to go\u201d. This track is off of her third studio album, Blue Lips <\/em>and moves at a tempo of 110 beats per minute, making this a perfect fast paced club song lyrics full of references to sex and drugs. Lo says the inspiration for this song was when after her Coachella performance her boyfriend called her \u201cdisco tits\u201d referring to her see through top. I think this song really emulates the essence of Coachella in many ways. I could totally see this song being played at the afterparty in a dingy gay LA club. Lo is not afraid to write music about self indulgence. Her breakout song, \u201cHabits (Stay High)\u201d also alludes to drugs and sex, but is much more somber in it\u2019s message while \u201cdisco tits\u201d is fun and carefree. This is totally the perfect song for a nightclub hookup; energetic, adventurous, and easygoing. <\/p>\n<\/div>\n

\n

Maura Cowan<\/h1>\n

Wouldn\u2019t it be Nice by The Beach Boys<\/h2>\n

\u201cWouldn\u2019t it be Nice\u201d perhaps reflects an unconventional form of desire (at least by the standards of our magazine) \u2013 it\u2019s by and large PG, even somewhat chaste, but it is two minutes and 34 seconds of concentrated yearning. The pain and frustration of being deeply in love but too young to do all that much about it, and the deep desire to run far away, to be anywhere other than where you are\u2026 those are feelings so many of us are all too familiar with. Though their legacy is somewhat complex in the public memory, it\u2019s hard not to understand why the Beach Boys were so beloved by the youth of the 1960s and 70s. Pet Sounds<\/em> is an album that is deeply tuned into teenage and young adult desire in a way that feels very timeless, and I will always listen to this track when I\u2019m overwhelmed by the craving for a better life.<\/p>\n<\/div>\n

\n

Harry Bates<\/h1>\n

Grass by the Pretty Things<\/h2>\n

Enough said. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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