{"id":44,"date":"2025-03-21T15:59:00","date_gmt":"2025-03-21T19:59:00","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2025-03-21-2025-newreleases\/"},"modified":"2025-03-21T15:59:00","modified_gmt":"2025-03-21T19:59:00","slug":"2025-03-21-2025-newreleases","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2025-03-21-2025-newreleases\/","title":{"rendered":"Staff Pix 3\/21: New Releases"},"content":{"rendered":"
\n

Here\u2019s the new that the Milk Crate staff\u2019s been listening to from the beaches of Miami. Happy Spring Break! <\/p>\n

\u201cUnforgivable\u201d by Alexandra Savior<\/h2>\n<\/div>\n
\n

Doo wap sha blam sha boom! She\u2019s back! \u201cUnforgivable\u201d officially breaks Savior\u2019s five-year-long release drought. It\u2019s a kind tune, notably less complex and heavy than hits from 2017\u2019s Belladonna of Sadness<\/em> and 2020\u2019s The Archer<\/em>. Savior\u2019s vocals flitter over tangy horns and weeping acoustic guitars. The track never reaches a full instrumental climax, instead building to an earnest bridge, saturated with darning declarations of regret and anger. She leaves us where we need to be, both singing and screaming at us with the same sentiment: \u201cIt\u2019s unforgivable!\u201d \u2014Sofia Giarrusso <\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cThis Is Real\u201d by Feeble Little Horse<\/h2>\n<\/div>\n
\n

Returning with an incredible force that drives straight into a sprightful and ever-changing rhythm, the Philadelphia-based band steps back into view. After two years of silence, \u201cThis is Real\u201d is a single that dedicates itself to the art of shape-shifting. The track in its final form is equally, though not all at once, joyous, menacing, existential, nervous, and loud. \u201cThis Is Real\u201d exists in three-parts, leading its triptych self into an entirely refreshing experience when compared to pre-existing Feeble Little Horse tracks. Creating a uniquely malformed tune that may be the band’s best so far\u2013simply for its confidence in facing the unknown\u2013 questioning what is and isn’t inherently real. Exhausting the idea that nothing is real at all. Which naturally leads to a satisfying climax that the band has yet to reach up until this very song. That feeble little horse we all knew is now a stallion, back and better than ever!Returning with an incredible force that drives straight into a sprightful and ever-changing rhythm, the Philadelphia-based band steps back into view. After two years of silence, \u201cThis is Real\u201d is a single that dedicates itself to the art of shape-shifting. The track in its final form is equally, though not all at once, joyous, menacing, existential, nervous, and loud. \u201cThis Is Real\u201d exists in three-parts, leading its triptych self into an entirely refreshing experience when compared to pre-existing Feeble Little Horse tracks. Creating a uniquely malformed tune that may be the band’s best so far\u2013simply for its confidence in facing the unknown\u2013 questioning what is and isn’t inherently real. Exhausting the idea that nothing is real at all. Which naturally leads to a satisfying climax that the band has yet to reach up until this very song. That feeble little horse we all knew is now a stallion, back and better than ever!\u2014Mateo Krygowski<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cSugar water cyanide\u201d by rebecca black<\/h2>\n<\/div>\n
\n

Was she ever really just \u201cFriday\u201d? American pop songstress Rebecca Black\u2019s reputation has seen the last decade and a half spent in the shadow of that campy, defining piece of early-2010\u2019s electropop \u2013 released when she was only 13 years old \u2013 and yet, Black has hardly ever rested on her laurels in spite of that setback. Rather, the California artist has spent much of that time since \u201cFriday\u201d on the grind, churning out banger after banger and seeing her pop-world esteem slowly rising from the pits (even though \u201cFriday\u201d wasn\u2019t even that<\/em> bad in the first place). But Black\u2019s latest record Salvation<\/em>, and \u201cSugar Water Cyanide\u201d alongside it, may be her watershed moment. A real banger, bubblegum bass so pure and so danceable that it almost harkens back to the early works of pioneers like A.G. Cook; \u201cBass gonna do what the bass always does, chew on my waist like bubblegum,\u201d chants a chipmunk-voiced chorus of Rebecca Blacks, in sharp contrast to the speaker-thumping 4-on-the-floor pulverizing its way through the mix. Black makes it all sound easy, flowing like water (or sugar, or cyanide) from sickly-sweet pop hooks to stankface-worthy bass before finally synthesizing the song’s two disparate halves into a moment of inexorable club euphoria. This ain\u2019t the \u201cFriday\u201d girl; this is Rebecca Black. \u2014Lucca Swain<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cTOXIC\u201d by Playboi Carti (feat. Skepta)<\/h2>\n<\/div>\n
\n

New Music Friday was violently dismantled on March 14th when Carti finally unleashed MUSIC<\/em> onto our feeble brains. It doesn\u2019t matter how you perceive it, it doesn\u2019t matter if you like Carti, and it doesn\u2019t matter if you write like a profound critic or shit, or even if you think the album is good. What matters is about halfway through \u201cTOXIC,\u201d Skepta rips into the track with a raunchy verse that undoubtedly matches the energy of the classic \u201cLean 4 Real\u201d off of 2018\u2019s Die Lit<\/em>. At the end of the day, I tossed on my opium-colored glasses and basically had a physical meltdown in the room with my friends at the start of each beat, and the unveiling of each track\u2019s feature. \u2014Samuel Shipman<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cThe Landkeeper\u201d by Men I Trust<\/h2>\n<\/div>\n
\n

\u201cThe Landkeeper\u201d from Men I Trust\u2019s new album, Equus Asinus<\/em>, is a dreamy combination of all of their best qualities. With a bass line slowly dancing back and forth with an airy synth and a muffled harpsichord in breaks between chorus and verse, the melody is rather simple. It\u2019s traditional Men I Trust fashion for a song to be so stripped of instruments and backing vocals but somehow they always make it work seamlessly. Beyond the instrumentalism, the track\u2019s lyrics are evocative of a changing landscape, one that marks the boundary between life and death. Emma Proulx\u2019s delicate vocals bring to life these mentions of \u201cnurtured hearts\u201d and \u201cgentle hands\u201d with the onset of Spring upon us. The album stands out as a continuation of the sound they set for themselves years ago yet each new track\u2019s pairing of instrumentalism and lyricism seems fresher than ever. \u2014Sophie Parrish<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cDelete Ya\u201d by Djo<\/h2>\n<\/div>\n
\n

Djo has struck gold again, following up lead single \u201cBasic Being Basic\u201d from his upcoming album The Crux<\/em> with a banger of a song in \u201cDelete Ya.\u201d Djo perfectly captures the regret many people feel after a breakup, wishing they\u2019d never opened their heart in the first place. Opening with melancholy remembrance, Djo sings of the strike of pain that comes from thinking of a past lover: \u201cBack in the city, no longer my home \/ Trying to let it go.\u201d Papercuts of memories all but rub salt in the wound and Djo perfectly captures the seething sensation in lyrics such as, \u201cThen there’s a lyric that, in context, stings \/ The immediate pain it brings \/ That song that you used to sing. This song\u2019s power ultimately comes from its freeing and unapologetic regret that spools in the catchy chorus: \u201cOh God, I wish I could delete ya \/ ‘Cause nothin’ can compete with ya \/ I replenish and repeat ya \/ A heart excretes only one of us, only one.\u201d  \u2014Heather Thorn<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cRan Out\u201d by JT<\/h2>\n<\/div>\n
\n

Ever since I heard the glossy clomp of her smash \u201cSideways,\u201d I knew the world was in for something special. Since departing from City Girls\u2019 fame, JT\u2019s morphed into one of music\u2019s coolest, pumping out nasty bars with a near comical elegance. A JT rap is ripe with fruit, \u201cFuck him like a rabbit, he pay me in carats\u201d; or no, how about: \u201c He like my perky breasts and her on a Percocet \/ We \u2018bout to have some sex, yeah, we havin\u2019 Perco-sex.\u201d Whatever the occasion, JT\u2019s has a quippy one liner ready to toss like a dart. \u201cRan Out\u201d is no exception. Over a quirked up 808-ladden beat she does what she does best, backed up by a Greek chorus of adlibs: \u201cI don’t do coke, but I don’t judge, boo \/ I met a cool white bitch in the bathroom (Hi) \/ Glock came designed like Angela Simmons \/ Me and my bitches tight like Lululemon (Squad)\u201d \u2014 Nathan Hilyard<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Here\u2019s the new that the Milk Crate staff\u2019s been listening to from the beaches of Miami. Happy Spring Break! \u201cUnforgivable\u201d by Alexandra Savior Doo wap sha blam sha boom! She\u2019s back! \u201cUnforgivable\u201d officially breaks Savior\u2019s five-year-long release drought. It\u2019s a kind tune, notably less complex and heavy than hits from 2017\u2019s Belladonna of Sadness and…<\/p>\n","protected":false},"author":1,"featured_media":45,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-44","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 3\/21: New Releases - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 3\/21: New Releases - wecb\" \/>\n<meta property=\"og:description\" content=\"Here\u2019s the new that the Milk Crate staff\u2019s been listening to from the beaches of Miami. 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