{"id":438,"date":"2023-04-21T17:57:39","date_gmt":"2023-04-21T17:57:39","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-4-21-staff-pix-421-new-releases\/"},"modified":"2023-04-21T17:57:39","modified_gmt":"2023-04-21T17:57:39","slug":"2023-4-21-staff-pix-421-new-releases","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-4-21-staff-pix-421-new-releases\/","title":{"rendered":"Staff Pix 4\/21: New Releases"},"content":{"rendered":"<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\">The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 2-3 EST to the Staff Pix radio show.<\/p>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Karenna Umscheid <\/h1>\n<h2 style=\"white-space:pre-wrap\">Letter to an Old Poet by Boygenius <\/h2>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cLetter to an Old Poet\u201d is to \u201cMe &amp; My Dog\u201d what \u201cSecrets from a Girl (Who\u2019s Seen it all) is to \u201cRibs,\u201d if that makes any sense at all. boygenius\u2019s beautiful ballad is a call to reflect honestly and move on from the past, and though they sing of a past relationship I find this applicable to ex-friendships as well. They rewrite the brain-rotting pain of \u201cMe &amp; My Dog,\u201d singing of their desire to be happy, not emaciated, a desire to live in golden daylight instead of crushing pain. They clear the smoke away from their lover\u2019s face and instead see the evil that always was, and finally understand the happiness and love they truly deserve. This track will be the background to my summer, to learning lessons and moving on, and making myself ready to love and to be happy, like an emotional superbloom.<\/p>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Kaitlyn Hardy<\/h1>\n<h2 style=\"white-space:pre-wrap\">Let The Light In (Ft. Father John Misty) by Lana Del Rey <\/h2>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cLet The Light In\u201d is the 12th track on Lana Del Rey\u2019s latest album, released on March 24. It\u2019s such a flush of sweetness and emotion; a warm, beautiful melancholy. The song manages to replicate the feeling of complete, giddy infatuation into a specific setting and sensation \u2013 the melody, a tiptoe across a dew-dampened lawn in the earliest hours of a summer morning; the honey-soaked harmonies the warm illumination of a front porch light on a summer night, with two lovers standing in its halo. The lyrics themselves are bittersweet, the singer expressing her love for someone, yet longing for more than what they have. It\u2019s the love of the moment and the love of a possible future, but the pang of want that cuts like a knife. Yet, Lana\u2019s sultry voice drapes a veil of beauty over it all. The song slow dances through your ears, wrapping itself around you, letting you fall into a swoon.<\/p>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Lily Suckow Ziemer <\/h1>\n<h2 style=\"white-space:pre-wrap\">Princess Diana (with Nicki Minaj) by Ice Spice <\/h2>\n<p class=\"\" style=\"white-space:pre-wrap\">As if Ice Spice\u2019s \u201cPrincess Diana\u201d couldn\u2019t get better, on April 17th the rapper dropped a new version featuring Nicki Minaj. Unlike many features, Minaj integrates herself into the song in a way that is more than just a five second verse. After Ice Spice opens the song, the duo collaboratively sing the chorus. Minaj\u2019s first solo verse ties in perfectly with the song. She ties in catchy lines from the original, such as, \u201cAnd I just fell in love with a gangster.\u201d Minaj also leans into the title, referring to Ice Spice as the princess. The song is fitting for the queen, ushering in a new generation of female rappers. This camaraderie makes the song.<\/p>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\"><\/h1>\n<h1 style=\"white-space:pre-wrap\">Stephanie Weber <\/h1>\n<h2 style=\"white-space:pre-wrap\">4EVA (ft. Pharrell Williams) by KAYTRAMINE, Anim\u00e9, KAYTRANADA<\/h2>\n<p class=\"\" style=\"white-space:pre-wrap\">Amassing close to seven million streams since its release on April 7, \u201c4EVA\u201d is one of my favorite collabs of 2023. KAYTRAMINE, as they\u2019ve called themselves, is a group effort between Amin\u00e9 and KAYTRANADA, who are set to release an album on May 12. As a lead in to the album, the duo has released a single featuring the angelic and full voice of Pharrell Williams. The song is danceable (would you expect anything less?) and provides a summer house resonance sound. Amin\u00e9 raps over the repetitive beat, singing lyrics about a girl and \u201chow that means forever.\u201d \u201cWe so loud it sound like a discussion \/ I hit it with some percussion, call it pussy percussion\u201d are my favorite lyrics from the song. It\u2019s perfect to lay back to, put on in the background of your spring or summer day.<\/p>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Will Ingman <\/h1>\n<h2 style=\"white-space:pre-wrap\">Popular 2 by Cheekface <\/h2>\n<p class=\"\" style=\"white-space:pre-wrap\">Cheekface are a delightfully uncomplicated band, pairing thoroughly bouncy instrumentals with conversational songwriting. Lines like \u201cI just perturbed the pigeons \/ now the pigeons are perturbed\u201d capture their earnest and enthusiastic approach to music, free from the self-centeredness that plagues L.A. indie rock throughout the ages. Greg Katz, Cheekface\u2019s bandleader, understands something few musicians can grasp: if pressing play once is all it takes for a listener to <em>think <\/em>they understand a song, they\u2019ll probably listen to it twice. In this way, \u201cPopular 2\u201d is a sort of musical attention-deficit disorder, a quick hit of instant gratification that not only incentivizes, but welcomes re-listeners &#8211; and I\u2019m more than happy to oblige.<\/p>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Matt Kugel <\/h1>\n<h2 style=\"white-space:pre-wrap\">Nevin by Community College <\/h2>\n<p class=\"\" style=\"white-space:pre-wrap\">Boston based band Community College\u2019s sophomore album SCHMOMCO dropped April 14th, and in it, the indie rock act reinvents and builds on a lot of the sounds from their debut in 2019, titled after the band\u2019s affectionate nickname Comco. Their first album is notable for its impactful lyricism and catchy songwriting, despite not doing much stylistically to differentiate itself from a lot of the hallmarks of modern slowcore. As a big slowcore lover, I\u2019m not complaining, but all that emotion, especially thought the lyricism, is only amped up as the band explores new directions in their recent album. Band leader John Margaris\u2019 creativity shines through brightest on the sixth track, Nevin. His effortless vocals and confident guitar work are complimented well by the tuned-in cymbals of his brother Dan\u2019s drum playing and the fuzzed-out bassline from Dimitri Giannopoulos, who also plays in cult favorite slowcore band Horse Jumper of Love along with John. The band is on tour right now to celebrate the album release and they\u2019ll be coming to O\u2019briens Pub on the 24th this April with Joyer and Alexander!<\/p>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Nathan Hilyard <\/h1>\n<h2 style=\"white-space:pre-wrap\">pawnshop by kara jackson <\/h2>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cpawnshop\u201d is a clear favorite from Kara Jackson\u2019s debut folk album. Jackson\u2019s voice is full and crackles to bend the folk doing into a peaceful and flexible place. Her instrumentation is prideful and classic, able to connect her lyrics to the pounding narratives on losing love.<\/p>\n<h1 style=\"white-space:pre-wrap\">\n<\/h1>\n<p class=\"\" style=\"white-space:pre-wrap\">\n<\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\">\n<p><\/p>\n<h1 style=\"white-space:pre-wrap\">Salem Ross <\/h1>\n<h2 style=\"white-space:pre-wrap\">I been Young by George Clanton <\/h2>\n<p class=\"\" style=\"white-space:pre-wrap\">How could you be nostalgic for something you never experienced? How have abandoned shopping malls and neon signs make us think of a time before we even existed and longed for it? Time travel is now readily accessible with George Clantons new synthwave single. Declaring mistakes of the past, being old enough to learn from them but also having the youth experience to understand why they happened, Clanton\u2019s track (as well as music video) makes the listener sit down in what seems to be the late 80s, that coming of age feeling that so many long for but can only achieve artificially.<\/p>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Harry Bates <\/h1>\n<h2 style=\"white-space:pre-wrap\">White Rabbit by Molly Tuttle &amp; Golden Highway <\/h2>\n<p class=\"\" style=\"white-space:pre-wrap\">A classic of Jefferson Airplane, \u201cWhite Rabbit\u201d has been a mainstay of exploratory sound since its debut on <em>Surrealistic Pillow<\/em> back in \u201867, bringing listeners on a sort of magical journey through inner-space. Molly Tuttle &amp; Golden Highway\u2019s version, released April 7 on Nonesuch Records, packs the trunk for this five-minute-and-fifteen-second getaway with heartfelt licks of banjo, violin, and acoustic guitar. Upon hearing this song, I imagine swimming in a pond somewhere up north, roasting some corn on the cob over a campfire, and hiking up some long, wandering path under a canopy of sturdy pines and oaks. Some 56 years have passed since Jefferson released this masterpiece into the world, yet this sound continues to endure in the hearts of young and old people wandering to find their true place of purpose in life. All in all, the music never stopped.<\/p>\n<\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">Izzy Desmarais <\/h1>\n<h2 style=\"white-space:pre-wrap\">Outlook by The Front Bottoms <\/h2>\n<p class=\"\" style=\"white-space:pre-wrap\">Every few months or so, The Front Bottoms have a resurgence in my music rotation. I think it has something to do with the changing of the seasons. Lead singer Brian Sella\u2019s minorly tone deaf yet visceral vocals seem to resonate more when the weather abruptly shifts from one extreme to the other. It happened around Christmas, when the air started to freeze, and it\u2019s happening again now that spring has finally sprung. When I opened Spotify to help me decide what song I should pick for today\u2019s show, I didn\u2019t even know The Front Bottoms had recently released a new single. But there it was, right on my homepage, begging for me to listen and write about it. \u201cOutlook\u201d fits in perfectly with the rest of their discography \u2014 it has acoustic guitar, upbeat drums, and nostalgic lyrics. Something that I think sets this single apart is the chorus\u2019 rockabilly inspired harmonies. Paired with their pop-punk sound, it reminds me of Green Day\u2019s \u201cProsthetic Head.\u201d All in all, this is a great song and I can already see myself listening to it in Gert (my beloved Honda Civic) with the windows down, happily screaming along to the lyrics as I celebrate the semester\u2019s end.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 2-3 EST to the Staff Pix radio show.<\/p>\n","protected":false},"author":1,"featured_media":439,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Staff Pix 4\/21: New Releases - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 4\/21: New Releases - wecb\" \/>\n<meta property=\"og:description\" content=\"The Milk Crate staff\u2019s favorite tracks of the week, presented with blurbs worthy of a promotional sticker on a jewel case. 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