{"id":382,"date":"2023-10-11T15:05:00","date_gmt":"2023-10-11T15:05:00","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-10-11-new-single-hell-by-sleater-kinney-released-in-anticipation-to-2024-album\/"},"modified":"2023-10-11T15:05:00","modified_gmt":"2023-10-11T15:05:00","slug":"2023-10-11-new-single-hell-by-sleater-kinney-released-in-anticipation-to-2024-album","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-10-11-new-single-hell-by-sleater-kinney-released-in-anticipation-to-2024-album\/","title":{"rendered":"New Single, \u201cHell,\u201d by Sleater-Kinney Released in Anticipation to 2024 Album"},"content":{"rendered":"
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Graphic by Cate Banks<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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By Stephanie Weber<\/h1>\n

\u201cHell,\u201d Sleater-Kinney\u2019s new single, was released earlier this week on Oct. 3. Indie rock band, Sleater-Kinney, made up of Corin Tucker and Carrie Brownstein, released \u201cHell\u201d as a preview to their eleventh studio album Little Rope<\/em>, set for release on Jan. 19, 2024. <\/p>\n

The album cover art features an ominously staged photograph of Brownstein flying in the air, above Tucker, who sits tentatively, while both look straight at the camera. Amidst the shadows, it\u2019s layered with jewel tones\u2014emerald, ruby, and citrine\u2014and jarring symmetry. It\u2019s foreboding, representative of the new rich, dark sound from Sleater-Kinney. According to Rolling Stone<\/span><\/a>, the album is a reflection on grief; Brownstein\u2019s father and step-mother passed away last year. It\u2019s also a commentary on a disturbing global state of affairs<\/span><\/a>. This is also the case for the \u201cHell\u201d music video<\/span><\/a>. \u201890s filmmaker Miranda July is featured in black and white images staring into the camera right as the chorus begins, setting a weird and disruptive mood for the song and hopefully album.<\/p>\n

\u201cHell\u201d opens quietly, almost as if there is no music being played. Any rational listener would increase their volume, only to be hit with smooth and slow guitar\u2014Brownstein and Tucker have always had a complementary guitar playing style and this song is no different. They track over each other until the chorus, when they really open up accompanied with drums and distorted vocals. The song is guitar-heavy, but Tucker balances this out with strong vocals. The lyrics are fairly simple, but are presented really dramatically; the verses are crisp and clean whereas the chorus is loud and distorted. The verses are repetitive with each line introduced as \u201cHell is,\u201d just one letter off from \u201chellish.\u201d Sleater-Kinney comments on the unprecedented nature of the world with a \u201chell on Earth\u201d narrative, singing lyrics like \u201cHell needs no invitation \/ Hell don’t make no fuss.\u201d This song suggests that hell lurks in the shadows, always ready to cause chaos. In this world, hatred is always welcome. They close the first stanza with the lyrics \u201cHell is desperation \/ And a young man with a gun,\u201d most likely commenting on unprecedented gun violence in America. In the second lyrics, they sing \u201cHell is just a place that \/ We can\u2019t seem to live without,\u201d saying that hell is everywhere, all the time. It\u2019s as if hatred provides life.<\/p>\n

Then the song opens up to a classic Sleater-Kinney chorus of Brownstein guitar tricks and screaming vocals. Tucker belts out the lyrics, \u201cYou ask \/ Why like there\u2019s no tomorrow \/ You ask \/ Why like there\u2019s no tomorrow,\u201d fading back down to a quiet verse two. It\u2019s no doubt Tucker was ranked 155 <\/span><\/a>on Rolling Stone\u2019s \u201c200 Best Singers of All Time.\u201d Every song she sings is full of energy and her wide vocal range takes up space, even on a quick three-minute track like \u201cHell.\u201d The chorus is reminiscent of their earlier music in the \u201890s but holds a more acquired and sophisticated sound. \u201cHell\u201d is over quickly, but acts as a foreboding teaser for the album to come.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u201cHell\u201d is over quickly, but acts as a foreboding teaser for the album to come.<\/p>\n","protected":false},"author":1,"featured_media":383,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-382","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nNew Single, \u201cHell,\u201d by Sleater-Kinney Released in Anticipation to 2024 Album - wecb<\/title>\n<meta name=\"robots\" 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