{"id":38,"date":"2025-03-28T14:58:00","date_gmt":"2025-03-28T18:58:00","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2025-03-28-2025-notonstreaming\/"},"modified":"2026-03-18T15:26:43","modified_gmt":"2026-03-18T19:26:43","slug":"2025-03-28-2025-notonstreaming","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2025-03-28-2025-notonstreaming\/","title":{"rendered":"Staff Pix 3\/28: Not on Streaming"},"content":{"rendered":"
\n

No Spotify? No Apple Music? Easy. Bandcamp is cool though. Take it back to the days before streaming and into the days of endless YouTube doomlistening with some of our favorite deepcuts. <\/p>\n

\u201cu had it coming\u201d by addison rae<\/h2>\n<\/div>\n
\n

Before the success of \u201cDiet Pepsi,\u201d Addison Rae spent two years coping with the backlash of her debut single, \u201cObsessed.\u201d She had given up music due to the negative response, but somewhere in the meantime, a whole EP\u2019s worth of singles were leaked. An enthusiastic fan base emerged, and Rae eventually released AR<\/em> fueled by their support. However, not every leaked song was released, and most egregiously so is \u201cU Had It Coming.\u201d This was the first song I ever heard from Rae, and it instantly made me a fan. It\u2019s the perfect pop song with a catchy chorus in which Rae sings, \u201cI don\u2019t feel bad for you baby,\u201d and, \u201cdon\u2019t even give a damn if you hate me.\u201d Her intonation pushes the lyrics further, and as my friend says, \u201cyou can really tell she doesn\u2019t care.\u201d But I care about one thing \u2013 that \u201cU Had It Coming\u201d is Rae\u2019s next release. \u2014Lily Suckow Ziemer<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cdoyathing (feat. james murphy & andr\u00e9 3000)\u201d by gorillaz<\/h2>\n<\/div>\n
\n

There\u2019s no stopping me from raving about this one<\/span><\/a>. Three of some of the greatest ever (objectively!) joined forces in the name of freakin\u2019 canvas sneakers to construct this streaming-adverse banger. Damon Albarn leads the track in his 2D alter ego as DFA Records and LCD Soundsystem himself, James Murphy, guides the beepy-boopy production and whiny chorus. It\u2019s punchier than a lot of Gorillaz stuff, more playful than a lot of LCD Soundsystem. Not even halfway through the track, in comes Andr\u00e9 3000 who, legend has it, recorded his verse in one take. Rhyming \u201conomatopoeia\u201d with \u201cyou don’t wanna be here,\u201d it\u2019s a feat of the musical art form. And this is just the standard version I\u2019m talking about; in the thirteen-minute version<\/span><\/a>, 3000 declares he\u2019s \u201cthe shit\u201d almost seventy times over absolutely electric feedback. Oh yeah, there\u2019s also a wild music video<\/span><\/a> that features a truly demonic Murdoc, a reference to the \u201cDARE<\/span><\/a>\u201d video, and a Gorillaz-ified Andr\u00e9 3000 being milked for sweat. There\u2019s a lot going on here, there, and everywhere. It’s a shame Spotify-heads may never experience the glory.\u2014Sofia Giarrusso<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cSapokanikan\u201d by Joanna Newsom<\/h2>\n<\/div>\n
\n

Ok, yeah, Joanna Newsom\u2019s music is on Apple Music, Amazon Music, Tidal, Soundcloud, Samsung Fridge, whatever. But it isn\u2019t on Spotify \u2013 my streaming service of choice, unfortunately \u2013 and also she\u2019s the best, so I\u2019m picking this song anyways. But what can I say about Joanna Newsom in this short blurb that would do even this one song justice? A mind-bogglingly intricate, unashamedly literary slab of verse that, over the course of its relatively tame five minute runtime (by Newsom standards), careens from one deftly worded, soul-shattering existential rumination to another \u2013 \u201cWill you tell the one that I loved to remember and hold me\u201d \u2013 while slowly puzzling together the entirety of Percy Bysshe Shelley\u2019s \u201cOzymandias\u201d throughout. This juxtaposition of Shelley\u2019s classic meditation on the fall of empire only emphasizes Newsom\u2019s transient visions, fleeting images of cities turned to dust and hidden loves lost to the interminable sands of time. The track\u2019s animated, multilayered composition moves towards its seraphic climax as Newsom sends off the whole of human civilization with one final \u201clook and despair.\u201d It would be difficult to pare it down to just being \u201cpowerful\u201d; like the best of Joanna Newsom\u2019s music, it somehow manages to encompass everything<\/em>. \u2014Lucca Swain<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cJust desserts\u201d by marina & charli xcx<\/h2>\n<\/div>\n
\n

Before that FROOT looked familiar<\/span><\/a>, there was MARINA (formerly Marina and the Diamonds) and Charli xcx\u2019s incredible 2013 collaboration, \u201cJust Desserts.\u201d For reasons unknown, this song\u2019s sole legacy exists on YouTube, remaining unreleased on music platforms despite its earworm of a chorus and bubblegum-pop perfection from beginning to end. Marina and Charli prove that revenge is<\/em> sweet with their duet full of human truths \u2013 karma, justice, and indulgent revenge \u2013 set to a playful and edging beat. As always, Marina\u2019s vocals scratch an itch I didn\u2019t know I had, and Charli\u2019s low vocals that verge on sultry satisfy me every time. The end result is everything you\u2019ll ever need in a song\u2026 except for the fact it\u2019s not on Spotify or Apple Music. \u2014Heather Thorn<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201clove me too much\u201d by car seat headrest<\/h2>\n<\/div>\n
\n

The sadder, scrappier sister to Nervous Young Man<\/em>, Will Toledo\u2019s album of seemingly rejected B-sides, Disjecta Membra<\/em>, is indie lofi perfection. A ballad, though, stands out amongst the screeching angst anthems characterized by cheap recording equipment and endearing voice cracks throughout. \u201cLove Me Too Much\u201d marks the halfway point of the tracklist and a turning point in Toledo\u2019s defined sound. With clear influences from The Beach Boys and Leonard Cohen, the song is straightforwardly sappy in its backing harmonies and yearning lyricism. It\u2019s unusually short for the singer-songwriter known for his ten plus minute tunes, yet it still reaches the raw clarity in such.  \u2014Sophie Parrish<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cpecking order\u201d by alvvays<\/h2>\n<\/div>\n
\n

As a golden B-side from their 2017 album Antisocialites<\/em>, \u201cPecking Order\u201d proves that Alvvays can really do no wrong. Lamenting all the classic love tropes through perfectly millennial lyrics, Alvvays revs behind Molly Rankin\u2019s vocals like a well tuned engine. Beginning with some penitent melodrama, Rankin drops flower petals to the floor as the band builds up to a rumble. By the final chorus, she trades verb for verb, showing the slow, hopeful process of being devoured by love: \u201cAnd your brain still bows \/ To your racing heart \/ And your brain’s devout to your racing heart \/ And your brain devours your racing heart.\u201d And the band runs behind her in their power-pop semi-twee glory.  \u2014Nathan Hilyard<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201call flowers in time\u201d by jeff buckley & elizabeth fraser<\/h2>\n<\/div>\n
\n

The collab you never knew you needed. Unlike her vocals for the Cocteau Twins or her feature on Massive Attack’s classic \u201cTeardrop,\u201d Elizabeth Fraser sounds so lucid on this track. Her powerful twang melds with Buckley\u2019s melodic croon to create shimmering adlibs of yearning. They sound like two eagles soaring around each other in a dramatic aerial courting dance<\/span><\/a> above a sunlight-golden bed of acoustic guitars. As they chant over and over, \u201cAll flowers in time bend towards the sun,\u201d I find that I am a flower and they are the sun. \u2014Christian Jones<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201ctrue blue\u201d by billie eilish<\/h2>\n<\/div>\n
OZ<\/a> \u00b7 true blue – billie eilish<\/a><\/div>\n
\n

High school me struck gold when I stumbled upon \u201cTrue Blue,\u201d a leaked Billie Eilish song. \u201cTrue Blue\u201d fits well into Eilish\u2019s discography, emanating the melancholic atmosphere she often creates. This track was constantly removed from YouTube and SoundCloud for copyright infringement, so I thought two steps ahead. I screen-recorded the three-minute song and have listened to it via the Photos app for about four years. I never would\u2019ve predicted that the song would find its way onto HIT ME HARD AND SOFT<\/em>, her third album, years later. With more mature vocals, Eilish ends the album with \u201cBLUE,\u201d which includes the lyrics from her unreleased songs \u201cTrue Blue\u201d and \u201cBorn Blue.\u201d There\u2019s so much Blue-Billie lore to be explored. \u2014Delaney Roberts<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cfive get over excited\u201d by the housemartins<\/h2>\n<\/div>\n
\n

I\u2019ve come to realize that no romantic love affair will ever hold a candle to my adoration of UK socialist-Christian janglers (what a combination!), The Housemartins. When Spotify carelessly stole them from me at the beginning of 2025, I thought I might never go on\u2026 then I remembered the existence of YouTube, and everything was right again. It\u2019s hard to pick a single song from The Housemartins\u2019 excellent two records (and equally excellent compilation Now That\u2019s What I Call Quite Good<\/em>), but with a knife to my throat, I\u2019m picking the truly demented \u201cFive Get Over Excited\u201d and I\u2019m not looking back whatsoever. Nestled on the band\u2019s 1987 anti-royalty statement The People Who Grinned Themselves to Death<\/em>, \u201cFive Get Over Excited\u201d is a jaunty slice of death pop, a hilariously contradictory number that pits car crashes against Smiths-esque guitar. Is there a deeper message in there about not trusting ole\u2019 Maggie Thatcher? Probably! I haven\u2019t done the necessary research, because I simply have too great a time singing \u201cfun, fun, fun\u201d while the carnage blares through my speakers. God bless you, you sick British freaks! \u2014Charlie Desjardins<\/strong><\/p>\n<\/div>\n

 <\/p>\n

\n

\u201cpray\u201d by kendrick lamar<\/h2>\n<\/div>\n
\n

Woof, the opening of \u201cPray\u201d immediately gives me chills every single time. A haunting and soulful instrumental originally by T-Fire serves as the musical foundation on this unreleased Kendrick Lamar track. Never failing to impress with his flow, Lamar ruminates on the lives of two influential figures: Michael Jackson and Martin Luther King Jr. On top of this gorgeous orchestration, Lamar discusses both their legacies and the controversies that tore them down. Rapping from the point of view of Jackson and MLK, Lamar provides insight into the harsh truths of each figure and the all-too-often toxic nature of fans and followers. In the third act of \u201cPray,\u201d he brings listeners back to present time, speaking from a personal perspective. He poses the age old question: Can we separate the art from the artist? Lamar argues yes. He closes his beautifully thought-provoking tune with a strong point: \u201cI can\u2019t help we jump in these bodies and you called them a God \/ Just know the Earth is just a rock without the voices of art \/ Sincerely yours.\u201d \u2014Izzie Claudio<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

No Spotify? No Apple Music? Easy. Bandcamp is cool though. Take it back to the days before streaming and into the days of endless YouTube doomlistening with some of our favorite deepcuts. \u201cu had it coming\u201d by addison rae Before the success of \u201cDiet Pepsi,\u201d Addison Rae spent two years coping with the backlash of…<\/p>\n","protected":false},"author":1,"featured_media":39,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-38","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 3\/28: Not on Streaming - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 3\/28: Not on Streaming - wecb\" \/>\n<meta property=\"og:description\" content=\"No Spotify? 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