{"id":364,"date":"2023-10-19T19:53:41","date_gmt":"2023-10-19T19:53:41","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-10-19-the-friday-the-thirteenth-gift-we-all-needed-the-rest\/"},"modified":"2023-10-19T19:53:41","modified_gmt":"2023-10-19T19:53:41","slug":"2023-10-19-the-friday-the-thirteenth-gift-we-all-needed-the-rest","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-10-19-the-friday-the-thirteenth-gift-we-all-needed-the-rest\/","title":{"rendered":"The Friday the Thirteenth Gift we all Needed: the rest"},"content":{"rendered":"
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Graphic by Julia Norkus<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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By Julia Norkus and Karenna Umscheid<\/h1>\n

the rest<\/em>, the surprise EP from boygenius released on Oct. 13, winds down the biblical, visceral power of boygenius\u2019 album with a solemn promise to continue moving forward \u2013 whatever that may look like for the band. <\/p>\n

The lyricism of boygenius is equal parts emotionally destructive and relieving in the intrinsic, universal connection that their heartbreaking music invites. It is scientific and religious, historical and present. Their music writhes with honesty, tethering metaphors to reality in pains and revelations. Though it\u2019s easy to commodify and repackage newly released music as another brand of \u2018indie girl\u2019 or \u2018sad girl,\u2019 the electric chemistry between Phoebe Bridgers, Julien Baker and Lucy Dacus is too exceptional for any label and more genre-bending than it gets credit for. Before I say anything more, the songs on this EP felt reminiscent of boygenius\u2019s self-titled EP, stripped back but with better production\u2014it indicates growth and expansion for the artists, both in their personal careers and as a trio.<\/strong> The spirit of boygenius is that of a timeless band, set to transcend generations with music that runs hot with blood and tears. <\/p>\n

\u201cBlack Hole\u201d by Karenna<\/p>\n

I was lucky enough to be at the Boston boygenius concert where they played this song for the first time live. The picture painted in the beginning of the song is emblematic of boygenius\u2019 keen storytelling ability, wherein songs are rapturous, epics of love in whatever ways it can be twisted. They begin with \u201cIn a rainstorm \/ Suckin\u2019 down a dart on the back porch,\u201d opening with an eerie portrait that cascades into the vignettes of despair, want, and emotional confusion. boygenius has the very special skill of being able to put gut-wrenching, horrifically sad yearning into words. In the second half of the song, they sputter around days and nights with short descriptions, snapshots of teeth and faces, comings and goings, noise after noise. The song concludes with a realization, while drowning in the yearning, under flashes of memory and thought, the lyric sings \u201cSometimes, I need to hear your voice,\u201d recognizing that underneath the noise there is a slow, punctual heartbeat for love, of which it all boils down to. <\/p>\n

\u201cAfraid of Heights\u201d by Karenna<\/p>\n

In \u201cAfraid of Heights,\u201d the band spins guttural depression through melodic beauty with unparalleled lyric profundity. The lyric \u201cI want to live a vibrant life \/ But I want to die a boring death\u201d profoundly demonstrates the specificity and honesty that makes boygenius\u2019s music relatable and powerful. \u201cAfraid of Heights\u201d depicts toxicity and fear in a relationship, like that of the transformation from \u201cMe & My Dog\u201d to \u201cLetter To An Old Poet.\u201d Yet it also acknowledges the hurt that remains, even within optimism, particularly with the lyrics that end the song \u2013 \u201cOh, it hurts to hope the future will be better than before.\u201d boygenius, in their entire body of work and especially in the rest, astound me with their ability to transform the most viscerally painful feelings into ballads screamed universally, sweet harmonies and incredible swells that pull from the depths of their hearts. An element of the power they hold that speaks to their timelessness and musical prowess, this skill to turn pain into art, not as commodification, but as community, is so special. <\/p>\n

\u201cVoyager\u201d by Julia<\/strong><\/p>\n

With all that in mind, just like the vocal stylings of \u201cWithout You Without Them,\u201d the a cappella intro of \u201cVoyager\u201d cradles me like a lullaby. This acoustic waltz calls back to not just one song from the record<\/em> (2023), but two\u2014there are talks about the lyric \u201cAnd sometimes you let me read your mind,\u201d also being related to \u201cCool About it\u201d (\u201cOnce I took your medication to know what it\u2019s like \/ Now I have to act like I can\u2019t read your mind\u201d). Baker, Bridgers and Dacus are continuing a story, or winding down from one, through this EP. Maybe it\u2019s a double entendre\u2014the rest<\/em> might be the rest of the album, or it might be an indication of much needed rest and have some connection to the airy, acoustic style. \u201cVoyager\u201d feels like a release, a post-break up affirmation that yes, while I would have given you everything, I needed to move on. The whispery style of Bridgers\u2019s vocals feel like an incantation\u2014a spell for all heartbroken and lost souls looking to come home. <\/strong><\/p>\n

\u201cPowers\u201d by Julia<\/strong><\/p>\n


Julien Baker\u2019s tracks from the record are arguably some of my favorites. She has such a level of angst and puts the accents in just the right place that I can\u2019t help but skip to \u201cSatanist\u201d on a day that I need a little extra bad-assery. The opening chord of \u201cPowers\u201d feels like a call back to \u201cAnti-Curse\u201d\u2014much in the same way that \u201cVoyager\u201d might be a punctuation mark on \u201cCool About it,\u201d \u201cPowers\u201d acts similarly. There\u2019s also no doubt about the palpability of boygenius\u2019s love for each other and it\u2019s emphasized by the closing lines of this song, \u201cThe force of our impact, the fission \/ The hum of our contact, the sound of our collisions.\u201d In an Oct. 2023 interview with The Grammys, Baker mentioned book Cruising Utopia<\/em> by Jos\u00e9 Esteban Mu\u00f1oz, where she talks about words she adopted from him, \u201cThose are both semi-stolen lyrics\u2026he talks about the idea of the lived experience being its own work of art, and then that art needing a witness to be savored and appreciated\u2026It\u2019s small and daily and powerful.\u201d To hear Baker say this, it accentuates the love that the trio shares with each other, much like Dacus\u2019s line in \u201cTrue Blue\u201d\u2014\u201cIt feels good to be known so well \/ I can\u2019t hide from you like I hide from myself.\u201d In their period of what might be a long rest, I hope they find peace with each other and continue cultivating love and joy, both in art and in life.<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Though it\u2019s easy to commodify and repackage newly released music as another brand of \u2018indie girl\u2019 or \u2018sad girl,\u2019 the electric chemistry between Phoebe Bridgers, Julien Baker and Lucy Dacus is too exceptional for any label and more genre-bending than it gets credit for. Before I say anything more, the songs on this EP felt reminiscent of boygenius\u2019s self-titled EP, stripped back but with better production\u2014it indicates growth and expansion for the artists, both in their personal careers and as a trio.<\/strong><\/p>\n","protected":false},"author":1,"featured_media":365,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nThe Friday the Thirteenth Gift we all Needed: the rest - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Friday the Thirteenth Gift we all Needed: the rest - wecb\" \/>\n<meta property=\"og:description\" content=\"Though it\u2019s easy to commodify and repackage newly released music as another brand of \u2018indie girl\u2019 or \u2018sad girl,\u2019 the electric chemistry between Phoebe Bridgers, Julien Baker and Lucy Dacus is too exceptional for any label and more genre-bending than it gets credit for. 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