{"id":332,"date":"2023-11-17T21:29:37","date_gmt":"2023-11-17T21:29:37","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-11-17-staff-pix-1117-new-releases\/"},"modified":"2023-11-17T21:29:37","modified_gmt":"2023-11-17T21:29:37","slug":"2023-11-17-staff-pix-1117-new-releases","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-11-17-staff-pix-1117-new-releases\/","title":{"rendered":"Staff Pix 11\/17: New Releases"},"content":{"rendered":"
\n

The Milk Crate staff\u2019s favorite releases from the month of November, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 3-4PM EST to the Staff Pix radio show.<\/p>\n<\/div>\n

\n

Julia Norkus<\/h1>\n

\u201cPuppet\u201d By dora jar<\/h2>\n

Elves rejoice! Dora Jar returns with her first single in a year and what better way to make a comeback than with \u201cPuppet\u201d? With twinkling chimes and the sounds of a scissor cutting a string, Jar stays true to her ridiculous and wacky nature, and I couldn\u2019t be happier. \u201cI\u2019m the puppet \/ Can you help me cut my thread?\u201d Let me go! Let me run wild! Something about the way her voice lifts on \u201cthread,\u201d it feels like sprinting into the sunset, in a triumphant fit of liberation. She always knows just what to say to me, and right now, Dora Jar understands my Senioritis better than I do. I\u2019m ready to run into the sun, to disappear and fly beyond this place\u2014somewhere softer, warmer, brighter.  Much like Jar, I do truly feel that I\u2019m \u201cAlways hanging by a thread.\u201d<\/p>\n<\/div>\n

\n

<\/h1>\n

Stephanie Weber<\/h1>\n

\u201ccould you help me\u201d by lucy rose<\/h2>\n

\u201cCould You Help Me\u201d is a hidden gem. It\u2019s like if \u201cTake Five\u201d by Dave Brubeck made a love child with a synthesizer. Rose\u2019s song is experimental jazz at its core, with a deep bass and fast piano under the echoey lyrics. The song is under three minutes, filled more with electronic surround sound instrumentals. That being said, the lyrics are written with a difficult relationship in mind. The song opens with the name of the song, with the last line in the stanza being, \u201cCould you fit me in your busy day?\u201d Rose\u2019s singing isn\u2019t filled particularly with anger, but the lyrics most definitely are. She moves into the chorus with lyrics like \u201cGot a feeling like I never even ever knew you \/ Underneath it, could I ever really feel it for you?\u201d Maybe this song will be the soundtrack of some girl in her 20s, dealing with the aftermath of a sleazy boyfriend breakup. <\/p>\n<\/div>\n

\n

<\/h1>\n

Bennett Himmel<\/h1>\n

\u201ccapable of love\u201d by pinkpantheress<\/h2>\n

PinkPantheress has had a huge year. \u201cBoy\u2019s a Liar pt. 2\u201d with Ice Spice proved itself to be one of the biggest, zeitgeisty, Gen-Z bangers of the year with it\u2019s chiptune, endlessly quotable charm. However, her new track \u201cCapable of Love\u201d off her excellent new record is instantly a shocking change of pace. Her lyricism is at once provocative and heart wrenching, and the introduction of fuzzy guitars and strings is very welcome. \u201cCapable of Love\u201d is a stark meditation on affection and how painful it can be to care about somebody, and it finally allows PinkPantheress to transcend the internet.<\/p>\n<\/div>\n

\n

<\/h1>\n

\n

Serenity Holland<\/h1>\n

\u201cRemember when\u201d by wasia project<\/h2>\n

Wasia Project\u2019s EP was my summer love, but I\u2019ve been living on just that for too long. Finally, I can explore my autumn-coated melancholy in a new way with this song. It\u2019s got this dreamy sensation that I drown in with my eyes closed, and strings that keep me afloat during the full three minutes and twelve seconds. If I\u2019m being honest, the song has only been out for a couple days so I haven\u2019t fully digested the lyrics. But I everytime hear, \u201cwhen I called on the angels, I could\u2019ve sworn that I heard you cry,\u201d I, personally, die. I can\u2019t wait to listen to this for the rest of time.<\/p>\n<\/div>\n

\n

<\/h1>\n

\n

Malia Welham<\/h1>\n

\u201cscapa flow\u201d by Drop Nineteens<\/h2>\n

Another \u201890s shoegaze band has decided to plug their guitar pedals back in and create an album filled with ethereal distortion and floating vocals. First, Slowdive released \u201cEverything is Alive\u201d in September, and now Drop Nineteens, most known for their 1992 album, Delaware<\/em>, has delivered their most recent project, \u201cHard Light.\u201d The band decided to keep their classic 90s shoegaze sound by capturing the airy melodies of Dream Pop and fuzzy instrumentation of Noise Rock. This album is not going to blow the listeners mind. Instead, it will cover you in a blanket of nostalgia and surround you in noisy comfort.<\/p>\n<\/div>\n

\n

<\/h1>\n

\n

Lia Klug<\/h1>\n

\u201ccut my hair\u201d by SUn Room <\/h2>\n

Sun Room is a surf rock band that has an incredible quality to transport you with their music. When I press play on their vintage style surf rock I am immediately transported to a hot summer day being on the way to the beach with friends. I heard Sun Room for the first time last February when they opened for Inhaler and even in the cold winter air I felt the summer breeze in my hair. Then when summer came I can attest that the summer moment I envisioned came true whenever I hit play. \u201cCut My Hair\u201d continues the feeling and will no doubt be my new summer anthem. Join me in using Sun Room\u2019s music as defense against the winter blues.<\/p>\n<\/div>\n

\n

<\/h1>\n

\n

Lily Suckow Ziemer<\/h1>\n

\u201cTarantula queen\u201d by mon\u00e9t ngo<\/h2>\n

Mon\u00e9t Ngo is most known for his single \u201cRuby Sparks,\u201d released earlier this year, but released a new song, \u201cTarantula Queen,\u201d Nov. 8. The song is a great addition to his already enjoyable discography. There are varying vocal techniques used throughout that create a satisfying indie rock song. Ngo is singing to the aforementioned tarantula queen, asking, \u201cWhy are you hiding in your bed \/ Tarantula queen \/ Will you love me until death?\u201d The best is clearly yet to come with Ngo, who will surely continue to put out great songs like this one.<\/p>\n<\/div>\n

\n

<\/h1>\n

\n

\n

Everly Orfanedes<\/h1>\n

\u201cDown In The Willow Garden\u201d by Norah Jones and Rufus Wainwright<\/h2>\n

Singer-songwriters Norah Jones and Rufus Wainwright joined forces and released a cover of the traditional, folk song \u201cDown In The Willow Garden\u201d which has been covered by a multitude of artists throughout the years, such as theThe Everly Brothers in the \u201860s, a duo famous for their harmonies. In Jones and Wainwright\u2019s rendition of the song, their harmonies are prominent and seemingly effortless. Their vocals guide the song, with a simple arrangement, only accompanied by the mellow strums and finger plucks of an acoustic guitar to compliment the lyrics. This cover does the song justice, performed in the folk style that compliments perfectly. <\/p>\n<\/div>\n

\n

<\/h1>\n

\n

Izzy Desmarais<\/h1>\n

\u201cThe Parting Glass\u201d by boygenius, Ye vagabonds<\/h2>\n

Before \u201cAuld Lang Syne,\u201d there was \u201cThe Parting Glass.\u201d A traditional Irish and Scottish ballad that was often sung before a gathering of friends parted for the evening, indie rock\u2019s sweethearts boygenius released their rendition of the song in honor of the late Sin\u00e9ad O\u2019Connor. In collaboration with the Irish folk duo Ye Vagabonds, the single serves as Phoebe Bridgers\u2019 annual holiday cover. Like years past, all proceeds will be donated. This time, per the request of O\u2019Connor\u2019s estate, Dublin-based after school program the Aisling Project will receive these donations. Soft and slow, with boygenius\u2019 signature harmonies, \u201cThe Parting Glass\u201d could easily be interpreted as a sad song. If you take a look at the lyrics, you\u2019ll find that wistful kind of hope the supergroup is known for: \u201cOf all the money that e\u2019er I spent \/ I spent it in good company \/ And of all the harm that e\u2019er I\u2019ve done \/ Alas, it was to none but me.\u201d A moving tribute and pleasant surprise, I\u2019m thrilled with this year\u2019s sad girl holiday tune. <\/p>\n<\/div>\n

\n

Salem Ross<\/h1>\n

\u201cNot My Fault\u201d by Frost Children<\/h2>\n

Hearth Room<\/em>, Frost Children’s second album of 2022 came out about eight hours ago. That was the same amount of time that an average day at my high school was, oddly enough on my first listen I could see dimly lit halls and uniform sweatshirts being hung up inside lockers. Frost Children tend to do that, act as a time traveling vessel through your headphones. Starting out reminiscing the startup noise of playstations, the song slowly turns into a point of proof, of standing up and wanting to deserve something unknown.<\/p>\n<\/div>\n

\n

<\/h1>\n

\n

\n

Amalia Sandine<\/h1>\n

\u201cAlma Mater\u201d by Bleachers<\/h2>\n

I know I know, listening to Bleachers in 2023 when you are over the age of 16 should probably be a crime, but what can I say\u2014I fell for it. Jack Antonoff\u2019s iron grip over pop production right now is exhausting, but I’ll always have a place in my heart for his silly little band. <\/p>\n<\/div>\n

\n

<\/h1>\n

\n

\n

\n

Ellie Abbey <\/h1>\n

\u201cI Can and I Will\u201d by Searows<\/h2>\n

I had the absolute pleasure of seeing Searows open for Leith Ross last spring and I feel like I can really speak to his vibe. His music has a habit of appealing to the corners of our souls that sometimes we don\u2019t even know exist. In his newest album, End Of The World<\/em>, he pushes his style to new heights, namely in the 6-minute closing track, \u201cI Can and I Will.\u201d This song does not drag on as you may expect, but instead, delves into all sorts of emotions. Searows has a knack for taking simple lyrics and instrumentals, and making something awe striking, which is especially highlighted here. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Tune in Fridays from 3-4PM EST to the Staff Pix radio show.<\/p>\n","protected":false},"author":1,"featured_media":333,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-332","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nStaff Pix 11\/17: New Releases - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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