{"id":330,"date":"2023-11-20T16:59:59","date_gmt":"2023-11-20T16:59:59","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-11-19-pinkpantheress-reaches-for-the-sky-on-heaven-knows\/"},"modified":"2023-11-20T16:59:59","modified_gmt":"2023-11-20T16:59:59","slug":"2023-11-19-pinkpantheress-reaches-for-the-sky-on-heaven-knows","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-11-19-pinkpantheress-reaches-for-the-sky-on-heaven-knows\/","title":{"rendered":"PinkPantheress reaches for the sky on \u201cHeaven Knows\u201d"},"content":{"rendered":"
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Graphic by Julia Norkus<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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By Bennett Himmel<\/h1>\n

For the last two years, PinkPantheress has proven herself to be one of the most influential voices in indie pop. Breakbeats have always been a pretty essential part of pop music, but in 2021, nobody had mixed Clairo-esque bedroom pop with atmospheric drum and bass. Her music instantly captured the attention of Gen Z due to the way it perfectly fed into the TikTok algorithm: none of the songs went over three minutes, and her lyricism was moody yet vague, evoking endless emotions\u2014 but incredibly hard to label ones. By the time she released her debut mixtape, to hell with it, there were endless PinkPantheress clones, putting breathy autotuned vocals over Amen Breaks and gaining thousands of streams. None of them were anywhere near as good as PinkPantheress. Now, on her long-awaited debut album Heaven Knows<\/em>, PinkPantheress has expanded upon her bedroom pop sound, creating a slick, hyperreal, dark-pop record that proves that she\u2019s no fad.<\/p>\n

I have incredibly fond memories of riding around my hometown in 2021 blasting \u201cPain\u201d and the tragically now-deleted \u201cJust a Waste,\u201d but I never expected PinkPantheress to catapult into pop stardom. Despite the instant dopamine hit her music provided, it always read as a little too experimental, too surreal, too lo-fi to capture (and hold) the attention of the general public. Her 2023 EP Take Me Home<\/em> was enjoyable, but didn\u2019t do much with her already well-established sound and barely moved the cultural needle. Then, something weird happened. That thing? Ice Spice. When Ice Spice hopped on a remix of the EP\u2019s best track, \u201cBoy\u2019s a Liar,\u201d lightning in a bottle was captured. Ice Spice provided instantly iconic lines like \u201cHe say that I\u2019m good enough \/ Grabbin\u2019 my duh-duh-duh\u201d that worked perfectly over the song\u2019s cutesy chiptune production, and she provided a lyrical foil to PinkPantheress\u2019 insecurity. The remix was a quick success, becoming one of the biggest songs of 2023. The song appears as a bonus track on Heaven Knows<\/em>, and while I\u2019m always down to listen to it, it feels out of place on the record. It\u2019s way brighter and sillier than the rest of the songs, and it is clearly just tacked onto the record to boost streams.<\/p>\n

The rest of Heaven Knows<\/em>, then, is a revelation. The record is dark, stormy and sultry, yet endlessly catchy and danceable. The opener, \u201cAnother Life,\u201d sounds borderline medieval, with church organs and a pounding drum and bass beat. Her lyricism has clearly improved, adding specificity without sacrificing relatability. The song\u2019s subject matter is remarkably darker than her previous work, as she sings about her lover dying in the night, then swiftly moving on. She condenses a traumatic experience into one classically dramatic phrase: \u201cI guess I\u2019ll see you in another life.\u201d The entire record is quite melodramatic and macabre; the refrain of the single \u201cMosquito\u201d is \u201cI just had a dream I was dead \/ And I only cared cause I was taken from you.\u201d However, it\u2019s juxtaposed against production reminiscent of bossa nova, and the effect is heavenly and sweet. If I were to compare PinkPantheress to any early \u201800s artist, I would say Lily Allen: her subject matter is often dark, but her vocals sound like she can\u2019t be bothered with the most severe of situations. <\/p>\n

Despite the twisted lyrical content, Heaven Knows<\/em> is all bangers. Every song is danceable and hooky \u2014 this is a pop album after all \u2014 but it\u2019s the atmosphere that makes the listener feel that something is slightly amiss. \u201cNice To Meet You\u201d has one of PinkPantheress\u2019 catchiest hooks yet, but the vocal processing and overall vibe feel uncanny and pulled from another era. The song would be perfect if not for an incredibly lackluster Central Cee feature (\u201cI might risk it for a biscuit?\u201d Seriously?) <\/p>\n

\tPinkPantheress\u2019 work has always been very rooted in nostalgia\u2014 her imagery and sound feel very Y2K, but not in a traditional sense. She\u2019s not a Paris and Nicole historian; she\u2019s far from \u201cbimbo-core.\u201d Heaven Knows comes closest to nostalgia on the record\u2019s penultimate track, \u201cFeelings.\u201d The song is immediately reminiscent of Britney Spears\u2019s classic album \u201cBlackout.\u201d The synths are dark and industrial, the production is sparse and PinkPantheress\u2019 vocal processing makes her sound nervous, post-human and absolutely ravenous for validation (\u201cNo one ever told me to worrrryyyyyyyyy! \/ I realize that I\u2019m peaking too earrrrrrrlyyyyy!\u201d) <\/p>\n

\tThe PinkPantheress vision comes into full force on the album\u2019s closer (and best track) \u201cCapable of Love.\u201d While PinkPantheress has never made a bad song, it can sometimes feel like she\u2019s made the same song a million times. Atmospheric drum and bass beat; autotuned, airy vocals; shy lyricism. \u201cCapable of Love\u201d has all of those things, but it reaches an emotional high that she\u2019s never hit before. The song is nearly four minutes \u2014 insanely long by PinkPantheress standards \u2014 and this allows PinkPantheress\u2019 lyricism to sprawl out. It features her best lyric yet, \u201cI\u2019m obsessed with the idea that one day it breaks up \/ \u2018Cause after that, I know I\u2019ll never be as capable of love.\u201d It\u2019s heart-wrenching and feels like the most raw she\u2019s been thus far. The song crescendos with fuzzy guitars, something we\u2019ve never heard on a PinkPantheress track yet, and I really, really hope she continues in that direction on the next album. It\u2019s a brilliant pop song about how love and disappointment can so frequently be intertwined.<\/p>\n

Heaven Knows<\/em> is easily one of my favorite pop albums of the year. It feels like it\u2019s from a bygone time in which people actually made cohesive albums. It\u2019s completely free of stream-bait (besides \u201cBoy\u2019s a Liar pt. 2\u201d being tacked on\u2026 What can you do?), but it\u2019s still so firmly grounded in the modern era. It pulls so evenly from the past, present and future and immediately feels like a pop classic, a record that will be talked about for years to come. There are endless drum and bass-influenced pop artists out right now, but \u2018heaven knows\u2019 that none of them could make an album like this. Heaven Knows feels singular; it\u2019s witty, sad, restrained, bold, fun and intimate all at once. In the interlude \u201cInternet Baby,\u201d PinkPantheress repeats that she is \u201cnot your Internet baby\u201d over and over again. When you listen to this album, you believe her.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Heaven Knows<\/em> is easily one of my favorite pop albums of the year. It feels like it\u2019s from a bygone time in which people actually made cohesive albums.<\/p>\n","protected":false},"author":1,"featured_media":331,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-330","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nPinkPantheress reaches for the sky on \u201cHeaven Knows\u201d - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PinkPantheress reaches for the sky on \u201cHeaven Knows\u201d - wecb\" \/>\n<meta property=\"og:description\" content=\"Heaven Knows is easily one of my favorite pop albums of the year. 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