{"id":304,"date":"2023-12-02T21:30:00","date_gmt":"2023-12-02T21:30:00","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2023-11-27-malefemale-pop-hits-that-actually-hit\/"},"modified":"2023-12-02T21:30:00","modified_gmt":"2023-12-02T21:30:00","slug":"2023-11-27-malefemale-pop-hits-that-actually-hit","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2023-11-27-malefemale-pop-hits-that-actually-hit\/","title":{"rendered":"Male\/female pop hits that actually hit"},"content":{"rendered":"
\n

By Serenity Holland<\/h1>\n

Duets have been around for a long time. Two perspectives, one story: telling the turbulent tales of an ordinary relationship. Through triumphs and tribulation, music is there for it all. We expectedly hear tragic situations through ballads, but what about the upbeat heartache songs our generation has resonated with over the years? What messages do we consume over and over again because they are catchy? <\/p>\n

Here is a deep dive into a few songs our generation has clung onto, and would still hit differently if they hadn\u2019t been so overplayed. <\/p>\n

I Don\u2019t Wanna Live Forever – Taylor Swift & Zayn Malik <\/h1>\n

Pop singer, Taylor Swift, and former One Direction band member, Zayn Malik, released I Don\u2019t Wanna Live Forever in 2017 for the Fifty Shades Darker soundtrack. <\/p>\n

With echoed vocals that only partially fill the soundscape, the first seconds of this song lend suspense for what’s to come. Malik opens the song with a plea to a past lover he may not be completely over. \u201cBeen sitting eyes wide open behind these four walls, hoping you\u2019d call,\u201d he sings. Reaching to a higher register with his voice, Malik portrays a hunger for his lover, claiming he\u2019ll be \u201cliving in vain\u201d if not with her. By Swift\u2019s verse, we hear she\u2019s consumed with a series of correlating thoughts, tempting her to believe she\u2019s either made a mistake or \u201cdodged a bullet.\u201d During the second chorus, the 808\u2019s have a stronger presence, guiding us to a bridge that portrays each singer’s inner-monologue regarding one another. By the end, it\u2019s almost like the two are fighting to see who can reach a higher note in the most angelic way. <\/p>\n

All the sonic chaos ultimately resembles a fickle love story. The back and forth after a breakup, wondering if you\u2019ve made a lasting decision muddled in unsure feelings. I Don\u2019t Wanna Live Forever had an everlasting impact on pop culture; a duet that made total sense, but only after we heard it.<\/p>\n

Him & I – G-Eazy & Halsey<\/h1>\n

Him & I, released in 2020 as a part of G-Eazy\u2019s The Beautiful & Damned album, was a hit that now lingers in various retail stores and radio stations.  <\/p>\n

The battle-like track conveys the intensity of a commitment vowed to someone you love. \u201cHe’s out his head, I\u2019m out my mind. We got that love, the crazy kind,\u201d Halsey sings. This song sounds like the ending credits to a Fast & Furious movie, depicting a relationship that quite literally is \u201cride or die.\u201d G-Eazy\u2019s bars compliment the melodic choices Halsey makes in the chorus, with the pauses and annunciation necessary for the weight of his lines sink in. We see G-Eazy\u2019s ability to mesh frequently in his other female collaborations like Make Me Move with Britney Spears, and Me, Myself & I with Bebe Rexha. Halsey\u2019s voice constantly shines in edgy alternative songs such as Bad at Love or Castle. <\/p>\n

The two pair well together to captivate listeners, and produce visual imagery with their descriptive lines and distinctive voices. This song comes in clutch when you need an opening number for your late night summer car ride. <\/p>\n

Meant to Be – Bebe Rexha & Florida Georgia Line<\/h1>\n

The country duo formed in 2010 made up of Tyler Hubbard and Brian Kelley, hopped on singer\/songwriter Bebe Rexha\u2019s EP, All Your Fault Pt. 2 in 2017.<\/p>\n

The song depicts a romantic dynamic where one person is ready to try things out, and the other is afraid to based on past experiences. \u201cWho knows where this road is supposed to lead? We got nothin\u2019 but time,\u201d Florida Georgia Line sings. Meanwhile, the track which opens with basic piano chords and a steady beat, sounds almost invitational, like a campfire sing-along. The chorus feels like a hug worth a million \u201cit\u2019ll be okay\u201ds. Entering the second verse, Rexha discloses her insecurities and reservations about getting into a relationship, in which Florida Georgia Line combats with affirmations. By the time the bridge rolls around, it sounds like collective hope, joy and belief in something beautiful.<\/p>\n

The pop-country crossover influenced genre crossovers of all kinds and will always be praised for its vocal compatibility and feel-good sound.<\/p>\n

The Way – Ariana Grande & Mac Miller<\/h1>\n

The 2013 collaboration on Ariana Grande\u2019s first album Yours Truly, was the one that unlocks  core memories from the early 2010\u2019s and makes you say \u201cthis is my song!\u201d The late rapper, Mac Miller was arguably the only right answer for this track in his lyrical choices and laid back vocals. <\/p>\n

The recognizable warped synth and playful piano chords at the beginning of the song are instantly recognizable. This song sings about acknowledging the love you are given as a love you won\u2019t receive from anyone else. Grande sings, \u201cI don\u2019t want to hide the way I feel when you\u2019re next to me.\u201d Such a shamelessness is present throughout as Miller raps \u201cI got some feelings for you I\u2019m not gonna get bored of.\u201d Every part of this song done by one of the artists is complemented by the other- that\u2019s what an effective collaboration does. <\/p>\n

The Way is a timeless hit, our generation easily gets excited  the moment the play button is pressed. <\/p>\n

All of these songs share the theme of collective joy, reminding people they have more in common than they think. That\u2019s the thing about male\/female collaborations: they\u2019re classics that  transport listeners to moments they never wanna let go of.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Check out our zine, Gen Zine, both in person at our Dec. 4 ZINE LAUNCH or check it out on Issuu!<\/p>\n","protected":false},"author":1,"featured_media":305,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-304","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nMale\/female pop hits that actually hit - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, 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