{"id":278,"date":"2024-02-28T17:00:00","date_gmt":"2024-02-28T17:00:00","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-2-28-the-future-through-yeats-eyes-2093\/"},"modified":"2024-02-28T17:00:00","modified_gmt":"2024-02-28T17:00:00","slug":"2024-2-28-the-future-through-yeats-eyes-2093","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-2-28-the-future-through-yeats-eyes-2093\/","title":{"rendered":"The future through Yeat\u2019s eyes: &#8220;2093&#8221;"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2000px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:40%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/shipmanyeatbanner.png\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/shipmanyeatbanner.png\" data-image-dimensions=\"2000x800\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"2000\" height=\"800\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">By Sam Shipman<\/h1>\n<p class=\"\" style=\"white-space:pre-wrap\">Yeat has never been an artist I have spent more than a couple of minutes talking about in any music-related conversation. When talking about his music with others, I foolishly placed his style of music in the same category as other artists who create \u201crage music\u201d. The style of rage music demands the listener to react as fast as possible to the barrage of noise attacking their ears rather than listening to a song a dozen times, unearthing the artist&#8217;s message carefully with each new listen. Projects such as Lil Uzi\u2019s <em>Pink Tape<\/em>, Summrs\u2019 <em>FALLEN RAVEN<\/em>, and Ken Carson\u2019s <em>A Great Chaos<\/em> all started to shift how I felt about this genre in general but I never expected Yeat to be the one to completely change my perspective.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\"><em>2093<\/em>, Yeat\u2019s latest project doesn\u2019t assault you with noise, it raises the bar and drags you into his world. The minute \u201cPsycho CEO\u201d begins, it is clear the air is different with this album and we are not dealing with the usual rage experienced with other Yeat opening tracks. <em>2093<\/em>\u2019s sound is otherworldly, completely tuning out the lyrical value.&nbsp; The instrumentals alone feel like being beamed up into the unknown. The beats are made up of flashy synths with sample flips that echo throughout the songs. The entire record has a very transcendental sound, yet still stays true to&nbsp; Yeat\u2019s general sound. In an interview with <a href=\"https:\/\/032c.com\/magazine\"><span style=\"text-decoration:underline\">032c magazine<\/span><\/a>, Yeat comments that he doesn\u2019t tell his producers what to do, he just has them find the most futuristic or different-sounding beats and then puts his personal style around them.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">In the same interview, Yeat comments on how <em>2093<\/em> is based on the idea of a dystopian society. This idea is projected through the coherent futuristic instrumentation on the record and its lyrics. Yeat directly mentions how people are bound to experience this dystopian future in the song \u201cTell m\u00eb.\u201d In this song, Yeat describes how people who don\u2019t understand his perspective cannot reach his idea of the future, which he repeatedly dubs throughout the album as 2093. The song also highlights that people tell Yeat to \u201cgo help himself\u201d to which he responds by pushing them away saying \u201cI guess two-zero-nine-three is not for you\u201d and \u201cI wish you could see like me\u201d. It\u2019s great to see Yeat expressing himself through his music more thoroughly compared to previous projects where Yeat focuses more on the sound his music creates rather than any sort of message.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Yeat covers a wide range of topics on the album, he raps about his narcissism, drug abuse, and most notably, a conquest to be the richest person possible. In Yeat\u2019s progression as an artist, he states that one of the only things that have changed is that he is now \u201cdirtbag rich,\u201d and that it helps him in his work since he can \u201clock in and do whatever [he] wants\u201d. Yeat does not censor his lust for money; on the record, he mentions multiple times that his main motivation is generating the most amount of money possible. Songs such as \u201cM\u00f6re\u201d or \u201cBought the Earth\u201d revolve around Yeat\u2019s conquest for wealth. Both of these songs produce a similar sound to the rest of the record but also show Yeat expressing his struggles through his lyrics which could be a result of him cutting back on drug use. As opposed to how he acted on previous projects where he recorded many of the songs intoxicated.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Yeat mentioned in his interview with 032c that his inspiration comes from music completely removed from the rap scene, saying that \u201cif you sit there listening to other rappers all day, you start to sound like them\u201d. This has always been reflected in Yeat\u2019s work and still holds on <em>2093<\/em> only having features from Lil Wayne and Future, keeping the record true to being about Yeat\u2019s perspective.&nbsp;&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">While<em> 2093<\/em> has a strong tracklist, it suffers from being oversaturated with the sheer amount of content on the record, this abundance of tracks takes away from any clear message Yeat is trying to poke at with the themes of the dystopian world that is <em>2093<\/em>. If&nbsp; Yeat cut back on the record\u2019s massive tracklist <em>2093<\/em> could feel more like an entirely new listening experience for fans, rather than just a new sound Yeat is pursuing. While the album\u2019s deeper message is an interesting perspective, it\u2019s clear Yeat is more concerned with rolling out content than achieving an artistic message about the future. A day after <em>2093<\/em>\u2019s release, Yeat released <em>2093 (P2)<\/em>, the same record adding on two more songs randomly sprinkled into the project, one of those songs including a Drake feature.&nbsp;&nbsp;&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\"><em>2093<\/em> is truly a treat for fans of Yeat\u2019s work. Yeat\u2019s dystopian future is by far the best-produced project he\u2019s released while also creatively embracing his aura through coherent lyrical depth. Within the genre of rage music, Yeat takes the genre\u2019s first step toward a more fleshed-out body of work, an angle that will boost the popularity of the genre by touching listeners who are interested in experiencing a thought-provoking idea from an artist instead of just randomized songs with no clear vision. Whether it\u2019s the future of rage music or the future of society, <em>2093<\/em> has a lot to offer for fans of rap, rage, and Yeat.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\">Yeat\u2019s dystopian future is by far the best-produced project he\u2019s released while also creatively embracing his aura through coherent lyrical depth.<\/p>\n","protected":false},"author":1,"featured_media":279,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The future through Yeat\u2019s eyes: &quot;2093&quot; - wecb<\/title>\n<meta name=\"robots\" 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