{"id":256,"date":"2024-03-26T16:30:00","date_gmt":"2024-03-26T16:30:00","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-3-26-shes-your-favorite-pop-musician-and-you-might-not-even-know-it-meet-marina\/"},"modified":"2024-03-26T16:30:00","modified_gmt":"2024-03-26T16:30:00","slug":"2024-3-26-shes-your-favorite-pop-musician-and-you-might-not-even-know-it-meet-marina","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-3-26-shes-your-favorite-pop-musician-and-you-might-not-even-know-it-meet-marina\/","title":{"rendered":"She\u2019s your favorite Pop musician and you might not even know it: Meet MARINA"},"content":{"rendered":"
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Graphic by Remy Foeller<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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By Sofia Giarrusso<\/h1>\n

Halloween always inflicts an absurd panic on liberal arts students. As a victim of this phenomenon last October, I hunted to find a tastefully niche, yet still attractive, <\/em>getup. After many wasted hours on Pinterest, I couldn\u2019t believe how blind I was. The answer was literally right in front of me, hanging above my Twin XL bed the entire time: dress as an icon\u2026an idol\u2026a \u201cTeen Idle\u201d\u2013MARINA. Specifically, I decked myself out as Electra Heart<\/em>\u2013the character that served as the concept for her 2012 sophomore album. <\/p>\n

Though I was convinced my costume was easily recognizable to the modern college student\u2019s eye, I ended up spending the entire night explaining the relevance of it. A simple \u201cI\u2019m Marina!\u201d wasn\u2019t cutting it for most, but once I got to singing my own shotty renditions of her music to prove my case, other people\u2019s faces lit up. An abundance of \u201cYeah, I know that one!\u201d and \u201cI\u2019ve heard that on TikTok!\u201d swirled around me and the iconic heart on my cheek. <\/p>\n

The lesson I should probably take from this experience is \u2018don\u2019t dress up as your favorite B-list musician for Halloween.\u2019 But, where\u2019s the fun in that? Rather, I would like to use my costume blunder as an excuse for a history lesson! So, paint on a cat eye and tie a bow around your head as I invite you to meet Marina Diamandis: your favorite pop musician and you might not even know it.<\/p>\n

Diamandis, simply known by her stage name MARINA (previously Marina and the Diamonds), has proven to be evergreen as she continues to grow in popularity. To the casual listener, she\u2019s the voice behind fun, weird songs you can bop your head to, that you recognize from TikTok sounds and Just Dance 4<\/em>. To the more adoring fan, MARINA\u2019s hits are playful, poppy auditory experiences that pull from the experiences of being a longing woman in a taxing world. Her music and persona represent unabridged theatricality and comfortability in the female identity. Throughout her almost 15-year career, MARINA has continued to invite her others into a unique world that blends utopic melodies with dystopian topics. <\/p>\n

MARINA is not an indie artist by any means\u2013she has historically charted in both the United States and Europe. Still, in recent years, the use of her music on TikTok has shot her popularity to once-unknown heights. Her biggest hits like \u201cPrimadonna\u201d and \u201cBubblegum Bitch\u201d continue to circulate in online spaces, yet, rather oddly, less popular songs of hers have also taken the digital center stage. Specifically, songs from her debut album, The Family Jewels<\/em> (2010), that were once buried deep into her discography have found new fame. <\/p>\n

The TikTok community has connected with MARINA\u2019s dynamic lyricism as songs like \u201cOh No!,\u201d \u201cHermit the Frog,\u201d \u201cAre You Satisfied?,\u201d and the titular track, \u201cThe Family Jewels,\u201d have become widely used sounds on the platform. Take this line from \u201cOh No!\u201d for example: \u201c’Cause I feel like I’m the worst\/So I always act like I’m the best.\u201d The original, unaltered song has over 75k videos with many lipsyncing to that very lyric, creating a trend in itself. Here\u2019s another line from \u201cAre You Satisfied\u201d that has been quoted more than 24k times on TikTok: \u201cHigh achiever, don’t you see?\/Baby, nothing comes for free\/They say I’m a control freak\/Driven by a greed to succeed.\u201d This data does not even take into account the abundance of sped-up\/\u2018nightcore\u2019 versions of MARINA\u2019s songs that have furthermore increased her silent stardom. <\/p>\n

The melodic poetry of The Family Jewels<\/em> is one of the plethora of reasons that it has not only remained my favorite MARINA album throughout the years, but one of my favorite albums of all time. It simply sounds like nothing before it, and quite frankly, nothing after it. From absolutely absurd and loud on \u201cMowgli\u2019s Road\u201d to intense and stifling on \u201cGuilty,\u201d MARINA\u2019s debut album illustrates the great lengths of her artistic range.  If you tried to place the record into a box, it would fall somewhere in the realms of pop, synth, alternative, and bubblegum. Lyrical discourse about female identity and sexuality saturates the entire project which clearly establishes Diamandis\u2019 career-long artistic vision. The Family Jewels<\/em> refuses to be ordinary which makes it so extraordinary\u2013it scratches an itch I was unaware I possessed when I first stumbled upon it back in my middle school days. <\/p>\n

Yes, it is a possibility that I am so passionate about this project because of the malleable days of my youth. And, yes, I am indeed a staunch proprietor of nostalgia. Nevertheless, every time I find myself immersed in a full playthrough, I never fail to discover fresh nuances as my appreciation simultaneously evolves. The Family Jewels<\/em> is truly one-of-a-kind\u2013experimental and flamboyant, yet still rooted in vulnerability and heart; it deserves much more attention and respect outside of sped-up 15-second audio clips.<\/p>\n

What makes this unforeseen popularity of The Family Jewels<\/em> so interesting to me is that MARINA\u2019s Electra Heart<\/em> era in the mid-2010s has historically outshined her debut. 2012\u2019s Electra Heart <\/em>is similar in theme to her debut work with a greater sonic focus on dance and electronic sounds. A stand-alone masterpiece itself, the sophomore album\u2019s pop anthems cemented Diamandis as a saint of Tumblr teens and depressed 20-somethings. Most still associate MARINA as the conceptual, titular character of Electra Heart, all dolled up in frilly clothing, heavy mascara, and, of course, the heart on her cheek. The quirky genius of her debut was once a well-kept secret in its younger sibling\u2019s shadow\u2013now allowed to show off its brilliance by way of its online renaissance. <\/p>\n

MARINA is still active and released her fifth studio album, Ancient Dreams in a Modern Land<\/em>, in 2021 to generally favorable reviews. Both critics and fans found the record to be a satisfying return to her early days in its theming and auditory style. Moreover, MARINA\u2019s influence can be heard amongst many up-and-coming artists like Chappell Roan, Hemlocke Springs, and MUNA. MARINA did not invent or even pioneer her musical flair, but her longevity and commitment to her craft have forged a path for more cool, unapologetic, rambunctious women in pop music.  
The Family Jewels<\/em>, Electra Heart<\/em>, and Diamandis\u2019 entire discography and iconography demonstrate that in-your-face girl power is alive and well. MARINA will always be the soundtrack to my life and many other wanna-be Teen Idles out there. The masses share an evident admiration for her music, even if her iconography (or my measly, Halloweenish adaptation of it) isn\u2019t enough to evoke immediate reactions.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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