{"id":252,"date":"2024-03-29T21:54:24","date_gmt":"2024-03-29T21:54:24","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-3-29-return-to-rusticism-the-plucky-soundscape-of-adrianne-lenkers-bright-future\/"},"modified":"2024-03-29T21:54:24","modified_gmt":"2024-03-29T21:54:24","slug":"2024-3-29-return-to-rusticism-the-plucky-soundscape-of-adrianne-lenkers-bright-future","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-3-29-return-to-rusticism-the-plucky-soundscape-of-adrianne-lenkers-bright-future\/","title":{"rendered":"Return to rusticism: the plucky soundscape of Adrianne Lenker\u2019s &#8220;Bright Future&#8221;"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2000px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:40%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/banners28829.png\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/banners28829.png\" data-image-dimensions=\"2000x800\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"2000\" height=\"800\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div><figcaption class=\"image-caption-wrapper\">\n<div class=\"image-caption\">\n<p class=\"\" style=\"white-space:pre-wrap\">Graphic by Julia Norkus<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">By Brooke Huffman<\/h1>\n<p class=\"\" style=\"white-space:pre-wrap\"><em>Bright Feature<\/em>, folk singer and songwriter Adrianne Lenker\u2019s sixth full-length album, hovered down from heaven last Friday. That sentence contains not an ounce of hyperbole: Lenker possesses a rare knack for producing sonically ethereal tunes. Composing these little ditties that are capable of simultaneously comforting and consuming the listener in a carnivorous manner.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">&nbsp;She does so right from the jump: \u201cReal House\u201d is first introduced with a piano smothered in soft sweetness, little nuggets of background noise that tease intimacy. She paints a picture of childhood wonder complete with loveliness, Lenker pleads to return to her naive beginnings, all while learning to experience genuine grief. This narrative heavy track features minimal instrumentation, a collage of pained crooning and plunking piano keys. It is impossible to walk away without sharing her sense of loss, crying along with Lenker, and her family, and their dying dog.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The second song, \u201cSadness as a Gift,\u201d strikes at the essence of the album: optimism buried in the bleak, budding moments of bliss. If the tracks were arranged differently this would\u2019ve served as a stellar closer, hinting at a retrospective take on the relationship in songs like \u201cNo Machine\u201d or \u201cFree Treasure.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Though Lenker and her lover can \u201csee into the same eternity,\u201d contention exists at the core of their relationship. Rather than mourn the loss of a potentially perfect partner and a future built on a foundation of fantasies, she motions to see the grief as part of something greater, a sign that a powerful connection did occur, and isn\u2019t that something worth celebrating? Essentially, Lenker is breathing an air of authenticity into a worn-out platitude (don\u2019t be sad it\u2019s over, be happy it happened!) with her array of folksy strings and duetting guitars. Yet even then she leaves us just shy of closure, shutting the door but leaving it unlocked, inviting her ex-lover to write to her one day, even encouraging it.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">This leads us to \u201cFool,\u201d the second single to make an appearance (after \u201cSadness is a Gift\u201d), which radiates rays of hope, blanketing the listener in that pure feeling of letting infatuation infect after a love drought. If I had to describe it in one word\u2014 plucky. Given a few more I\u2019d mention the groovy electric guitar solo featured near the end, or the epilogue-esque flashes of characters\u2019 fates rolling through like the credits of a movie, interspersed with pleas and promises of passion.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Though chock with conflicting ideas (a track exalting \u201clove without measure\u201d falls right before one in which Lenker walking into her lover\u2019s dagger \u201cfor the last time in a row\u201d), <em>Bright Future <\/em>feels incredibly cohesive. The songs are pieces of the same puzzle, simply shuffled up from being shaken in the box. \u201cNo Machine\u201d becomes \u201cVampire Empire\u201d when passion smacks into a sheet of ice, snuffed out and starved. \u201cCandleflame\u201d and \u201cReal House\u201d are both odes to love, simply different ilks. \u201cDonut Seam\u201d feels like a sister to \u201cSadness as a Gift,\u201d a surprisingly content look back on a relationship, heavy with closure, and featuring the delightfully whispy vocals of Nick Hakim.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">\u201cEvol\u201d is without a doubt the weakest link, its premise resting on a word game not worthy of the New York Times. Various liberties are taken within the verses (What do you mean teach is cheat backwards?), which could be overlooked if the song was not such a drastic dip from the rest of her material. Though a mournful plea\u2014 \u201creturn my heart! undo thy hurt!\u201d\u2014 fits well in the canon of Lenker laments,&nbsp; this track does not deserve the over four minutes that it takes up.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Despite the latter half of the album lacking the momentum and sheer sonic strength of the first, <em>Bright Future<\/em> demands (and deserves) a space in the indie folk renaissance we\u2019re inhabiting. It\u2019s finally cool to be a cowboy again, no longer stained with associations of commercialized country hacks, and it\u2019s obvious that Lenker is the cunty queer cowhand to really drive that idea home.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"\"><em>Bright Feature<\/em>, folk singer and songwriter Adrianne Lenker\u2019s sixth full-length album, hovered down from heaven last Friday.<\/p>\n","protected":false},"author":1,"featured_media":253,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Return to rusticism: the plucky soundscape of Adrianne Lenker\u2019s &quot;Bright Future&quot; - 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