{"id":238,"date":"2024-04-19T22:35:32","date_gmt":"2024-04-19T22:35:32","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-4-19-staff-pix-419-freeze-frameroll-the-credits\/"},"modified":"2024-04-19T22:35:32","modified_gmt":"2024-04-19T22:35:32","slug":"2024-4-19-staff-pix-419-freeze-frameroll-the-credits","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-4-19-staff-pix-419-freeze-frameroll-the-credits\/","title":{"rendered":"Staff Pix 4\/19: Freeze Frame\/Roll the Credits"},"content":{"rendered":"
\n

This semester was literally a movie. Check out our staff\u2019s picks for \u201cFreeze Frame\/Roll the Credits\u201d, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in to Staff Pix on Fridays 5-6PM EST!<\/p>\n

Sofia GiarRusso<\/h1>\n

\u201cTouch (2021 Epilogue) [feat. Paul Williams]\u201d by Daft Punk<\/h2>\n<\/div>\n
\n

I was between picking this or \u201cTurn Down For What\u201d by DJ Snake & Lil Jon. But let me gush about Daft Punk for just this time\u2013I\u2019m sorry DJ Snake and Lil Jon. Random Access Memories<\/em> (2013) is not an album I\u2019m necessarily nostalgic for, instead, it\u2019s one I remember appreciating from the jump. Watching the robot guys win a Grammy for this one is somehow a core memory, probably because I grew up with the music of Discovery<\/em> (2001) and the duo\u2019s \u201cTechnologic\u201d sensibilities by way of my older brothers. In the present, I can\u2019t get enough of Daft Punk. While the electronic duo may not be coming back, their releases for the tenth anniversary of RAM<\/em> filled the \u2018beep bop boop\u2019-sized hole in my heart. \u201cTouch (2021 Epilogue)\u201d is a disgustingly gorgeous instrumental track that repeats only one very simple line over and over: \u201cHold on \/ If love is the answer you\u2019re home.\u201d Sung by a choir made up of what I believe are children, this track is innately sentimental. <\/p>\n

\n<\/div>\n

\n

Kim O\u2019Donnell<\/h1>\n

\u201cFollow Your Arrow\u201d by Kasey Musgraves<\/h2>\n

When I think of a \u201cFreeze Frame, Roll the Credits\u201d moment, I think of songs that are uplifting or empowering or somewhere in between. This Kasey Musgraves song is both. \u201cFollow Your Arrow\u201d talks about being true to yourself, no matter what the circumstances. Musgraves sings about all the standards that society tries to impose on us, then says, \u201cJust ’cause you can’t beat ’em, doesn’t mean you should join ’em,\u201d encouraging us all to find our own path no matter what the outside noise tells us. I can picture it playing at the end of a coming-of-age story, where the protagonist has gradually figured out who they are, what they want in life, and how to get it. After these credits roll, the character\u2019s life will change and change again, probably hundreds or even thousands of times in their life. But the message of staying true to themselves will stick with them, always. <\/p>\n

\n<\/div>\n

\n

Nathan Hilyard<\/h1>\n

\u201cSandusky\u201d by Uncle Tupelo<\/h2>\n

I first heard this song as the end credits of some Joan Didion documentary rolled. I enjoyed the documentary, and I really<\/em> enjoyed the twangy, hopeful guitar grooves cooked up by Uncle Tupelo. It\u2019s just a good 3 minutes and 44 seconds of guitars passing melodies back and forth. It\u2019s melancholy and hopeful, using the gentle groove to hammer in the lessons of the past film, and, coming to the end of the semester, it\u2019s the joyful background music needed to send me off for the summer. <\/p>\n

\n<\/div>\n

\n

Bennett Himmel<\/h1>\n

\u201cEverything Is Embarrassing\u201d by Sky Ferreira<\/h2>\n

What is there to say about this song that hasn\u2019t already been said? I first heard this song when I was 14, and I immediately felt somehow\u2026validated. It didn\u2019t make sense of course- I had never felt the painful sting of rejection, and I was too young to understand how it felt to be completely detached from life and emotion. Yet somehow, I felt like I understood the song, like she was singing directly to me. Years later, the song has become something of a personal anthem for me. It\u2019s a song for the people in corners at parties, the people drafting texts they\u2019ll never send. I\u2019m 21 and I feel like I\u2019ve finally had some crucial \u201ccoming-of-age\u201d moments, and there\u2019s no better phrase to describe young adulthood than \u201ceverything is embarrassing.\u201d<\/p>\n

\n

Izzy Desmarais<\/h1>\n

\u201cI Heard Ramona Sing\u201d by Frank Black<\/h2>\n<\/div>\n
\n

In my prolific library of playlists for absolutely anybody with a Spotify account to see, there is one entry titled \u201cmy ultimate movie soundtrack.\u201d The description explains these are \u201csongs that would be on the soundtrack if my life was a movie SLASH songs that make me feel like I\u2019m in a movie.\u201d For example: \u201cThe greatest\u201d by Lana Del Rey does not resonate in a particularly significant way, so it wouldn\u2019t necessarily be on my life\u2019s<\/em> soundtrack, but it does make me feel like an aging California star losing her grip on reality in some indie drama. \u201cI Heard Ramona Sing\u201d by Frank Black is both a song that makes me feel like I\u2019m in a movie and would unequivocally be featured on my own life\u2019s soundtrack. I don\u2019t know how to describe this track other than hopeful\u2014the lyric \u201cThere are moments in the night \/ It is alright\u201d rings in my ears and reverberates through my soul. I can\u2019t think of a better song to close out my time here at Milk Crate. <\/p>\n<\/div>\n

\n

Izzie Claudio<\/h1>\n

\u201cGhost Town\u201d by Kanye West and PARTYNEXTDOOR<\/h2>\n

First off, I know this is Kanye and I\u2019m sorry, BUT this song makes me really nostalgic. In high school, my friends and I would always put this song on while we sped down the highway. The windows were down and we were screaming the lyrics. All of senior year, when we anticipated graduation and all the exciting things that were ahead of us, the lyrics spoke to us deeper than ever before. \u201cOh, once again I am a child \/ I let go of everything that I know \/ Of everything that I know \/ And nothing hurts anymore, I feel kinda free \/ We\u2019re still the kids we used to be.\u201d This song reminds me that at the end of the day we still have our younger self within us. When it\u2019s time for a new chapter, it\u2019s scary, but it\u2019s also so exciting. The kid within me is cheering me on, so excited to see that we\u2019ve reached this part of our life. We were just kids, letting the wind blow through our hair as we reminisced on all the joys and hardships of high school. We were just kids loving life and loving each other. And we\u2019re still kids, traversing the world and the paths that lie ahead. I think this song will hit just as hard when college graduation rolls around, so I dedicate this to Julia and Izzy (I know you\u2019re not graduating yet Izzy, but I\u2019m gonna miss you just as much). Julia and Izzy, I\u2019m sure your younger selves are so proud of you and everything you\u2019re going to do. So much love and cheers to your next chapters <3 <\/p>\n

\n

Julia Norkus<\/h1>\n

\u201cTime Escaping\u201d by Big Thief<\/h2>\n<\/div>\n
\n

I find it interesting that on Dragon New Warm Mountain, I Believe in You<\/em> (2022), this song is one of the first in the line up. I find it odd just because there\u2019s something so final to it\u2014layers of sound that feel like a build and culmination of everything that came before it. However, maybe it makes sense since it\u2019s an acknowledgement of change and the mortality that comes with being human and that there\u2019s already been a build up to this song somewhere else in life. Maybe it isn\u2019t death, but the end of college has its own \u201cmortality\u201d\u2014it ends, and so does this period of my life. A death. Just another reminder that nothing is permanent and it’s time to move forward, \u201cEverything, everything, everything falls through \/ Each dimension breaks in two \/ Like the two hands clapping \/ Like the two wings flapping.\u201d Everything collapses, breaks, but often new and exciting experiences take the place of what once was. Much like my time at Emerson, there\u2019s a finality that still has yet to set in, but soon I\u2019ll be ushered into the world like a prize turkey for slaughter, navigating a new and scary world of opportunity. I think I\u2019ll always be grateful for my time here, especially that time spent with Milk Crate. I don\u2019t think I would have survived as a transfer student without the friendships I made through this silly little music publication. So, off I run with my fist in the air in triumph and in fear for what is to come next. All my love.<\/p>\n<\/div>\n

\n

Hollie Raposo<\/h1>\n

“Don’t You (Forget About Me)” by Simple Minds<\/h2>\n

A song written by a Scottish rock band that has made their way into the memories of many. This song is classically known from the movie, The Breakfast Club,<\/em> that came out in 1985. A movie that almost everybody has watched at least once and has resonated with them for years. A common reference in the cinema and film itself. With different versions that even Nickelodeon’s Victorious picked up for that one special episode of \u201cThe Breakfast Bunch.\u201d Bringing this iconic movie back to the screen. This song is the pivotal of \u201cRoll the Credits\u201d as the song happens when the actor Judd Nelson that played John Bender thrusts his fist in the air after the many hours of detention. The freeze frame pauses on this moment, and “Don’t You (Forget About Me)” plays in the background. As the movie ends and rolls the credits on the simple meaning of these rad team of misfits coming together at the end where they didn\u2019t think it was possible. The song says \u201cwill you recognize me?\u201d and I hope that Julia and Izzy will \u201ccall [our] name\u201d and not \u201cwalk on by\u201d. The movie symbolizing the different backgrounds of people with finding a similar connection just as Julia and Izzy have made Milk Crate a safe place for everyone <3 This has been my first semester on Milk Crate and they have made it such a joyous experience and are so nice and welcoming to everyone that comes in and just wants to write, edit, or design. They are truly one of a kind people and will do amazing wherever they end up. As the chapter ends on this Milk Crate site our beloved heroes Julia and Izzy come to an end. Every time we see a milk crate we will be reminded of them. Don\u2019t You (Forget About Us)!<\/p>\n<\/div>\n

\n

Remy Foeller<\/h1>\n

\u201cEnd of Beginning\u201d by Djo<\/h2>\n

Djo is one of my all-time favorite artists, and their album DECIDE<\/em> (2022) always has at least one song in my On Repeat. \u201cEnd of Beginning\u201d really captures that nostalgic, dreamy feeling of the first year of college. In some ways, everything has changed and at the same time nothing has. It\u2019s only just started but the starting is over. It\u2019s truly the end of the beginning. I\u2019ve been listening to this song in particular because I\u2019m leaving Boston, and it feels so odd to just go like I didn\u2019t spend over half a year here. The lyrics of \u201cEnd of Beginning\u201d feel like they encapsulate my emotions in this tumultuous time perfectly. When Djo sings \u201cyou take the man out of the city \/ not the city out the man,\u201d I\u2019m reminded of how much Boston has changed me and how I will carry Boston with me. Not just Boston, but Milk Crate especially: Milk Crate is so deeply meaningful to me, and Julia & Izzy have made it so special and awesome that I can\u2019t wait to see where they go next. I hope that wherever they end up, they will remember Boston and Milk Crate, just as much as Milk Crate will remember and miss them. \ud83d\ude42<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

This semester was literally a movie. Check out our staff\u2019s picks for \u201cFreeze Frame\/Roll the Credits\u201d, presented with blurbs worthy of a promotional sticker on a jewel case. 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