{"id":230,"date":"2024-06-12T13:45:44","date_gmt":"2024-06-12T13:45:44","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-6-12-charli-xcx-is-the-ultimate-party-girl-on-brat\/"},"modified":"2024-06-12T13:45:44","modified_gmt":"2024-06-12T13:45:44","slug":"2024-6-12-charli-xcx-is-the-ultimate-party-girl-on-brat","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-6-12-charli-xcx-is-the-ultimate-party-girl-on-brat\/","title":{"rendered":"Charli XCX is the ultimate party girl on \u201cBRAT\u201d"},"content":{"rendered":"
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Graphic by Sofia Giarrusso<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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By Bennett Himmel<\/h1>\n

If you\u2019re anything like me, for the last week, your Twitter feed has been overrun with garish chartreuse profile pictures and blurry, eye-straining arial text. People all over the world are talking about what it means to be a pop star and what it means to be underground. XCX must be in the air. Charli XCX has spent the last decade straddling the mainstream and the underground like a mechanical bull, whipping back and forth until you can\u2019t tell where she is anymore. On her last record, 2022\u2019s CRASH, <\/em>Charli went her version of full mainstream: There she was, flanked by two muscular backup dancers, in a Gaultier corset top, stamping her foot into the SNL stage singing the Janet Jackson-inflected \u201cBaby.\u201d The album was a triumphant exploration of mainstream pop sounds, getting her her first top 10 placement on the Billboard 200, but it failed to get her the full \u201cmain pop girl\u201d treatment. On top of that, she lost some core fans who felt that she had lost her unapologetically abrasive edge. Even Charli seemed to acknowledge this, telling The Face that \u201cThere were songs on Crash that I would never listen to\u2026I needed to switch after Crash \u2013 I wasn\u2019t born to do radio liners.\u201d On her newest album BRAT, <\/em>the mechanical bull thrashes back, and Charli gives us her most abrasive, vulnerable, and most her <\/em>body of work to date.<\/p>\n

On the surface, BRAT <\/em>may come off as a very simple, unfussy album. The album title paired with the delightful lead single \u201cVon Dutch,\u201d made it seem like BRAT <\/em>would be Charli\u2019s attempt at deliciously smooth-brained hyperpop. \u201cVon Dutch\u201d showed Charli in a feral, claws-out mode, charging up to two-faced haters, yowling at them to put their hands up in surrender. The track also has one of Charli\u2019s most self-aware lyrics in a while: \u201cCult classic, but I still pop.\u201d But the nonchalant bad bitch Charli displayed on \u201cVon Dutch\u201d is not the Charli we see on other tracks on this album\u2013much of BRAT <\/em>is Charli wearing her heart on her sleeve. There\u2019s already been endless chatter about \u201cGirl, So Confusing,\u201d a song about a fraught relationship with an unnamed female peer (I\u2019m sure I have the same guess as most people, but I\u2019m not gonna say it). A lot of people see this song as mean and bitter, but I see it as Charli\u2019s most honest song to date. On the prechorus, she\u2019s entirely in her head, delivering lines like \u201cCan\u2019t tell if you want to see me \/ Falling over and failing \/ And I can\u2019t tell what you\u2019re feeling \/ I think I know how you feel\u201d in a spoken word affect reminiscent of electroclash pioneer Uffie. She admits she doesn\u2019t know the truth as to how her peer sees her\u2013she only has a vague idea in her head. The song is not a \u201cdiss track,\u201d it\u2019s a frustrated rant to a friend.<\/p>\n

In the months leading up to the album\u2019s release, Charli has been teasing this as her \u201cclub record,\u201d and there are endless bangers that make good on this promise. Production-wise, \u201cSympathy is a Knife\u201d is a complete dance floor anthem reminiscent of some of her best club hits. However, lyrically, the song is for when you\u2019re spiraling on molly staring in the mirror in the club bathroom. Who else but Charli would put the lyrics \u201cWhy I wanna buy a gun \/ Why I wanna shoot myself\u201d in a pop song? The effect is both disarming and enchanting. \u201cTalk Talk\u201d calls back to the French electro that Charli grew up on. The song feels like the closest thing to a radio hit on the album, but unlike any of the songs on CRASH, <\/em>it doesn\u2019t feel like Charli is compromising any of her unique qualities. \u201cMean Girls\u201d has whispers of 2010s David Guetta radio pop (And I mean that as the highest compliment). I do have to admit that a small part of me cringes at the Red Scare podcast inspired verses, (\u201cYeah, she’s in her mid-twenties, real intelligent \/ And you hate the fact she’s New York City’s darling \/ You said she’s problematic and the way you say it, so fanatic,”) but the sudden piano breakdown during the bridge makes up for it.<\/p>\n

The more downtempo songs on BRAT <\/em>are no less stunning. \u201cSo I\u201d is a chilling tribute to the late electronic music producer and hyperpop pioneer SOPHIE. Many of the songs written about SOPHIE\u2019s death have been beautiful, but pointedly hyperfocused on her death. This one, instead, is a vulnerable admission that Charli wishes their relationship was different. It is a mourning of things left unsaid (\u201cGot a phone call after Christmas \/ Didn\u2019t know how I should act \/ I watched you dance online\u201d). \u201cI Might Say Something Stupid\u201d has a tumbling synth melody that completely matches the lyrics about being the least-famous, most-hammered person at an industry party. <\/p>\n

With this album, it feels like Charli has completely found her footing. She is a pop star who very few people\u2019s parents have heard of, but every gay son and thot daughter are obsessed with. She may not get radio play with this album, but she will still sell out arenas. Despite it\u2019s abrasive production and honest lyricism, it somehow feels like one of Charli\u2019s most accessible, on-trend albums. It is endlessly catchy and entertaining yet incredibly complicated and vulnerable. It feels decadently trashy and yet deeply high-brow. If CRASH <\/em>introduced Charli to a few more people, BRAT <\/em>cements Charli\u2019s place as one of 21st century pop\u2019s only true iconoclasts. The first lyric on this thing is \u201cI went my own way and I made it.\u201d She\u2019s not wrong.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

On her newest album BRAT, <\/em>the mechanical bull thrashes back, and Charli gives us her most abrasive, vulnerable, and most her <\/em>body of work to date.<\/p>\n","protected":false},"author":1,"featured_media":231,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21],"class_list":["post-230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review"],"yoast_head":"\nCharli XCX is the ultimate party girl on 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