{"id":212,"date":"2024-09-19T01:50:04","date_gmt":"2024-09-19T01:50:04","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-9-18-otis-shantys-wonderful-new-record\/"},"modified":"2024-09-19T01:50:04","modified_gmt":"2024-09-19T01:50:04","slug":"2024-9-18-otis-shantys-wonderful-new-record","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-9-18-otis-shantys-wonderful-new-record\/","title":{"rendered":"Otis Shanty&#8217;s Wonderful New Record"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:6250px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:40%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/otisshantybanner.jpg\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/otisshantybanner.jpg\" data-image-dimensions=\"6250x2500\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"6250\" height=\"2500\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div><figcaption class=\"image-caption-wrapper\">\n<div class=\"image-caption\">\n<p class=\"\" style=\"white-space:pre-wrap\">Graphic by Sofia Giarrusso<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\"><strong>By Nathan Hilyard<\/strong><\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Otis Shanty\u2019s latest album, <em>Up On The Hill<\/em>, is a tightly woven collection from one of Somerville\u2019s shining stars. Coming from their debut album, <em>Suite 33<\/em>, and last year\u2019s EP, <em>Early Birds<\/em>, the group has settled in a more exploratory sound; the indie pop of yore now hardening into something more elastic and playful.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Many of the songs are born from that twenty-something social anxiety. They\u2019re not begging to be squirreled away like a hermit, but rather noting the dissonance and emptiness that comes from the effort of connecting with others. Take the lead single, \u201cWhy Do I Care?,\u201d a song about romance tinged by a failed effort at connection. Floating guitar lines walk right up to the opening verse: \u201cTell me how you\u2019re not getting along. I did not get a word in at all.\u201d The melancholy quickly sheds away and morphs to malaise, \u201cWhy do I care?,\u201d as the guitar jumps and jives behind the chorus (once again) with, \u201cWhy do I care?\u201d&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The opener, \u201cNobody\u2019s Party,\u201d moves these ideas of non-connection to the party scene, again leaning into a reverb-tinged homespun sound. These barriers of communication are surely shed off in the recording studio with the group playing as one assured unit. Bright spindly guitar riffs welcome the opening lyrics, \u201cSame old crowd here \/ Spinning the same old conversations.\u201d Lead singer Sadye Bobbette laments the difficulties of making genuine connections in the face of youthful vices of shmoozing and getting fucked up. The choruses are homespun, pouring through Bobbette\u2019s awesomely Indigo-Girlesque vocals.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">But just as they ruminate on this indie rock sound, they\u2019re quick to shift into high gear with \u201cTree Queen,\u201d leaving any apprehension (emotionally or musically) in the dust. Simply, they\u2019re having fun! And it shows. Washes of guitar give way to crashing symbols as pummeling drums push forwards. \u201cNever too careful to play,\u201d Bobbette sings, just as the final hook plays sears into the song&#8217;s abrupt ending. \u201cTree Queen\u201d takes on a much different sound than the rest of the record, acting as a little sojourn into a fuzzier arena of the local sound.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">They shuffle things up a few tracks later in the stand out riffed-galore trucker rock track, \u201cSeasonal Apprehension.\u201d Again, the group stretches their sound in a new angle. The lyrics are bored and bursting with pent up affection: \u201cIt\u2019s raining in Somerville again \/ Can\u2019t quite think of anything to do.\u201d Taking a relationship slow is no problem when faced with that fickle seasonal apprehension, something which is surely at its most potent during a rainy Massachusetts\u2019s day. \u201cSeasonal Apprehension\u201d is celebratory and ready for a stadium crowd, the final guitar solo giving way to many voices together singing \u201cba-da-da\u201d\u2019s over one final groove. I can see it now: crowds joining in for that final verse (<em>Now everybody\u2013!<\/em>).&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The record concludes with the same masterful guitar work and solid songwriting present on each track. \u201cBurdened\u201d closes things out with one last tight groove\u2013a bad nightmare morphed into a rock song. \u201cSpin in the sheets\u201d they sing, the song pacing back and forth like a restless night, instead aptly creating this final groove, where each player fills in each other\u2019s gaps; they\u2019re moving as one unit.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\"><em>Up On The Hill<\/em> is a strong effort from the Somerville quartet. Showing a group of players at their strongest and most exploratory. From the slacker rock roots to stadium sized riffs and shoegaze-y washes of guitar color, the record is a masterclass in coloring in a group\u2019s abilities. Otis Shanty proves their worth and is rocking out while doing it.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\"><em>Up On The Hill<\/em> releases on September 20th via Relief Map Records. You can also catch Otis Shanty playing the Crystal Ballroom on October 24th.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\"><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A group of players at their strongest and most exploratory.<\/p>\n","protected":false},"author":1,"featured_media":213,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21,30],"class_list":["post-212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review","tag-local"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Otis Shanty&#039;s Wonderful New Record - wecb<\/title>\n<meta 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