{"id":198,"date":"2024-10-02T02:44:12","date_gmt":"2024-10-02T02:44:12","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-10-1-switchblades-on-the-dancefloor-xiu-xius-puzzling-new-album\/"},"modified":"2024-10-02T02:44:12","modified_gmt":"2024-10-02T02:44:12","slug":"2024-10-1-switchblades-on-the-dancefloor-xiu-xius-puzzling-new-album","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-1-switchblades-on-the-dancefloor-xiu-xius-puzzling-new-album\/","title":{"rendered":"Switchblades on the Dancefloor: Xiu Xiu\u2019s Puzzling New Album"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2000px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:40%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/XiuXiuBanner.png\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/XiuXiuBanner.png\" data-image-dimensions=\"2000x800\" data-image-focal-point=\"0.5,0.5\" alt=\"\" data-load=\"false\" width=\"2000\" height=\"800\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div><figcaption class=\"image-caption-wrapper\">\n<div class=\"image-caption\">\n<p class=\"\" style=\"white-space:pre-wrap\">Graphic by Nathan Hilyard<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"sqs-html-content\">\n<h1 style=\"white-space:pre-wrap\">by nathan hilyard<\/h1>\n<\/div>\n<div class=\"sqs-html-content\">\n<p class=\"\" style=\"white-space:pre-wrap\">Xiu Xiu\u2019s music is best appreciated at an arm\u2019s length. I recall spending a week and a half of lockdown trying to stomach one Xiu Xiu album per day until I would hopefully and inevitably be obsessed with them, but I only made it as far as 2008\u2019s <em>Women as Lovers<\/em> before calling it quits. Nonetheless, their expansive discography keeps calling to me; there\u2019s some puzzling magnetism drawing me back in. Once Xiu Xiu\u2019s got their talons in you, they\u2019re certainly not letting go.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">The band\u2019s newest release, <em>13\u201d Frank Beltrame Italian Stiletto with Bison Horn Grips<\/em>, feels like a victory lap. Coming from 2023\u2019s obtuse and aggressive <em>Ignore Grief<\/em>, <em>Frank Beltrame<\/em> maintains the same abrasiveness, but soothes and calms their sound like an unruly street cat. The opener \u201cArp Omni\u201d leads the pack like a red herring. Frontman Jamie Stewart\u2019s creeping, stage-whisper vocals tease out familiar themes of grief and worthlessness: \u201cI\u2019ve done almost nothing right \/ My entire adult life.\u201d Floating synths swirl and mesh within a mournful string arrangement. A few seconds of silence serve as reprieve, but just as soon the real meat and potatoes of the record begin: two drum hits, a fragmented bass line, then\u2026 WHACK! The insatiable groove of \u201cMaestro One Chord\u201d shoots right into place hitting the ear like fists in the mosh pit.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">They\u2019re having more fun than ever, and by the album\u2019s lead single, \u201cCommon Loon,\u201d Xiu Xiu is rocking forward at full speed. Their ever-unique guitar riffs are elastic, bending and stretching around a pounding beat. Think of \u201cCommon Loon\u201d as Xiu Xiu\u2019s Big-Bad-Wolf-sound in Grandmother\u2019s clothing. Grandma Xiu Xiu may not be fooling anyone, but they still look damn good in that costume. The track\u2019s pop structure clings to their radical noise like bad makeup. The music video by Alicia McDaid features McDaid in a variety of scandalous outfits and cakey body paints wandering around, licking soft serve, squatting bare-assed on frosted cakes, and playing roles including but never-ever limited to: \u201cmcdazzler, Britney Spears, The Angelologist, Smurfette, Garfield, Pepe, Anna Nicole Smith Joker, Led Zeppelin groupie, Galactica Darkstar, Jason Voorhees,&nbsp; Frida Kardashian, Viagra, Goth Monica Geller,&nbsp; Chemtrails, Gh\u00f6stmilf, She Hulk, Carmela Soprano, Cathy, Bret Michaels Andy Warhol and Odie\u201d(pulling right from the <a href=\"https:\/\/www.youtube.com\/watch?v=9jgeZ6NDcBE\"><span style=\"text-decoration:underline\">video<\/span><\/a>\u2019s description). Nothing about Xiu Xiu is pretty and nothing about them is trying to be.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">As a whole, <em>Frank Beltrame<\/em> keeps things energized. The standout \u201cVeneficium\u201d rings with angular melodies and an ominously energetic bass line: \u201cAir above massive space \/ Air above massive space,\u201d Stewart intones. The energy of the chorus gives way to punctual crashes like aluminum crushing full speed against brick. Even the closing track \u201cPi\u00f1a, Coconut &amp; Cherry\u201d ticks and winks with the same peculiarity. Bookending the record along with \u201cArp Omni,\u201d it begins and ends with Stewart speak-singing, \u201cA ballad rather than a rocker.\u201d Twinkling synths put <em>Frank Beltrame <\/em>to sleep. Hush hush little album, that\u2019s enough dancing and strife for one night.&nbsp;<\/p>\n<p class=\"\" style=\"white-space:pre-wrap\">Just as McDaid\u2019s cakey face paint convinces us of a Goth Monica Geller, Xiu Xiu effortlessly shapeshifts their sound again and again with their authentic strangeness and multi-headed vision at base<em>. 13\u201d Frank Beltrame Italian Stiletto with Bison Horn Grips<\/em> is just the latest, most adept metamorphosis. They aren\u2019t trying to prove anything beyond their own Xiu-Xiu-ness, and after twenty years of exploring the sound, Jamie Stewart and Angela Seo still find new directions to branch into, referencing both something you\u2019ve probably never heard of and their very own strangeness. Xiu Xiu continues to pull me in and hold me close to the knives, I hope they never let go.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Once Xiu Xiu\u2019s got their talons in you, they\u2019re certainly not letting go.<\/p>\n","protected":false},"author":1,"featured_media":199,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[21],"class_list":["post-198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-album-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Switchblades on the Dancefloor: Xiu Xiu\u2019s Puzzling New Album - wecb<\/title>\n<meta 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