{"id":182,"date":"2024-10-11T15:42:08","date_gmt":"2024-10-11T15:42:08","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-10-11-staff-pix-1011-live-recordings\/"},"modified":"2024-10-11T15:42:08","modified_gmt":"2024-10-11T15:42:08","slug":"2024-10-11-staff-pix-1011-live-recordings","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-11-staff-pix-1011-live-recordings\/","title":{"rendered":"Staff Pix 10\/11: Live Recordings"},"content":{"rendered":"
\n

There\u2019s nothing quite like a liveliness of a concert\u2026but these pix come close. Tune in today from 3-4pm to hear these Staff Pix on WECB!<\/p>\n

\u201cIvy – Live At The Capital Theater, Olympia, WA\u201d by Car Seat Headrest<\/h2>\n

\u2014Bennett Himmel<\/strong><\/p>\n<\/div>\n

\n

\u201cTurbines\/Pigs- Live at Bush Hall\u201d by Black Country, New Road<\/h2>\n

\u201cTurbines\/Pigs\u201d makes me feel a kind of catharsis that few other songs can evoke. It\u2019s funny because I feel so passionately about this song, but don\u2019t really understand what\u2019s narratively taking place in it. There\u2019s a witch flying on her broom? Don\u2019t waste your pearls on her, as she\u2019s only a pig? She \u201cchewed through the mess\u201d that she and somebody m<\/em>ade? Frankly, whatever singer and instrumentalist May Kershaw is saying, I believe her. It literally does not matter to me. The buildup of this song is unmatched. A slow crawl to a full-band sprint, the song gets me in a roll-the-credits kind of mood: it\u2019s the grand finale, here\u2019s what you\u2019ve done, and here\u2019s the big red curtain coming down, goodbye, goodbye. <\/em>Overall, I listen to this song for two incredibly intellectual reasons: an instrumental buildup like no other, and because I\u2019m a little in love with May Kershaw\u2026especially when she plays accordion. \u2014Monika Krueger<\/strong><\/p>\n<\/div>\n

\n

Legendary Girlfriend (\u2018Party Clowns\u2019 – Live in London 1991) by Pulp<\/h2>\n

Jarvis Cocker\u2019s stage presence bleeds through even the smallest of speakers and for good reason. The recording is more of a one sided conversation with the crowd: \u201cSome of you might have heard it\u2026not like this though because this is only gonna happen this one time. Some people might say thank god\u2026.I don\u2019t. We are never going to be in the same place again are we?\u201d The stress in these words, spoken through teeth convey a feeling that feels more\u2026physical, so to say. He speaks to thousands, but you can tell theres only one person in mind. Stand in front of someone you love and the words still apply. \u201cLegendary Girlfriend\u201d  is a song in which the lyrics can be confused for those conversations cut short with nausea creeping up your throat, what would have been said if they made it out of your lips. \u2014Salem Ross<\/strong><\/p>\n<\/div>\n

\n

\u201cGenesis – Live Version\u201d by Justice<\/h2>\n

Seeing Justice live this summer changed my life. I don\u2019t mean to intentionally sound hyperbolic, but it\u2019s true. And trust me when I say that this live recording is the closest you can get without actually seeing the damn thing. Hearing the cheers from the crowd interweave through every nuance and noise is basically biblical. \u201cGenesis\u201d from their Earth-shattering (too much?) self-titled LP sums up  everything I adore about this electronic duo. The track is nasty, gritty, and always danceable. Everything music should be. As I say\u2013French is best. \u2014Sofia Giarrusso<\/strong><\/p>\n<\/div>\n

\n

\u201cMidnight Rendezvous- Live at Chuo Kaikan Hall, Tokyo Feb. 1982\u201d by CASIOPEA<\/h2>\n

Whether it\u2019s JID\u2019s Tiny Desk concert, \u201cWhile My Guitar Gently Weeps\u201d from 2004 with that Prince solo, Jefferson Airplane at Woodstock, that unreleased Chappell Roan song (you know the one), a 40 minute Phish song, or your choice of Jeff Buckley live albums — this Staff Pix has no wrong answers. So lets keep it simple (and short) with 90\u2019s Japanese jazz fusion group CASIOPEA\u2019s MINT JAMS<\/em> live album. It encapsulates a great handful of the band\u2019s discography which may be confusing to navigate on streaming services. As an added bonus, you get to catch the live spunkiness of a band you probably won\u2019t experience unless you hit Japan. But what\u2019s best about this track is that it makes the studio recording seem dull. In MINT JAMS<\/em>, \u201cMidnight Rendezvous\u201d has a spacey keyboard solo before the entire band claps in unison. What follows a split second later is Issei Noro\u2019s raging guitar solo\u2026it may sound like elevator music to some, whatever floats your boat. But regardless of how your hear it, no doubt it makes for the perfect live upgrade from the original. \u2014Sam Shipman<\/strong><\/p>\n<\/div>\n

\n

 \u201cLife During Wartime – Live\u201d by Talking Heads<\/h2>\n

You can feel the raw energy from a mile away in Talking Heads\u2019s legendary performance of \u201cLife During Wartime.\u201d Highlighted in their 1984 concert film, Stop Making Sense<\/em>, this performance is an audio-visual experience that encourages much more than a mere listening ear. In fact, the group demands immediate attention as they begin their performance with a rhythmic jog\u2013one that accompanies the entirety of the song, might I add\u2013that captivates both listeners and viewers through energy alone. The lyrics \u201cNo time for dancing or lovey-dovey\/ I ain\u2019t got time for that now\u201d are juxtaposed against David Byrne and backup vocalist\u2019s, Lynn Mabry and Ednah Holt, loose dance moves. In fact, the spirit of the track is vitalized by striking electric guitar and a sparkling synth solo. Throughout, we can hear Byrne embrace the groove of Tina Weymouth\u2019s driving bass as he chants \u201cI don\u2019t know what I look like\u201d and \u201cThe burning keeps me alive.\u201d The performance is more than just a track\u2013it’s an exchange of energy between not only members of the band but with the audience as well. The group\u2019s commitment to their literal and metaphorical movement here is impressive. Talking Heads does not include a single moment of silence in their live performance of \u201cLife During Wartime\u201d and this undying energy is infectious to say the least. \u2014Sophie Parrish<\/strong><\/p>\n<\/div>\n

\n

\u201cSagu\u2019s Palm Song – live at Milton Court, London, 2022\u201d by Ichiko Aoba<\/h2>\n

Since the release of her debut record in 2010, this angel-voiced Japanese singer-songwriter has quickly cemented herself as one of this generation\u2019s great folk heroines. Her near-prolific output of stark, unabashedly beautiful folk hymns are peerless in both quality and consistency. The 2022 live album which my selected song stems from was recorded entirely at the Milton Court Concert Hall in London, and primarily features renditions of songs from Aoba\u2019s 2020 tour-de-force Windswept Adan<\/em>, with a few other songs thrown in the mix. It\u2019s all an absolute treat to listen to, but my favorite song on the whole thing is no doubt this album\u2019s variation of \u201cSagu\u2019s Palm Song\u201d off of Windswept Adan<\/em>, which I may even prefer to the original. As if Aoba\u2019s ethereal voice and winding guitar playing aren\u2019t sweet enough on the ears, the addition of a free-flowing string section (who were given permission to improvise their parts as long as they based their improv on \u201cthe sounds of nature\u201d) only adds another layer of audial goodness on top of an already immaculate-sounding song. Aoba and the strings avoid matching up rhythmically and melodically, playing two totally different tunes like they\u2019re in some sort of otherworldly interpretive dance-off, though it sounds great anyways. \u2014Lucca Swain<\/strong><\/p>\n<\/div>\n

\n

\u201c<\/strong>I Am The Walrus (Live at Knebworth, 11 August  \u201896)\u201d by Oasis<\/h2>\n

Oasis recently returned to the music world for a few reunion shows, so I found it fitting to highlight a live recording from their legendary show at Knebworth in 1996. \u201cI Am The Walrus\u201d is originally by The Beatles (from their 1967 album Magical Mystery Tour<\/em>), and Oasis closes every show with their electric rendition. This performance is one of my favorites. The squealing horn section roaring over the screaming crowd creates an epic atmosphere. Liam Gallagher sings each lyric with gusto, leaning heavily into his signature rasp. They celebrate this iconic song with so much passion. The outro of this tune has always developed into a beautiful cacophony, but Oasis managed to multiply the chaos tenfold. The horns go berserk, electric guitars are shredded to oblivion, the drums ring above the noise with a grounding strength, and finally the song comes to end with a intense crash of sound. \u201cSee you later!\u201d Liam yells to the crowd, as fireworks are heard in the distance. An unforgettable end to an Oasis show and one that can be felt in your bones. \u2014Izzie Claudio<\/strong><\/p>\n<\/div>\n

\n

\u201cJust in Time (Live – Montreux Jazz Festival 1968)\u201d by Nina Simone<\/h2>\n

Featured in Before Sunset <\/em>(2004), the second film of The Before Trilogy<\/em>, \u201cJust in Time\u201d is one of Nina Simone\u2019s more optimistic love songs. It opens with a circling piano motif, a rattling tambourine beat, and applause, which always makes me feel like I am sitting at an intimate small-table jazz club, glancing at the tables of other lucky couples excited to see the legend Nina Simone herself. Simone sings about the clarity and fearlessness she feels because her lover has \u201cfound\u201d her \u201cjust in time.\u201d She throws some humor into her performance, following \u201cI\u2019ve found my way,\u201d with onomatopoeia: \u201cclick click click click click click kiss.\u201d Then Simone launches into a jingling piano riff, layering increasingly emotional lyrics overtop: \u201cSo let\u2019s live today anyway\/ Change me change me\/ Change me once again.\u201d Whether you have seen Celine and Jesse reunite and want to re-experience the magic of the movie, or you have your own fall romance to ruminate on, this song is the perfect portrayal of early-romance joie de vivre<\/em>.\u2019 \u2014Christian Jones<\/strong><\/p>\n<\/div>\n

\n

\u201cHow Blue Can You Get? (Live at Cook County Jail)\u201d  by B.B. King<\/h2>\n

B.B. King is easily one of my favorite artists to listen to live. With an innumerable amount of live recordings out, I do dare say that he sounds even better live than in the studio. One of his most famous performances was at Cook County Jail \u2013 which, although short at 38 minutes, is a concert that King brought a surreal amount of energy and devotion to. My favorite song on this album is undoubtedly \u201cHow Blue Can You Get?\u201d which begins with an almost 3 minute long guitar solo before King begins to weep about a lover who is jealous and wicked. It is in classic B.B. King fashion to write songs about awful past lovers but this song is particularly outstanding in the pure passion behind King\u2019s vocals and the stirring wails of his guitar found in few of his live recordings. King ponders on all that he gave this lover, saying that he \u201cgave you seven children \/ and now you want to give them back\u201d and that he\u2019s \u201cbeen downhearted, baby \/ ever since the day we met.\u201d The question he keeps asking, keeps pondering, is how blue can his lover get? Will his cries of sorrow finally get through to her? \u2014Ari Mei-Dan<\/strong><\/p>\n<\/div>\n

\n

\u201c<\/strong>Nutshell – Live at the Majestic Theatre, Brooklyn, NY – April 1996\u201d – Alice in Chains<\/h2>\n

I love Alice in Chains for two reasons: their ability to make me feel like a strong blue collar man, and their MTV Unplugged set. I don\u2019t know what kind of magic potion MTV was giving these men before sending them out on stage, but from Nirvana to Alice in Chains to Pearl Jam, these performances reconnected audiences to the intimacy, and sadness behind the raunchy chaos of grunge. As this recording begins, you are immersed in the audience\u2019s loving applause for the band. Dying down momentarily as the initial guitar plucks of \u201cNutshell\u201d begin, the drum enters, and suddenly Layne Staley\u2019s tight-mouthed twanging voice expands across the audience. This stripped-back version of one of the group\u2019s saddest songs proved that their music was capable of more than their rock-heavy sound, and memorialized Layne as one of the greatest vocalists of the past few decades. Somehow, his voice seems to sound better live than in a lot of the band\u2019s studio recordings, which is saying a lot given how taxing it must have been to sing a lot of stuff in their discography! \u2014Adelaide Russell<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

There\u2019s nothing quite like a liveliness of a concert\u2026but these pix come close. Tune in today from 3-4pm to hear these Staff Pix on WECB! \u201cIvy – Live At The Capital Theater, Olympia, WA\u201d by Car Seat Headrest \u2014Bennett Himmel \u201cTurbines\/Pigs- Live at Bush Hall\u201d by Black Country, New Road \u201cTurbines\/Pigs\u201d makes me feel a…<\/p>\n","protected":false},"author":1,"featured_media":183,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 10\/11: Live Recordings - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 10\/11: Live Recordings - wecb\" \/>\n<meta property=\"og:description\" content=\"There\u2019s nothing quite like a liveliness of a concert\u2026but these pix come close. 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