{"id":170,"date":"2024-10-20T20:09:44","date_gmt":"2024-10-20T20:09:44","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-10-20-mairidh-gaol-is-cel-fontaines-dc-bring-the-romance-to-roadrunner-1013\/"},"modified":"2024-10-20T20:09:44","modified_gmt":"2024-10-20T20:09:44","slug":"2024-10-20-mairidh-gaol-is-cel-fontaines-dc-bring-the-romance-to-roadrunner-1013","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-20-mairidh-gaol-is-cel-fontaines-dc-bring-the-romance-to-roadrunner-1013\/","title":{"rendered":"Mairidh Gaol is Ce\u00f2l: Fontaine\u2019s DC Bring the Romance to Roadrunner 10\/13"},"content":{"rendered":"
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Graphic by Cate Banks<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<\/p><\/div>\n

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by cate banks<\/h1>\n<\/div>\n
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From black shadows, a bass line intense as the climax of a horror thriller emerged through a haze of pounding green strobes to welcome the silhouetted Fontaines D.C. onstage. Although, the irish members didn\u2019t just take<\/em> the stage, they seized it with the urgency of a band hell-bent<\/em> on making every second count like it was our last hour on earth. The group characterized the venue with their devil-may-care attitude, a petrifying opening and an incomparably cinematic atmosphere that stung deep into your body as if the pulsing bass wasn\u2019t enough. \u201cInto the darkness again,\u201d chanted lead singer and frontman Grian Chattan, dressed in a fur hat and full length trench coat like a punk Citizen Kane. He appeared from the side, hymning to center stage, \u201cgod knows I love you \/ screws in my head \/ I will be beside you\u2026\u201d Which rang like a lullaby until the doll-like trickling keys cued the silencing, \u201ctill you\u2019re dead.\u201d <\/p>\n

Suddenly, I realized we were just thrown into the pen: their opener, \u201cRomance,\u201d perfectly welcomed the audience into their alternative world of audible intrigue and performative perfection. Known for their poetic lyricism and punk fueled melodies, Fontaines D.C. carries their Irish identity and a gothic architecture through their entire discography. With highlights from each album\u2013Dogrel, A Hero\u2019s Death, Skinty Fia go deo<\/em>, and their latest, Romance<\/em>\u2013the hour and a half long show at Roadrunner in Boston was the perfect way to greet the new October chill. <\/p>\n

The air was nearly cool as the energetic start of \u201cJackie Down the Line,\u201d a Smashing-Pumpkins-esque, high-hat-infested dulcet to kick off the energy. What followed were two definitive hits from their second album including \u201cTelevised Mind\u201d whose Korn-inspired drums transitioned excitingly into \u201cA Lucid Dream.\u201d Bonding over poetry at university and living in the rainy, dramatic streets of Ireland, the bands\u2019 lyrics carry passionate insight to darkness, desire, beauty and panic all at once. Their hit, \u201cRoman Holiday,\u201d interrupted the increased punk heartbeat with a 12-string guitar melody similar to The Stone Roses, \u201cI Wanna Be Adored,\u201d in a thick accent and eerily romantic expression. The audience of alternatively dressed college students, hipster millennials, and artsy Gen X\u2019ers particularly indulged in this tune as I watched glossed eyelids gaze around in this serendipitous moment taking in the lyrics: \u201cwas it the weed or the moment that stoned ye?\u201d But we all know it wasn\u2019t the weed or the moment, but the music<\/em> that had us all stuck in our tracks. <\/p>\n

The declarative ode to home, \u201cBig Shot,\u201d was then drawn to a close with the static filled, Nirvana-like guitar of \u201cDeath Kink,\u201d played by the crucial Conor Curley, without whom the FDC sound would not exist. Curley, like the others, sported a big tee, boots and baggy pants, futuristic accessories and sweaty-punk-fallen hair. During their first three albums the group upheld a rebellious, Irish persona that directly linked to their mysterious sound. After the release of their newest record, this identity has shifted to a more editorial, UK-media inspired style that encapsulates the multifaceted progression, exploration, and evolution of these five enchanting artists. Continuing on with their elaborately demonstrative tunes from Romance<\/em> was the Echo & The Bunnymen-sounding hit, \u201cBug,\u201d and the electrifying \u201cHere\u2019s the Thing\u201d which rings with unbending refrains that express the new voice of the band. Like a bottle being smashed over your head, the lyrics \u201cDublin in the rain is mine \/ a pregnant city with a catholic mind\u201d burst through as Fontaines identity-defining, \u201cBig,\u201d from their second album Dogrel<\/em> began. <\/em>Cheers followed as \u201cFree Palestine<\/em>\u201d left Chattans lips, marking that the only commentary between tracks during the entire show; unlike most bands, Fontaines DC doesn\u2019t need a false, flowery chemistry with the audience\u2013their music speaks for itself. Chatten writes lyrics so titillating they make you scratch for the footnotes and yearn to see the original ink they were written in\u2014the songs are frankly never enough. <\/p>\n

Guitarist Curley then got to highlight his celestial register in \u201cSundowner\u201d and move us into crowd favorite, \u201cNabokov.\u201d At this point, the energy was anything but dying and groups of friends and individuals surrounding me were wrapped in Irish flags, holding each other’s shoulders and screaming the football \u201col\u00e9, ol\u00e9, ol\u00e9\u201d chant as if this were the greatest sporting event of the year\u2013and for all of the alternative, probably pop-culture snob musicophiles (such as myself) in the venue, I fear it was.  <\/p>\n

To finish the set, tattoo-covered drummer Tom Coll aligned all of our internal rhythms by introducing \u201cBoys in the Better Land\u201d with a piercing guitar from Carlos O\u2019Connell and bass line by Conor Deegan III that reminisces Kevin Shield\u2019s angsty shoegaze pedal almost exactly. Brightly ending the set with Romance<\/em>\u2019s <\/em>finale, \u201cFavourite,\u201d that puts the reverberation of Morissey\u2019s \u201cWhy Don\u2019t You Find out for Yourself\u201d into a phosphene-inducing motif, Fontaines D.C. walked off the stage with a sway as cinematic as the endearing Scottish rebels of Trainspotting<\/em> (1996). <\/p>\n

Transporting us to darker places of acceptance, passion, and comfort, these Irish contemporaries use the Pornagraphy<\/em>-era Cure sound and place it in our digital age to deliver a sound not common in our current libraries. The encore, which consisted of producer James Ford\u2019s most stylized hit on the record, \u201cIn the Modern World,\u201d as well as The Cure-x-\u201cSpring-Heeled Jim\u201d by Morrisey pastiche of \u201cI Love You,\u201d rounded the hazy show with passionate satisfaction. Just as the lights dimmed and audience murmurs sped up, the creeping mellotron of \u201cStarburster\u201d lured us all back in for one last listen to the thickly accented, agonistically inspirational, unique perspectives of Fontaines D.C. Sweating and slightly peeved (for the approach of something so beautiful to arrive so quickly), I left the venue of smiling fans and walked past the myriad of well-dressed goths smoking Spirits and Golds on the street, feeling as if I was in Dublin myself. <\/p>\n

With an intensity like no other and contemporary production reflective of both punk-classics and relevant musical outsiders, Fontaines D.C. are an artist we all need to be looking out for. I don\u2019t think my bones will ever forget that opening song which started a night of pure atmospheric allure and musical mystery. Chattan has shared in an interview his thoughts of romance and delusion, declaring them \u201cone in the same\u201d as well as a \u201cplace of refuge\u201d; tonight, they opened that refuge for all of us. Fontaines D.C. delivered a show very few, if anyone, could stop thinking about\u2013there was an ominous intimacy of haunted houses or late night jazz bars, which brought this peace I never knew could exist. After all, Fontaines D.C. reminded everyone there that night the world may indeed one day end. What will endure is love and music as the Gaelic proverb, \u201cMairidh Gaol is Ce\u00f2l\u201d insinuates.  <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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