{"id":162,"date":"2024-10-25T15:07:01","date_gmt":"2024-10-25T15:07:01","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/2024-10-17-staff-pix-1018-jazz-7j2cm\/"},"modified":"2024-10-25T15:07:01","modified_gmt":"2024-10-25T15:07:01","slug":"2024-10-17-staff-pix-1018-jazz-7j2cm","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-17-staff-pix-1018-jazz-7j2cm\/","title":{"rendered":"Staff Pix 10\/25: New Releases"},"content":{"rendered":"
\n

It\u2019s that time again to celebrate the best new releases of the past few weeks! Check out the staff\u2019s pix, and tune in on Friday from 3-4pm to hear them played\u2026LIVE!<\/p>\n

\u201cInstant Psalm\u201d by The Smile<\/h2>\n

Straight off of The Smile\u2019s newest record Cutouts<\/em>, \u201cInstant Psalm\u201d is an instant Thom Yorke classic sure to inspire melancholic reflection. Beginning with a flourish of layered violin and ambient synth, the track takes the listener on an emotional journey of clear uncertainty. The lyrics of \u201cWe overflow in a hurricane\/ We can feel no pain\u201d and \u201cAnd we feel you near\/ But so close that you disappear\u201d speak to feeling so overcome with emotion that you begin to feel nothing at all. In a storm of personal entanglements, Yorke\u2019s voice is unchanging and soft beneath the layers of orchestral harmonies. The track ends with some impression of a resolution as the overwhelmingly pensive sound fades out with only the guitar left for the listener to ground themselves with.  \u2014Sophie Parrish<\/strong><\/p>\n<\/div>\n

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\u201cAttaway\u201d by Phantogram<\/h2>\n

After quite a drought, electronic-rock duo Phantogram has finally released their latest LP, Memory Of A Day<\/em>. My admiration for this band primarily comes from my steadfast nostalgia\u2013their tunes littered my father\u2019s playlists and various Pandora radios growing up. I do believe that 2009\u2019s Eyelid Movies<\/em> is practically perfect, so there\u2019s that as well. Transparently, I don\u2019t find Memory Of A Day<\/em> great by any means, but \u201cAttaway\u201d easily stands out amongst an otherwise dim project. It\u2019s brash and heavy. It\u2019s got that good kind of repetitive energy that manifests into addiction for more. I wouldn\u2019t say it has the electronic spirit of earlier Phantogram tracks, but it definitely utilizes the expansiveness the duo is praised for. \u2014Sofia Giarrusso<\/strong><\/p>\n<\/div>\n

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\u201cSHELL (OF A MAN)\u201d by Saya Gray<\/h2>\n

\u201cThis will be the last song about you\u201d…a famous lie for a fabulous song. \u201cSHELL (OF A MAN)\u201d is Gray\u2019s first single release teasing her album, SAYA<\/em>, coming this February. It\u2019s sonically spirited and lyrically upfront: how do you move on? The questions Gray is grappling with are anything but simple:  \u201cHow do I get past the past\u201d if \u201cI\u2019m still hung up on cobwebs\u201d? What’s the \u201cdifference in visiting \/ A memory and living in the past\u201d? In Gray\u2019s book, there is one clear step that must be taken. Talking about it. \u201cSpeak now, or forever hold your peace\u201d, she repeats. Opening up may not mean that it\u2019ll be the last song, poem, playlist, film, collage, short story, journal entry, wine drunk yap session, or solo karaoke performance you initiate, but it will certainly be a step towards that for-real final melody about them. \u2014Monika Krueger<\/strong><\/p>\n<\/div>\n

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\u201cJust a Western – Boy Harsher Remix\u201d by Nil\u00fcfer Yanya<\/h2>\n

Britain\u2019s lush, ultra-cool Nil\u00fcfer Yanya already knew what she was doing with \u201cJust A Western,\u201d released in her latest album My Method Actor.<\/em> In this newly released remix, the sweet and atmospheric twang of the original is transformed by Boy Harsher\u2019s hollow, \u201880s dance production, displaying the multitude of contexts in which Yanya\u2019s honey-smooth vocals fit right in. Boy Harsher\u2019s production is not complex; it incorporates the right amount of expansive, chiming, and synth-heavy sounds reminiscent of \u201880s pop, transferring audiences to a slow-moving dance floor, or a dramatic late night drive.  \u2014Adelaide Russell<\/strong><\/p>\n<\/div>\n

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\u201cAwards Season\u201d by Bon Iver<\/h2>\n

It\u2019s no secret that Justin Vernon is an emotional guy. For two decades, the Wisconsin-based indie folk legend behind Bon Iver has proven time and time again that he\u2019s capable of baring his soul like few others, whether it be the on unvarnished isolation ballads of For Emma, Forever Ago<\/em> or in the outlandish existential musings sequestered within the cryptic whirs and glitches of 22, A Million<\/em>. And yet, despite so many years of constant exposure to his sad, sad music, why did I still get hit like a truck when I first heard Vernon sing, \u201cBut you know what will stay\/Everything we\u2019ve made\u201d at the end of \u201cAwards Season\u201d? Maybe it\u2019s because, after years of listening to him speak in tongues and invent his own words (a la \u201cfuckified\u201d), to hear Vernon write with such directness is like an audial system shock. Or maybe it has to do with the music itself, all muted synth and obfuscated splotches of piano just barely accenting Vernon\u2019s trademark baritone, the palpable stillness eventually giving way to a beautiful gaggle of saxophones to create what may be \u2013 dare I say \u2013 one of the most emotionally gratifying songs in the entire Bon Iver catalog. \u2014Lucca Swain<\/strong><\/p>\n<\/div>\n

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\u201cHeart You Hold\u201d by Jordana<\/h2>\n

Jordana\u2019s new project Lively Premonition<\/em> can be summarized with one word\u2013 confidence. Jordana sounds better than ever before through a series of nonchalant performances that bring out the record\u2019s wide range of production choices. \u201cHeart You Hold\u201d stands out as not only a pretty nod to the Carpenters through Jordana\u2019s effortlessly layered harmonious singing, but brings out the most common theme of this record: catchy choruses. When \u201cLike A Dog\u201d came out early August, it quickly became my song of the summer strictly streaming numbers wise. I’m excited to ride out fall living through a new slew of Jordan\u2019s earworms. \u2014Sam Shipman<\/strong><\/p>\n<\/div>\n

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\u201cAquamarine\u201d by Addison Rae<\/h2>\n

It would be both very easy and horrendously stupid to categorize Addison Rae as nothing more than a TikTok star. Over the last few years, she\u2019s been releasing increasingly exciting electropop that brings to mind the glossy, smooth-brained thrills of 2010s top 40. All of this progress comes to a head on the luminous \u201cAquamarine,\u201d a shimmering, bite-sized piece of deep house that recalls 90s Madonna, Grimes circa 2015, and Debut-era Bj\u00f6rk. If this were done by a lesser pop star, it would come off as a cheap, pandering bit of pastiche, but Addison takes these smaller, more idiosyncratic sounds and blows them up to stadium proportions. \u201cGive me moreeee,<\/em>\u201d Addison coos on the spectacular bridge. Who could deny her? \u2014Bennett Himmel<\/strong><\/p>\n<\/div>\n

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\u201cElephant\u201d by jasmine.4.t<\/h2>\n

The elephant is <\/em>in the room, but possibly in a different way than singer-songwriter Jasmine Cruickshank intended. Her new single \u201cElephant\u201d dissects the entanglement of isolation and joy involved in identity discovery. The build, the production, the raw emotion of this song is masterful and addicting, gripping listeners until the very end. Cruickshank\u2019s evocative rollercoaster of dynamics, instruments, and coping mechanisms forces the audience to the edge of their seat until the song\u2019s end. Originally self-releasing, she just signed with Saddest Factory Records (Phoebe Bridgers\u2019 production company), so be on the lookout for her imperative and incredibly important rise to fame, starting with her first album out January 17th.  \u2014Anna Chalupa<\/strong><\/p>\n<\/div>\n

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\u201cRise\u201d by Kelly Lee Owens<\/h2>\n

This track from Kelly Lee Owens\u2019 new album, Dreamstate,<\/em> is a cathartic, technicolor anthem perfect for your late-fall walks. Owens creates a propulsive, vibrant beat that feels like rays of sunlight beaming through orange and yellow leaves. The wind is blowing, and Owens is chanting about a new dawn: \u201cI see the sun coming up.\u201d It\u2019s the kind of rebirth you typically expect from spring\u2014clarity, confidence, feelings rising again like buds in the frost. But no, the moment is now: \u201cDance it away, till I feel again\/ Let go the pain resurfacing.\u201d Break that cycle of hurt from the past\u2014it doesn\u2019t define you. The light at the end of the tunnel is here. Say it twice so you believe it: \u201cI\u2019m myself again\/ I\u2019m myself again.\u201d Manifest the brightest possible version of yourself: \u201cI want it, I got it.\u201d Listen and rise like a neon phoenix from the ashes of yourself. \u2014Christian Jones<\/strong><\/p>\n<\/div>\n

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\u201cClub Classics featuring bb trickz\u201d by Charli XCX<\/h2>\n

Released just in time for the Halloween party antics, Charli XCX and Bb trickz\u2019s remix for \u201cClub classics\u201d is a song you could leave on loop without anyone leaving the dance floor. The track is one of many bass and rhythm-driven amalgamation of songs off of Charli\u2019s hit album BRAT<\/em> including tracks \u201c365\u201d and \u201cb2b\u201d\u2014alluding to her own hits as \u201cclub classics,\u201d and well deservingly so. The mass recognition of BRAT<\/em> prompted her to release a follow-up album with gem-filled remixes that feature iconic pop culture collaborations with artists like Lorde and Bladee. In the \u201cClub classics\u201d remix, Charli features Bb trickz, a Spanish rapper relatively new to the scene whose verse merges well with the punchy beat and overall attitude of the track. If you\u2019re at a function at a loss of what to queue next, this remix will always be a crowd-pleaser.\u2014Rachel Charles<\/strong><\/p>\n<\/div>\n

\n

\u201cI Think About Heaven\u201d by Christopher Owens<\/h2>\n

Imagine you\u2019re a medieval peasant: Everyday is dirt. You sleep in dirt. It\u2019s cold. Your work. The taxes are harsh. The King is mean. There\u2019s even more <\/em>dirt. And every Sunday you enter the most beautiful building you\u2019ve ever seen. A man in clean white robes tells you that everything will be okay. Light streams through colored glass and the sight makes tears well up in your eyes, Who knew light could do that!?<\/em> \u201cI Think About Heaven\u201d from Christopher Owen\u2019s newest album, I Wanna Run Barefoot Through Your Hair<\/em>, looks upward with a peasant\u2019s simple grin. Owens\u2019 lyrics feather in and out of shining guitar lines: \u201cAll I have left is the memory of our love \/ I think about heaven and I smile.\u201d Life is pretty crummy and things rarely go your way. So sit back and imagine how wonderful heaven\u2019s going to be. \u2014Nathan Hilyard<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

It\u2019s that time again to celebrate the best new releases of the past few weeks! Check out the staff\u2019s pix, and tune in on Friday from 3-4pm to hear them played\u2026LIVE! \u201cInstant Psalm\u201d by The Smile Straight off of The Smile\u2019s newest record Cutouts, \u201cInstant Psalm\u201d is an instant Thom Yorke classic sure to inspire…<\/p>\n","protected":false},"author":1,"featured_media":163,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[38],"class_list":["post-162","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-staff-pix"],"yoast_head":"\nStaff Pix 10\/25: New Releases - wecb<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Pix 10\/25: New Releases - wecb\" \/>\n<meta property=\"og:description\" content=\"It\u2019s that time again to celebrate the best new releases of the past few weeks! Check out the staff\u2019s pix, and tune in on Friday from 3-4pm to hear them played\u2026LIVE! \u201cInstant Psalm\u201d by The Smile Straight off of The Smile\u2019s newest record Cutouts, \u201cInstant Psalm\u201d is an instant Thom Yorke classic sure to inspire...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-17-staff-pix-1018-jazz-7j2cm\/\" \/>\n<meta property=\"og:site_name\" content=\"wecb\" \/>\n<meta property=\"article:published_time\" content=\"2024-10-25T15:07:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2024\/10\/103A25staffpix-1024x1024.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"webadmin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"webadmin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-17-staff-pix-1018-jazz-7j2cm\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-17-staff-pix-1018-jazz-7j2cm\/\"},\"author\":{\"name\":\"webadmin\",\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/#\/schema\/person\/c46ba3f7f9fe9c03fa23354d226a97a9\"},\"headline\":\"Staff Pix 10\/25: New Releases\",\"datePublished\":\"2024-10-25T15:07:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-17-staff-pix-1018-jazz-7j2cm\/\"},\"wordCount\":1631,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/#organization\"},\"image\":{\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-17-staff-pix-1018-jazz-7j2cm\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2024\/10\/103A25staffpix.png\",\"keywords\":[\"Staff Pix\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-17-staff-pix-1018-jazz-7j2cm\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-17-staff-pix-1018-jazz-7j2cm\/\",\"url\":\"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/2024-10-17-staff-pix-1018-jazz-7j2cm\/\",\"name\":\"Staff Pix 10\/25: New Releases - 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