{"id":1544,"date":"2018-11-24T04:42:19","date_gmt":"2018-11-24T04:42:19","guid":{"rendered":"https:\/\/wers.org\/wecb\/milkcrate\/colourgreensibyllebaier\/"},"modified":"2018-11-24T04:42:19","modified_gmt":"2018-11-24T04:42:19","slug":"colourgreensibyllebaier","status":"publish","type":"post","link":"https:\/\/orgs.emerson.edu\/wecb\/milkcrate\/colourgreensibyllebaier\/","title":{"rendered":"Colour Green: Found 33 Years Later"},"content":{"rendered":"<div class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \" data-test=\"image-block-inline-outer-wrapper\"><\/p>\n<figure class=\"\n              sqs-block-image-figure\n              intrinsic\n            \" style=\"max-width:2500px\"><\/p>\n<div class=\"image-block-wrapper\" data-animation-role=\"image\">\n<div class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\n            \" style=\"position: relative;padding-bottom:33.31999969482422%;overflow: hidden\"><\/p>\n<p>                <img decoding=\"async\" data-stretch=\"false\" src=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/SibylleBaier.jpg\" data-image=\"https:\/\/orgs.emerson.edu\/wecb\/wp-content\/uploads\/sites\/87\/2025\/06\/SibylleBaier.jpg\" data-image-dimensions=\"2500x833\" data-image-focal-point=\"0.5,0.5\" alt=\"Sibylle Baier.jpg\" data-load=\"false\" width=\"2500\" height=\"833\" style=\"object-fit: cover;width: 100%;height: 100%;object-position: 50% 50%\" loading=\"lazy\" data-loader=\"sqs\"><\/p><\/div>\n<\/p><\/div>\n<\/figure><\/div>\n<div class=\"sqs-html-content\">\n<p style=\"white-space: pre-wrap\">by Karigan Wright<\/p>\n<p style=\"white-space: pre-wrap\">Sixteen-year-old Sibylle Baier sat in her living room in Germany in 1973, just a young woman, her guitar, and a reel-to-reel machine. She recorded fourteen short tunes over three years, creating a thirty-three-minute long album which she titled \u201cColour Green\u201d. <\/p>\n<p style=\"white-space: pre-wrap\">Baier recorded the album on her own, making copies for close friends, making no attempt to be noticed by record companies or music fans. She wasn\u2019t looking for fame, just looking to share her music with her close-knit circle. It wasn\u2019t until <a href=\"https:\/\/www.themonthly.com.au\/issue\/2009\/june\/1274511577\/robert-forster\/lost-women-found\">2006<\/a> when \u201cColour Green\u201d was released to the public. Baier\u2019s son Robby had come across the album and opted to send it to his friend, musician, and member of the band Dinosaur Jr., J Mascis, who later sent the album to his friend who worked at the record company Orange Twin Label. <\/p>\n<p style=\"white-space: pre-wrap\">Upon receiving the record, Orange Twin Label released it as it was originally recorded, preserving the historical raspy sound. The label isn\u2019t responsible for just re-releasing Baier\u2019s album, the label also discovered the self-titled album by the folk rock-psychedelic artist <a href=\"https:\/\/www.orangetwin.com\/elyse.html\">Elyse<\/a>. <\/p>\n<p style=\"white-space: pre-wrap\">The background sound of the album is unique and raw, being recorded on a reel-to-reel machine, there\u2019s a certain gravelly feel accompanying the acoustic vocals. Though released thirty-three years later, there is no doubt that \u201cColour Green\u201d sounds exactly like the soft German music the artist grew up with. <\/p>\n<p style=\"white-space: pre-wrap\">\u201cColour Green\u201d opens with \u201cTonight,\u201d a simple yet raw song about coming home from work to your lover, talking to them about your rough day. Baier\u2019s sweet and gentle voice guides you throughout the story, making for a very personable experience. She conveys a raw dialogue between her and her lover, providing quotes from their interactions and dedicating the song to \u201chim\u201d. <\/p>\n<p style=\"text-align: center;white-space: pre-wrap\"><em>Tonight when I came home from work <br \/>there he unforeseen changed in the lazy chair <br \/>and said &#8220;what&#8217;s that sorrow you bear?&#8221; <br \/>and I could tell him, he understood<br \/>he gently took my arm <br \/>he listened to my tears till dawn<br \/>I dedicate this song to you <br \/>tonight we had change of the moon<\/em><\/p>\n<p style=\"white-space: pre-wrap\">Baier reflects on a single day when she was sixteen in \u201cRemember the Day\u201d, describing going on a trip with her friend <a href=\"https:\/\/www.vinylmeplease.com\/magazine\/sibyllebaier-colourgreen\/\">Claudine<\/a> in the Swiss Alps. There is an incredible amount of imagery in this song, Baier describing the ocean, the secluded area, and the emotions she felt during the trip. She keeps a conversational tone throughout the piece, making the audience feel apart of the story, rather than making it feel like Baier is just speaking to Claudine. <\/p>\n<p style=\"text-align: center;white-space: pre-wrap\"><em>There slowly, slowly, I no longer thought of what is good or what is not<\/em><\/p>\n<p style=\"text-align: center;white-space: pre-wrap\"><em>There simply was the water&#8217;s smell and remoteness<\/em><\/p>\n<p style=\"text-align: center;white-space: pre-wrap\"><em>I only stood and watched that old cold ocean<\/em><\/p>\n<p style=\"text-align: center;white-space: pre-wrap\"><em>In tender and bright, full, unspeakable emotion<\/em><\/p>\n<p style=\"text-align: center;white-space: pre-wrap\"><em>I did what I could<\/em><\/p>\n<p style=\"text-align: center;white-space: pre-wrap\"><em>All was good<\/em><\/p>\n<p style=\"white-space: pre-wrap\">The title track, \u201cColour Green,\u201d gives the audience a glimpse into a dream Baier once had. The dream version of Baier grows and changes throughout the song, until at last, she admits her loneliness and how she is no longer herself, followed by reminding the audience of her dream. The lyrics portray a nostalgic feeling, Baier perhaps dreaming about a memory of hers or even a fantasy of hers. There is a stark focus on clothing, mentioned throughout. The title of the album is even a reference to this \u201ccolour green\u201d, possibly symbolizing a very distinct memory of hers. &nbsp;&nbsp;<\/p>\n<p style=\"text-align: center;white-space: pre-wrap\"><em>I&#8217;d been a girl and one dream<br \/>Frequented my late afternoon<br \/>Saw me in New York City<br \/>Wearing a sweater colour green<br \/>So one night I sat down on a chair and knitted there<br \/>Hmmm<\/em><\/p>\n<p style=\"text-align: center;white-space: pre-wrap\">Baier\u2019s unique voice softly takes you into her world, one of love, pain, friendship, and loss. Each song creates an image of a different time and place; whether it be an image of knitting in NYC, of losing love, or talking to a lover. Each song blends into the next, sounding like a singular story divided into fourteen parts. The personal stories of Baier\u2019s life are simple and relatable, making for a cozy and intimate experience. Her words reflect a nostalgic feeling of innocence, vulnerability, and coming of age, the <a href=\"https:\/\/www.sibyllebaier.com\/\">guestbook<\/a> on her website reflecting this sentiment. It simply does not matter that the album was released decades later, fans are praising it now. They truly appreciate it for the incredible work it is. Many commented on how the album changed their lives, helping them through breakups, making them appreciate music more, or bringing them closer to a loved one. <\/p>\n<p style=\"white-space: pre-wrap\">Her voice stays strong and constant, her vocals keeping up with each story she tells. She changes pitches throughout the album, blessing our ears with both her deep and strong vocals as well as higher and more fragile notes. <\/p>\n<p style=\"white-space: pre-wrap\">In addition to her voice, Baier is also uniquely lyrical, writing in an unusual structure. Each song is written in its own way, some without a chorus, others without a bridge. Her lyrics read more so as poetry than music, this however only adding to Baier\u2019s rare charm and talent. <\/p>\n<p style=\"white-space: pre-wrap\">Soft-spoken and personable, \u201cColour Green\u201d is the perfect album to listen to as you relax in your cozy home, either alone or with your significant other. Baier provides more than a source of musical entertainment, she unintentionally contributed to a historical account of stripped down pop-folk music in Germany. Baier\u2019s whimsical and smooth voice will take you back to the folk singer-songwriter tunes of the early 1970s.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sixteen-year-old Sibylle Baier sat in her living room in Germany in 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